Book contents
- Frontmatter
- Contents
- Preface
- List of abbreviations
- 1 Romancing the real: the “field” of criminal biography
- 2 Defoe's realism: rough frames, strange voices, surprisingly various subjects and readers made more present to themselves
- 3 The copious text: opening the door to inference, or, room for those who know how to read it
- 4 Intimations of an invisible hand: the mind exercised, enlarged, and kept in play by strange concurrences
- 5 The general scandal upon business: unanswerable doubts, and the text as a field supporting very nice distinctions
- 6 The frontiers of dishonesty, the addition and concurrence of circumstances: more on the strategic situating of names
- 7 Notions different from all the world: criminal stupidity, the self, and the symbolic order
- Closing comments: truth, complexity, common sense, and empty spaces
- Index
2 - Defoe's realism: rough frames, strange voices, surprisingly various subjects and readers made more present to themselves
Published online by Cambridge University Press: 14 September 2009
- Frontmatter
- Contents
- Preface
- List of abbreviations
- 1 Romancing the real: the “field” of criminal biography
- 2 Defoe's realism: rough frames, strange voices, surprisingly various subjects and readers made more present to themselves
- 3 The copious text: opening the door to inference, or, room for those who know how to read it
- 4 Intimations of an invisible hand: the mind exercised, enlarged, and kept in play by strange concurrences
- 5 The general scandal upon business: unanswerable doubts, and the text as a field supporting very nice distinctions
- 6 The frontiers of dishonesty, the addition and concurrence of circumstances: more on the strategic situating of names
- 7 Notions different from all the world: criminal stupidity, the self, and the symbolic order
- Closing comments: truth, complexity, common sense, and empty spaces
- Index
Summary
[In novels] the Author sits down and invents Characters that never were in Nature: He frames a long Story or Intrigue full of Events and Incidents, like the Turns in a Comedy; and if he can but surprise and delight you enough to lead you on to the End of his Book, he is not so unreasonable to expect you should believe it to be true.
?Defoe, A Collection of Miscellany Letters Selected Out of Mist's Weekly Journal (1722–7), 4: 124–5The way I have taken … is entirely new, and at first perhaps it may appear as something odd, and the method may be contemned; but let such blame their own more irregular tempers, that must have everything turned into new models; must be touched with novelty, and have their fancies humoured with the dress of a thing; so that if it be what has been said over and over a thousand times, yet if it has but a different coloured coat, or a new feather in its cap, it pleases and wins upon them.
The Family Instructor, 15: 2The success the former part of this work has met with in the world … is acknowledged to be due to the surprising variety of the subject and to the agreeable manner of the performance.
Preface to Farther Adventures of Robinson Crusoe, p. vii- Type
- Chapter
- Information
- Crime and DefoeA New Kind of Writing, pp. 32 - 75Publisher: Cambridge University PressPrint publication year: 1993