Book contents
- Frontmatter
- Contents
- Acknowledgments
- Preface
- Introduction: Music: Another Dimension
- Chapter 1 The CBS Stock Music Library and the Reuse of Cues
- Chapter 2 Composing and Recording in The Twilight Zone
- Chapter 3 The Scores of Fred Steiner
- Chapter 4 The Scores of Jerry Goldsmith
- Chapter 5 The Scores of Bernard Herrmann
- Chapter 6 The Scores of Nathan van Cleave
- Chapter 7 Less Frequent Used Composers
- Appendices
- Appendix 1 Cue Reuses from Original Twilight Zone Scores
- Appendix 2 Episode and Cue Information
- Appendix 3 Recording Session Information
- Works Cited
- Index
Appendix 3 - Recording Session Information
from Appendices
- Frontmatter
- Contents
- Acknowledgments
- Preface
- Introduction: Music: Another Dimension
- Chapter 1 The CBS Stock Music Library and the Reuse of Cues
- Chapter 2 Composing and Recording in The Twilight Zone
- Chapter 3 The Scores of Fred Steiner
- Chapter 4 The Scores of Jerry Goldsmith
- Chapter 5 The Scores of Bernard Herrmann
- Chapter 6 The Scores of Nathan van Cleave
- Chapter 7 Less Frequent Used Composers
- Appendices
- Appendix 1 Cue Reuses from Original Twilight Zone Scores
- Appendix 2 Episode and Cue Information
- Appendix 3 Recording Session Information
- Works Cited
- Index
Summary
From American Federation of Musicians Contracts, Provided by Professional Musicians Union 47: Any information in square brackets comes from the notes on the holograph score from the CBS Collection.
1959:
“Where Is Everybody”: January 16, 1959, 7:00PM-11:45PM. Recording Call, 26 musicians. Universal - International Studios. Bernard Herrmann, Leader and Composer; Fred Olson, Manager; Sol Babitz, Violin; Russell Cheevers, Reeds; Lois Craft, Harp; Howard Colf, Violin; James Decker, Horn; Fred Fox, Horn; James Gatzhoff, Violin; Ossip Giskin, Cello; Arthur Gleghorn, Flute; Margit Hegedus, Violin; Maxine Johnson, Viola; Louis Kaufman, Violin; Liliane Lhoest, Oboe; Virginia Majewski, Viola; Bernie Mattinson, Drums; James McGee, Horn; George Neikrug, Cello; Hugo Raimondi, Clarinet; Alan Robinson, Horn; Murray Shapinsky, Bass; Anne Stockton, Harp; Robert Stone, Bass; William Ulyate, Bass Clarinet; Olcott Vail, Violin; Merwin Fischal, Librarian; James Lindner, Copyist.
“The Lonely”: June 3, 1959, 1:00-4:35PM. Recording Call and Rehearsal Call, 13 Musicians. Glen Glenn Studios. Bernard Herrmann, Leader and Arranger; Fred Olson, Manager; Lois Craft, Harp; John Cyr, Vibraphone; Robert Fowler, Trumpet; Chauncy Haines, Organ; Marlo Imes, Trombone; Catherin Jonk, Harp; Raymond Klein, Trombone; Sidney M. Lazar, Trumpet; Bernie Mattinson, Vibraphone; Richard Nash, Trombone; Lester E. Remson, Trumpet; Merwin Fischal, Librarian; James Lindner, Copyist.
“Walking Distance”: August 21, 1959, 1:00PM-5:05PM. 20 Musicians. Desilu Studios. Bernard Herrmann, Leader and Arranger; Herman Berardinelli, Orchestra Manager; Israel Baker, Violin; Victor Bay, Violin; Naoum Benditsky, Violin [this is an error: Benditsky was a cellist]; Howard Colf, Violin; Lois Craft, Harp; Elliott Fisher, Violin; James Getzoff, Violin; Ossip Giskin, Cello; Louis Kaufman, Violin; Sarah Kreindler, Violin; Virginia Majewski, Viola; George Neikrug, Cello; Spinoza Paeff, Viola; Louis Raderman, Violin; Magdaleno Rivera, Bass; Olcott Vail, Violin; Garry White, Viola; Merwin Fischal, Librarian; James Lindner, Copyist; Bernard Herrmann, Arranger.
“The Four of Us Are Dying”: September 3, 1959, 7:30-12:30PM, 1:30-4:30PM, 4:30- 5:30PM—Sideline; 4:15-7:15PM—Recording (Pianist only). Recording Call and Sideline Call, 3 musicians. Metro–Goldwyn–Mayer Studios. Sam Furman, Leader and Clarinet; Maurice Carlton, Manager and Sideline Musician; Robert Stone, Bass.
- Type
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- Information
- A Dimension of SoundMusic in The Twilight Zone, pp. 271 - 282Publisher: Boydell & BrewerPrint publication year: 2013