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15 - Dickens, Selznick, and Southpark

Published online by Cambridge University Press:  22 September 2009

Jeffrey Sconce
Affiliation:
Associate Professor of Radio/TV/Film Northwestern University
John Glavin
Affiliation:
Georgetown University, Washington DC
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Summary

“Oh my God, they've killed Dickens … you bastards!”

Hollywood has long been the premier battlefield in mass culture's ongoing war between art and commerce. Diplomats from both sides of this campaign worked out a temporary truce, of sorts, during a meeting at London's Savoy Hotel on 16 May 1934. In a heavily publicized conference sponsored by the News Chronicle, Hollywood emissaries David O. Selznick and George Cukor (along with representatives of the British film industry) met with the distinguished board of the Dickens Fellowship, a group of writers and intellectuals serving as the cultural custodians of England's most celebrated nineteenth-century novelist. Their common goal that day was to select the ideal cast for the upcoming MGM production of Dickens's David Copperfield. As the sponsor of the event, the News Chronicle reported that “the Dickensians, headed by their President, Mr. Alfred Noyes, will analyze the main characteristics of the characters in David Copperfield. And the film experts will name the actors they consider could best represent those characters” (14 May 1934). A photo of the event shows Selznick and Cukor squaring off with Noyes and J. B. Priestley, debating the “authentic” essence of Copperfield, Micawber, Uriah Heep, and the other most remembered characters from the novel. Sponsored by the Chronicle as a contest for its readers, the entries that most closely matched those of the expert panel vied for a prize of £500.

Type
Chapter
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Dickens on Screen , pp. 171 - 187
Publisher: Cambridge University Press
Print publication year: 2003

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References

Abbott, Mary Allen. 1935. A Study Guide to the Critical Appreciation of the Photoplay Version of Charles Dickens' Novel David Copperfield. Chicago: National Council of Teachers of English
Bakhtin, M. M. The Dialogic Imagination. Ed. Michael Holquist. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981
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Bordwell, David. 1985. Narration in the Fiction Film. Madison: University of Wisconsin Press
DeBona, Guerric O. S. B. 1935. “Dickens, the Depression, and MGM's David Copperfield.” In Film Adaptation, ed. James Naremore. New Brunswick: Rutgers University Press, 2000. 106–28
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Luckett, Moya. 1997. “Girl Watchers: Patty Duke and Teen TV.” In The Revolution Wasn't Televised: Sixties Television and Social Conflict. Ed. Lynn Spigel and Michael Curtin. New York: Routledge. 95–116
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  • Dickens, Selznick, and Southpark
    • By Jeffrey Sconce, Associate Professor of Radio/TV/Film Northwestern University
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.016
Available formats
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Save book to Dropbox

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  • Dickens, Selznick, and Southpark
    • By Jeffrey Sconce, Associate Professor of Radio/TV/Film Northwestern University
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.016
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Dickens, Selznick, and Southpark
    • By Jeffrey Sconce, Associate Professor of Radio/TV/Film Northwestern University
  • Edited by John Glavin, Georgetown University, Washington DC
  • Book: Dickens on Screen
  • Online publication: 22 September 2009
  • Chapter DOI: https://doi.org/10.1017/CBO9780511484827.016
Available formats
×