Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-06T02:39:08.210Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

11 - Dr. John Brown, John Brown, Clydebank

from Upper Clyde

Hugh Murphy
Affiliation:
University of Glasgow
Get access

Summary

I started at Clydebank as an apprentice in the shipyard drawing office in 1919, and spent several years in the general drawing office. Having graduated from the University of Glasgow in 1923, I was then transferred to the ship design office as a naval architect, and continued there until 1927, when I was seconded to an associate firm in Spain under the direction of a former Clydebank man. I had two years in Spain as a designer, and as an estimator, coaching Spaniards. I returned to Clydebank where I was appointed Assistant Naval Architect. I served in that capacity from 1929 to 1949, which was a long haul. In 1949, I was made Naval Architect and Technical Manager in charge of the design and drawing office. From 1949 to 1959, I occupied that position, and then I was made Managing Director in succession to Sir James McNeil. I held that position until the end of 1963, when I handed over to John Rannie, with the idea that he would handle the construction of the Queen Elizabeth II. I had actually supervised the design in conjunction with Cunard, and supervised the tender which was eventually accepted. Since I was approaching retirement age, I was made vice Chairman, with a consultancy role, and stepped out altogether in 1967.

Our firm, I think, was in an individual position because of our size. We were, if not the biggest, one of the biggest in the industry, and in many ways that was strength. It meant that our main products were the very large ships, the passenger ships, and although we did compete in the market for smaller ships, our weakness might be that if there were any failure in the market for big ships we would be the sufferers. Another aspect in the situation of the firm; we were the main employer in the Clydebank community alongside the Singer Sewing Machine Company, and so there was a fair amount of folklore around the shipyards. The people of the district spoke of the yard as something that had always been there, and would always be there. There was a great deal of father and son associations. That particular aspect of things could well have been a weakness.

Type
Chapter
Information
Crossing the Bar
An Oral History of the British Shipbuilding, Ship Repairing and Marine Engine-Building Industries in the Age of Decline, 1956-1990
, pp. 43 - 46
Publisher: Liverpool University Press
Print publication year: 2013

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×