Book contents
- Frontmatter
- Contents
- List of Illustrations
- Abbreviations
- Introduction: Embracing Specificity, Embracing Place
- 1 Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance
- Part I Marking Place
- Part II Teaching Place
- Part III Excavating Place
- Index of Names
- Index of Subjects and Places
8 - Building on ‘Hollow Land’: Skill and Expertise in Foundation-Laying Practices in the Low Countries in the Fifteenth to the Seventeenth Centuries
Published online by Cambridge University Press: 27 April 2022
- Frontmatter
- Contents
- List of Illustrations
- Abbreviations
- Introduction: Embracing Specificity, Embracing Place
- 1 Architecture on Paper: The Development and Function of Architectural Drawings in the Renaissance
- Part I Marking Place
- Part II Teaching Place
- Part III Excavating Place
- Index of Names
- Index of Subjects and Places
Summary
Abstract
Foundation-laying practices for marshy conditions have received comparatively little attention in architectural history; however, in the seventeenth century Netherlandish specialized skill and knowledge for the construction of pile foundations was recognized as being exceptional and garnered international esteem. Based on new archival material, this article provides insight into the rigorous processes of foundation design, and draws attention to its multidisciplinary nature. In addition, it sheds new light on the introduction of deep foundations, which was a major engineering innovation, providing greater stability because of the use of longer piles that reached the first solid layer deep below the surface. While Dutch expertise was directly related to the landscapes they inhabited, other factors that fostered innovation in foundation design are considered as well.
Keywords: pile foundations, deep foundations, architectural drawings, soil sampling, sluice building
In setting out to explain the etymological origin of ‘Holland’ in the discussion of the county in his 1567 Descrittione dei tutti Paesi Bassi, the Italian writer and merchant Lodovico Guicciardini considered two alternative explanations. It was generally believed that the place name derived from the Old Dutch term Holtlandia, meaning ‘woodland’, because in ancient times the land had been forested, an explanation that is still accepted in modern scholarship. However, since Holland was almost completely deforested by the sixteenth century, Guicciardini believed a second explanation to be more likely, which traced name to the contraction ‘hol’ and ‘land’, meaning literally ‘hollow land’. This explanation was substantiated by his own observations, because when travelling through the county he had himself noted how the ground quaked, giving the impression that the subsoil did not have a proper foundation, but actually rested on a bed of water. Although Guicciardini did not consider the difficulties that such marshy conditions posed for building in his discussion of Holland, he did address the topic in his description of Amsterdam. Here, he described the entire city as being supported by a forest of piles, ‘which had been driven into the ground with great force using hoisting devices [argani] and other instruments’. Then, citing an unnamed friend, he asserted that if only visible, this forest would certainly be the most beautiful in the world.
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- Information
- Creating Place in Early Modern European Architecture , pp. 269 - 304Publisher: Amsterdam University PressPrint publication year: 2021