Since the early 1880s, Paris had become a place where it was possible to be ‘modern’. In the arts, by Modernism we mean a vast movement based on the concept of modernity appealing to the notions of evolution, progress, independence, freedom, and also resistance to certain social and economic change. Modernism in art in the broadest sense will constantly evolve and take many forms. Thus, if Symbolism and Impressionism dominated the Debussyan sphere, many other movements marked the period (1880–1914) and they aroused varied reactions on the composer’s part, ranging from the sincerest interest to the most pronounced rejection. To be interested in Modernism in the world of Debussy is therefore to be as interested in Neo-Impressionism, Fauvism, Orphism, Cubism, Naturalism, and even in Futurism. Art Nouveau (Modern Style) is given its due in this broad context. Debussy was particularly sensitive to the style and possessed a magnificent Art Nouveau lamp by the English firm Benson & Co., which he probably bought at the Siegfried Bing gallery Maison de l’Art Nouveau (Bing was a great proponent of Art Nouveau).