Published online by Cambridge University Press: 05 May 2023
Cast
Sergio, played by Sergio Corrieri
Elena, played by Daisy Granados
Pablo, played by Omar Valdés
Noemí, played by Eslinda Núñez
Laura, played by Beatriz Ponchera
Elena’s brother, played by René de la Cruz
With
Yolanda Far
Ofelia González
José Gil Abada
Daniel Jordán
Luis López
Rafael Sosa
Crew
Screenplay: Tomás Gutiérrez Alea, based on novel Inconsolable Memories by Edmundo Desnoes
Photography: Ramón F. Suárez
Editor: Nelson Rodríguez
Music: Leo Brouwer
Conductor: Manuel Duchesne Cuzán
Director: Tomás Gutiérrez Alea
Produced by: the Cuban Film Institute
Awards
Winner, Best Foreign Language Film, XVI International Film Festival, Karlovy
Vary, Czechoslovakia, 1968
Winner, Sirena Prize, Critics’ Club, Varsovia, Poland, 1970
Jury Selection, London Film Festival, 1971
Nominee, Rosenthal Prize, U.S. National Society of Film Critics (Alea was refused a visa by U.S. State Department to attend the award ceremony)
Selected by the New York Times as one of the best ten films of 1973 (the year in which it opened commercially in New York)
Plot
Film opens with a street scene in which someone is shot and then led off – a scene which reappears later on in the consciousness of the main character and narrator, Sergio Camona. Set in Havana in 1961, we see footage of people leaving Havana for Miami at passport control. Sergio says good-bye to his wife, Laura, and his parents who are leaving for the United States. Throughout the film we hear his thoughts in voice-over. We follow Sergio as he returns to his luxurious apartment. We see him surveying the city through his telescope, trying to work out if it has changed or not as a result of the Revolution. He is writing a diary, and spends his time listening to a recorded conversation he had with his wife shortly before she left. He goes to a book shop and muses that Havana, once considered the Paris of the Caribbean, is now no better than Guatemala. He meets his well-to-do friend, Pablo, and they exchange notes on how everything has gone downhill since the Revolution. Sergio meets a pretty young girl called Elena, whom he introduces to one of his contacts in the Film Institute, since she says she wants to be an actress. He takes her to his apartment and they make love.
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