Book contents
- Frontmatter
- Contents
- Reviews
- The Magazine of Fantasy and Science Fiction, December 1966
- The Magazine of Fantasy and Science Fiction, October 1967
- The Magazine of Fantasy and Science Fiction, January 1968
- The Magazine of Fantasy and Science Fiction, July 1968
- The Magazine of Fantasy and Science Fiction, December 1968
- The Magazine of Fantasy and Science Fiction, April 1969
- The Magazine of Fantasy and Science Fiction, August 1969
- The Magazine of Fantasy and Science Fiction, September 1969
- The Magazine of Fantasy and Science Fiction, January 1970
- The Magazine of Fantasy and Science Fiction, July 1970
- The Magazine of Fantasy and Science Fiction, February 1971
- The Magazine of Fantasy and Science Fiction, April 1971
- The Village Voice, September 9, 1971
- The Magazine of Fantasy and Science Fiction, November 1971
- College English, 33:3, December 1971
- The Magazine of Fantasy and Science Fiction, December 1972
- The Magazine of Fantasy and Science Fiction, February 1973
- Village Voice, June 16, 1973
- The Magazine of Fantasy and Science Fiction, July 1973
- The Magazine of Fantasy and Science Fiction, February 1974
- The Magazine of Fantasy and Science Fiction, January 1975
- The Magazine of Fantasy and Science Fiction, March 1975
- The Magazine of Fantasy and Science Fiction, April 1975
- The Magazine of Fantasy and Science Fiction, November 1976
- Frontiers, III:3, fall, 1978
- The Magazine of Fantasy and Science Fiction, February 1979
- “Book World,” The Washington Post, April 1, 1979
- “Book World,” The Washington Post, May 9, 1979
- The Magazine of Fantasy and Science Fiction, June 1979
- The Feminist Review, #5 [in The New Women's Times, 5:14, July 16–19, 1979]
- Frontiers, IV:1, 1979
- Frontiers, IV: 2, 1979
- The Magazine of Fantasy and Science Fiction, November 1979
- “Book World,” The Washington Post, January 24, 1980
- The Magazine of Fantasy and Science Fiction, February 1980
- Sinister Wisdom, 12, winter 1980
- Frontiers, V:3, 1981
- “Book World,” The Washington Post, May 10, 1981
- Essays
- Letters
- Index of Books and Authors Reviewed
The Magazine of Fantasy and Science Fiction, October 1967
from Reviews
- Frontmatter
- Contents
- Reviews
- The Magazine of Fantasy and Science Fiction, December 1966
- The Magazine of Fantasy and Science Fiction, October 1967
- The Magazine of Fantasy and Science Fiction, January 1968
- The Magazine of Fantasy and Science Fiction, July 1968
- The Magazine of Fantasy and Science Fiction, December 1968
- The Magazine of Fantasy and Science Fiction, April 1969
- The Magazine of Fantasy and Science Fiction, August 1969
- The Magazine of Fantasy and Science Fiction, September 1969
- The Magazine of Fantasy and Science Fiction, January 1970
- The Magazine of Fantasy and Science Fiction, July 1970
- The Magazine of Fantasy and Science Fiction, February 1971
- The Magazine of Fantasy and Science Fiction, April 1971
- The Village Voice, September 9, 1971
- The Magazine of Fantasy and Science Fiction, November 1971
- College English, 33:3, December 1971
- The Magazine of Fantasy and Science Fiction, December 1972
- The Magazine of Fantasy and Science Fiction, February 1973
- Village Voice, June 16, 1973
- The Magazine of Fantasy and Science Fiction, July 1973
- The Magazine of Fantasy and Science Fiction, February 1974
- The Magazine of Fantasy and Science Fiction, January 1975
- The Magazine of Fantasy and Science Fiction, March 1975
- The Magazine of Fantasy and Science Fiction, April 1975
- The Magazine of Fantasy and Science Fiction, November 1976
- Frontiers, III:3, fall, 1978
- The Magazine of Fantasy and Science Fiction, February 1979
- “Book World,” The Washington Post, April 1, 1979
- “Book World,” The Washington Post, May 9, 1979
- The Magazine of Fantasy and Science Fiction, June 1979
- The Feminist Review, #5 [in The New Women's Times, 5:14, July 16–19, 1979]
- Frontiers, IV:1, 1979
- Frontiers, IV: 2, 1979
- The Magazine of Fantasy and Science Fiction, November 1979
- “Book World,” The Washington Post, January 24, 1980
- The Magazine of Fantasy and Science Fiction, February 1980
- Sinister Wisdom, 12, winter 1980
- Frontiers, V:3, 1981
- “Book World,” The Washington Post, May 10, 1981
- Essays
- Letters
- Index of Books and Authors Reviewed
Summary
The Warriors of the Day. James Blish (Lancer, 60¢). Stealer of Souls and Stormbringer. Michael Moorcock (Lancer, 60¢)
What is James Blish doing writing a book like The Warriors of Day ? Mr. Blish is a writer of excellent qualities: intelligence, logic, complexity, precision, wide knowledge, intellectual rigor (and vigor) and a natural preference for exact and telling detail. Warriors of Day is a bastard sword-and-sorcery cum science fiction novel which resembles nothing so much as a mulligan stew (a little bit of everything with explanations thrown in mostly ex post facto) and it provides a beautiful display of all of Mr. Blish's defects. Swashbuckling demands a certain suspension of the critical sense and an inability to make exact comparisons, neither of which qualities Mr. Blish can acquire any more than he can cut off his own head. He is a speculative realist trying to write a romantic novel; he cannot write it and he will not give it up, so he goes on and on, clashing gears and grinding (my) teeth. Let me give an example. When the hero, early in the story, walks from earth into another world – in a sub-arctic forest – at night – Mr. Blish conveys the strangeness of this experience by comparing it to a sudden passage from the Kodiak forest path to – Times Square. This is a good, functional comparison and it is absolutely anti-evocative. It is dead wrong. And the man does it again. And again. Flowers in the strange world look like daisies but are “cornflower blue” with an undertone of “electric green.” A beast resembles something “in the Berlin zoo.” The motionlessness of a forest “could have been measured with a micrometer … a still photograph.” And so on. When the novel grows exotic or fantastic the style becomes unbelievably sloppy and stereotyped (“ragged men hawked portions of green liquor cupped in transparent skins”) and the word “wrong” is repeated innumerable times in a half-desperate, half-annoyed effort to create a sense of the Strangeness Of It All.
About the characterization I will only say that beyond Mr. Blish's hero you cannot go; he has no romantic insides because Mr. Blish is not able to create that sort of character, and he has no realistic insides because they would blow the rest of the book skyhigh…
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- The Country You Have Never SeenEssays and Reviews, pp. 4 - 5Publisher: Liverpool University PressPrint publication year: 2007