Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-t5tsf Total loading time: 0 Render date: 2024-11-13T01:02:22.986Z Has data issue: false hasContentIssue false

5 - Studying with Weingartner: Vienna

Published online by Cambridge University Press:  09 January 2024

Get access

Summary

Presenting myself at the State Academy next morning, I was startled to discover that the Registrar had heard nothing from Weingartner about my arrival. I asked anyway to register my name and complete any necessary formalities. To my amazement, I was told that I would have to undergo an entrance examination on musical theory and keyboard skills in two weeks’ time. In vain I explained about my diploma with distinction, my experience conducting Beethoven and Brahms with the Conservatoire Orchestra, and conducting my own Symphonic Variations with the Warsaw Philharmonic. The Registrar did not seem particularly impressed. He said that about a hundred applicants would be competing for very few places, and that no exceptions could be made.

Suddenly I felt alarmed, imagining failure, an ignominious return to Poland, my grant cancelled, my future in ruins. I pulled myself together, put my name down for the exam, and, while walking back to my hotel, started to plan how to prepare myself. I would find a room where I could live and practise, and would take daily lessons in German so that I would be more fluent in answering questions. I plunged into action at once, finding a beautiful room with a piano in a large flat in central Vienna, the home of a prosperous shopkeeper. The attractive daughter of the house, plump, blonde and blue-eyed, seemed only too willing to give me some lessons in German and perhaps something more, to judge from her provocative manner – though at that time I was so obsessed with my work for the impending exam that I was living a monk-like existence.

On examination day I found myself in a crowded room, my heart thumping furiously. I watched a Japanese student, his face greenish grey-white, walk trembling into the examination room. My turn was next. Standing by the door, I tried to hear as much as possible of the procedure.

First the jury asked him to play the piano. I heard him attack Bach's Prelude and Fugue in C major. After ten to fifteen seconds, he came to a stop. He tried to carry on from where he had stumbled, but could not, so he began again, breaking down at exactly the same place as before. Two more disastrous attempts were followed by a long silence.

Type
Chapter
Information
Composing Myself
and Other Texts
, pp. 96 - 109
Publisher: Boydell & Brewer
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×