This chapter positions literature as a space in which polarized discourses on refugees can exist as conarratives, both acknowledging the grand scenes/sites of tragedy that produce the refugee and the refugees’ internal contextual dimensions. Utilizing Critical Refugee Studies frameworks and refugitude as conceived by Khatharya Um, this chapter reads Roxane Gay’s Ayiti as a text that balances conarratives of abjection and agency. The chapter argues that Gay’s strategic deployment of literary devices in Ayiti demonstrate how fiction can attend to both the exteriority of spectacle and the interiority of experience, thus constructing a more complete and robust conarrative framework through which the refugee can be portrayed with dignity.