Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Introduction: characterization and illustration of Creativity Templates
- Part I Theoretical framework
- 1 Codes of Product Evolution – a Source for Ideation
- 2 Revisiting The View of Creativity
- 3 A Critical Review of Popular Creativity-enhancement Methods
- Part II The Creativity Templates
- Part III A closer look at Templates
- Part IV Validation of the Templates theory
- Index
1 - Codes of Product Evolution – a Source for Ideation
from Part I - Theoretical framework
Published online by Cambridge University Press: 03 May 2010
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Introduction: characterization and illustration of Creativity Templates
- Part I Theoretical framework
- 1 Codes of Product Evolution – a Source for Ideation
- 2 Revisiting The View of Creativity
- 3 A Critical Review of Popular Creativity-enhancement Methods
- Part II The Creativity Templates
- Part III A closer look at Templates
- Part IV Validation of the Templates theory
- Index
Summary
Creativity is thinking up new things. Innovation is doing new things.
Theodore LevittMarket-based vs. product-based information
The emergence of the Creativity Templates approach can be best illustrated by looking at the reality of new product innovation and the widespread methods typically used to detect and identify ideas for new products.
Introducing new products is one of the prime activities of firms and one of the most important determinants for their survival. Yet, while 25,000 products are introduced annually in the US alone, most of them are doomed to fail [1, 2]. The greatest financial loss caused by failed products occurs at the market introduction stage [3]. This state of matters may be a reason for the substantial efforts constantly devoted to “me-too” products and brand extensions [4].
Nevertheless, there is a significant correlation between innovative firms and leadership status [5]. In view of this fact, it is useful to screen at the major information sources that may determine the success or failure of new products at the ideation stage [6,7]. In marketing practice, creative ideas are highly valued and rewarded, and exploring new ideas is part of the daily activities. The high rate of failure, and the difficulties in obtaining accurate predictions of success (which are amplified when it comes to genuinely new products), are facts that need to be considered when we want to develop a marketingoriented ideation approach.
- Type
- Chapter
- Information
- Creativity in Product Innovation , pp. 13 - 28Publisher: Cambridge University PressPrint publication year: 2002