Book contents
- Frontmatter
- Contents
- Preface
- Abbreviations
- Introduction
- 1 Cervantes's Exemplary Prologue
- 2 Enchantment and Irony: Reading La gitanilla
- 3 The Play of Desire: El amante liberal and El casamiento engañoso y El coloquio de los perros
- 4 Language as Object of Representation in Rinconete y Cortadillo
- 5 Now you see it, now you … see it again? The Dynamics of Doubling in La española inglesa
- 6 Soldiers and Satire in El licenciado Vidriera
- 7 Exemplary Rape: The Central Problem of La fuerza de la sangre
- 8 Remorse, Retribution and Redemption in La fuerza de la sangre: Spanish and English Perspectives
- 9 Free-Thinking in El celoso extremeño
- 10 Performances of Pastoral in La ilustre fregona: Games within the Game
- 11 Cervantine Traits in Las dos doncellas and La señora Cornelia
- 12 The Peculiar Arrangement of El casamiento engañoso and El coloquio de los perros
- 13 Eutrapelia and Exemplarity in the Novelas ejemplares
- 14 ‘Entre parejas anda el juego’ / ‘All a Matter of Pairs’: Reflections on some Characters in the Novelas ejemplares
- Appendix I Synopses
- Appendix II Further Reading
- Index
13 - Eutrapelia and Exemplarity in the Novelas ejemplares
Published online by Cambridge University Press: 04 May 2023
- Frontmatter
- Contents
- Preface
- Abbreviations
- Introduction
- 1 Cervantes's Exemplary Prologue
- 2 Enchantment and Irony: Reading La gitanilla
- 3 The Play of Desire: El amante liberal and El casamiento engañoso y El coloquio de los perros
- 4 Language as Object of Representation in Rinconete y Cortadillo
- 5 Now you see it, now you … see it again? The Dynamics of Doubling in La española inglesa
- 6 Soldiers and Satire in El licenciado Vidriera
- 7 Exemplary Rape: The Central Problem of La fuerza de la sangre
- 8 Remorse, Retribution and Redemption in La fuerza de la sangre: Spanish and English Perspectives
- 9 Free-Thinking in El celoso extremeño
- 10 Performances of Pastoral in La ilustre fregona: Games within the Game
- 11 Cervantine Traits in Las dos doncellas and La señora Cornelia
- 12 The Peculiar Arrangement of El casamiento engañoso and El coloquio de los perros
- 13 Eutrapelia and Exemplarity in the Novelas ejemplares
- 14 ‘Entre parejas anda el juego’ / ‘All a Matter of Pairs’: Reflections on some Characters in the Novelas ejemplares
- Appendix I Synopses
- Appendix II Further Reading
- Index
Summary
In one of the four aprobaciones to the Novelas ejemplares, Fray Juan Bautista wrote:
[…] supuesto que es sentencia llana del angélico doctor Santo Tomás, que la eutropelia es virtud, la que consiste en un entretenimiento honesto, juzgo que la verdadera eutropelia está en estas Novelas, porque entretienen con su novedad, enseñan con sus ejemplos a huir vicios y seguir virtudes, y el autor cumple con su intento, con que da honra a nuestra lengua castellana, y avisa a las repúblicas de los daños que de algunos vicios se siguen.
(Since it is the clear opinion of the angelic Doctor St Thomas that eutropelia, which consists of wholesome entertainment, is a virtue, I am of the view that true eutropelia is to be found in these Novels, because they entertain by their novelty, teach by their examples to eschew vice and follow virtue, and the author has fulfilled his intention, honouring thereby our Castilian tongue and warning of the harmful effects of certain vices for the public good.)
In two articles from the 1980s, Wardropper and Jones brought the concept of eutrapelia back into critical debate about the Novelas ejemplares. Hart, for example, mentions it in the following terms:
Now forgotten by everyone except a handful of theologians, eutrapelia was well known to Cervantes’ contemporaries. Eutrapelia is a wholesome recreation, honesto entretenimiento. It is both a temporary turning away from more serious concerns and a preparation for returning to them with renewed strength. The concept of eutrapelia thus dissolves the apparent opposition in the familiar Horatian doctrine that poetry should be both pleasant and morally beneficial: poetry is beneficial because it gives pleasure.
The term, originally Aristotelian, was known in the Golden Age largely through its presence in discussions about the right use of leisure in the Summa of St Thomas Aquinas; Covarrubias defines it in 1611 as ‘un entretenimiento de burlas graciosas y sin perjuyzio’ (harmless entertainment, consisting of amusing jests).Wardropper and Jones confined themselves to the history of the term and its possible relevance to the Novelas, rather than attempting to show how it might shed light on their interpretation. Given the many different readings they have received, it is worth reflecting on how the theory of eutrapelia may illuminate the exemplarity Cervantes famously claims to be present, though hidden, in each story and across the whole collection.
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- A Companion to Cervantes's Novelas Ejemplares , pp. 261 - 282Publisher: Boydell & BrewerPrint publication year: 2005
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