Book contents
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- List of illustrations
- Notes on contributors
- Series editors’ foreword
- One Are you a creative citizen?
- Two A problem of knowledge – solved?
- Three Citizenship and the creative economy
- Four Citizenship, value and digital culture
- Five Varieties of creative citizenship
- Six From networks to complexity: two case studies
- Seven Conversations about co-production
- Eight Asset mapping and civic creativity
- Nine Civic cultures and modalities of place-making
- Ten Technology and the creative citizen
- Eleven A capacious approach to creative citizenship:implications for policy
- Annex Creative citizens: the debate
- References
- Index
Eight - Asset mapping and civic creativity
Published online by Cambridge University Press: 01 September 2022
- Frontmatter
- Dedication
- Contents
- Acknowledgements
- List of illustrations
- Notes on contributors
- Series editors’ foreword
- One Are you a creative citizen?
- Two A problem of knowledge – solved?
- Three Citizenship and the creative economy
- Four Citizenship, value and digital culture
- Five Varieties of creative citizenship
- Six From networks to complexity: two case studies
- Seven Conversations about co-production
- Eight Asset mapping and civic creativity
- Nine Civic cultures and modalities of place-making
- Ten Technology and the creative citizen
- Eleven A capacious approach to creative citizenship:implications for policy
- Annex Creative citizens: the debate
- References
- Index
Summary
Introduction
Throughout this book creative citizenship is explored theoretically and empirically as a concept that intrinsically leads to value generation. Acts of creative citizenship bring personal, cultural, economic, social and civic benefits, not only to individuals and communities directly involved in these acts, but also to the wider public. So, hyperlocal blogs may generate income for amateur journalists but also benefit local residents and businesses through communicating and raising awareness about issues that affect them, ranging from the weather and local services to political and planning issues (Nesta, 2013). Similarly, the benefits of community-led design enhance social value through civic participation, more democratic outcomes, creation of public goods, improved social capital and stronger community. In boosting qualities such as self-expression, confidence and skills, they also generate personal value. (Alexiou et al, 2013).
The Creative Citizen project is concerned not only with understanding and capturing current practice and its value, as enacted through the use of different media, but also exploring how this pursuit of value can be further supported and advanced.
One of the instruments we used to explore questions of value was asset mapping. In community engagement and community development theory and practice, the term ‘asset’ has long been used as an alternative for the term ‘value’. Assets are tangible or intangible resources that have a potential – they can grow or be better used to achieve something new. Drawing from the strengths of different existing approaches, asset mapping was innovatively used in the Creative Citizen project both as an analytic research tool for capturing people's values and perceptions of value, and as a practical tool to support community engagement and co-creation.
The chapter reviews different asset mapping or asset-based development approaches and presents the approach developed and used in the Creative Citizen project, discussing theoretical and methodological insights. The chapter links to Chapter 4, which is focused on appraising and articulating the value of creative citizenship through the lens of cultural value.
Approaches to asset mapping
Asset mapping is a methodology used with community groups and organisations to help unearth, capture and visualise existing resources and capacities, which may otherwise lie undiscovered and underused.
- Type
- Chapter
- Information
- The Creative Citizen UnboundHow Social Media and DIY Culture Contribute to Democracy, Communities and the Creative Economy, pp. 181 - 204Publisher: Bristol University PressPrint publication year: 2016