Book contents
- Frontmatter
- Contents
- List of Illustrations
- Abbreviations
- Introduction: Embracing Specificity, Embracing Place
- 1 Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance
- Part I Marking Place
- Part II Teaching Place
- Part III Excavating Place
- Index of Names
- Index of Subjects and Places
9 - The ‘Conquest’ and Construction of an Urban Place: The Insula dei Gesuiti in Venice in the Early Modern Period
Published online by Cambridge University Press: 27 April 2022
- Frontmatter
- Contents
- List of Illustrations
- Abbreviations
- Introduction: Embracing Specificity, Embracing Place
- 1 Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance
- Part I Marking Place
- Part II Teaching Place
- Part III Excavating Place
- Index of Names
- Index of Subjects and Places
Summary
Abstract
This article examines the production of place and its socio-economic impact in early modern Venice, reconstructing the urban dynamics in one of the lesser-known peripheries of the city, the insula dei Gesuiti. Building on the idea of place making as a collective enterprise, it concentrates on three stages of urban growth and its pertaining agents: the colonization process undertaken by private citizens and ecclesiastical institutions; their efforts toward a residential urban development; and the state-imposed action to determine the insula's final outline. These practices were instrumental in securing significant real estate holdings, but they also initiated a profound change in the area's intended use. Urban transformations engendered a new social identity that would serve as a model for the redesigned Venetian margins.
Keywords: land reclamation, spatial maturation, urbanization processes, entrepreneurial Strategies
In a volume concerned with the multiple dimensions of the construction of place, a study based on the early modern land formation of a city's peripheral area may seem prosaic. By the very nature of its meaning, place is a space constituted by one or many settlements shaped by buildings, streets or landscapes. However, the analysis of an urban place may become less obvious if the focus is shifted from the physical built fabric to the set of relations, between individuals and processes, which determined its creation. As Bruno Zevi vigorously affirmed as early as 1948, the feature distinguishing architecture from other forms of art is its three-dimensional vocabulary that includes man. Urban spaces are constituted by people and neighbours who share relationships through social and political practices, as well as economic and work exchanges. Places are not empty vessels existing prior to the matter that fills them. On the contrary, they are the social product of people's activities and, thus, are intimately bound up with their occupants’ sources of meaning and experience.
Adopting this approach, this article explores the broad dynamics that led to the development and spatial organization of Venetian urban fringes by focusing on the history of the insula dei Gesuiti, a marginal area located at the northern limit of Venice, on the western tip of the Fondamente Nuove, the paved pedestrian walkway that solidifies the northern border of the city (Figure 9.1). As its boxy shape reveals, the island is the result of seamless and long-term interventions of consolidation undertaken by diverse actors.
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- Creating Place in Early Modern European Architecture , pp. 305 - 336Publisher: Amsterdam University PressPrint publication year: 2021