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Chapter 14 - The Internet

Everything Is Connected: DeLillo and Internet Culture

from Part III - Media and Pop Culture

Published online by Cambridge University Press:  19 May 2022

Jesse Kavadlo
Affiliation:
Maryville University of Saint Louis, Missouri
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Summary

Reading DeLillo’s work as a whole, readers can trace the trends that shape internet culture: from the very beginning, DeLillo has concerned himself with the connectiveness, surveillance, and information overload that characterize the contemporary Internet. While the Internet provides only a small role in a few of DeLillo's novels, the idea of the Internet, and its various ways of creating both connection and distance, loom large throughout DeLillo's fiction.

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Publisher: Cambridge University Press
Print publication year: 2022

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References

Works Cited

Abbate, Janet. Inventing the Internet. Massachusetts Institute of Technology Press, 1999.Google Scholar
Boxall, Peter. Don DeLillo: The Possibility of Fiction. Routledge, 2006.Google Scholar
DeLillo, Don. Americana. Penguin Books, 1989.Google Scholar
DeLillo, Don. Cosmopolis. Scribner, 2003.Google Scholar
DeLillo, Don. Mao II. Penguin Books, 1992.Google Scholar
DeLillo, Don. Underworld. Scribner, 1997.Google Scholar
DeLillo, Don. White Noise. Penguin Books, 1986.Google Scholar
DeLillo, Don. Zero K. Scribner, 2016.Google Scholar
Jagoda, Patrick. Network Aesthetics. University of Chicago Press, 2016.CrossRefGoogle Scholar
La Berge, Leigh Claire. Scandals and Abstraction: Financial Fiction of the Long 1980s. Oxford University Press, 2015.Google Scholar
Osteen, Mark. American Magic and Dread: Don DeLillo’s Dialogue with Culture. University of Pennsylvania Press, 2000.Google Scholar
Raley, Rita. “Dataveillance and Counterveillance.” In Raw Data Is an Oxymoron. Edited by Rosenberg, Daniel and Williams, Travis D., Massachusetts Institute of Technology Press, 2013, 121–46.Google Scholar

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