Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-22T19:06:49.295Z Has data issue: false hasContentIssue false

Introduction

Published online by Cambridge University Press:  12 August 2019

Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
Get access

Summary

In keeping with the nature of the Cambridge Critical Concepts series, the introduction establishes decadence as a concept. We show how the concept emerges from a combination of etymology and history, and how decadence cuts across and calls into question traditional literary categories, such as genre and periodization. We articulate the relevance of decadence to recent literary interests, such as gender politics and queer theory. Finally, we explain the rationale for the organization of the volume as an effort to ‘scale up’ and reset the parameters of decadence as a concept; preview the individual contributions to the collection; and clarify the structure of the volume: the origins of the concept of decadence, its development through nineteenth-century fields, and its application to various twentieth-century disciplines and literary modalities. The introduction concludes with commentary on the contemporary resonance of decadence today.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bourget, Paul (2009). The Example of Baudelaire. Nancy O’Connor, trans., New England Review, 30(2), 90104.Google Scholar
Drake, Richard (1982). Decadence, Decadentism and Decadent Romanticism in Italy: Toward a Theory of Decadence. Journal of Contemporary History, 17, 6992.Google Scholar
Gautier, Théophile (1903). Charles Baudelaire. In vol. XXIII of The Complete Works of Théophile Gautier, de Sumichrast, S. C., ed. and trans., New York: George D. Sproul, pp. 17126.Google Scholar
Gourmont, Remy de (1966). Stéphane Mallarmé and the Idea of Decadence. In Burne, Glenn S., ed. and trans., Selected Writings, Ann Arbor: University of Michigan Press, pp. 6776.Google Scholar
Nietzsche, Friedrich (1967). ‘The Birth of Tragedy’ and ‘The Case of Wagner,’ Walter Kaufmann, trans., New York: Random House.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×