Book contents
- Commedia dell’Arte in Context
- Commedia dell’Arte in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I Elements
- Part II Commedia dell’Arte and Europe
- Part III Social and Cultural Conflicts
- Part IV Opera, Music, Dance, Circus and Iconography
- 14 Commedia dell’Arte in Opera and Music 1550–1750
- 15 From Mozart to Henze
- 16 Commedia dell’Arte in Dance
- 17 The Circus and the Artist as Saltimbanco
- 18 Iconography of the Commedia dell’Arte
- Part V Commedia dell’Arte from the Avant-Garde to Contemporary Theatre
- Conclusion
- Glossary
- Bibliography
- Further Reading
- Index
14 - Commedia dell’Arte in Opera and Music 1550–1750
from Part IV - Opera, Music, Dance, Circus and Iconography
Published online by Cambridge University Press: 03 April 2018
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Book contents
- Commedia dell’Arte in Context
- Commedia dell’Arte in Context
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I Elements
- Part II Commedia dell’Arte and Europe
- Part III Social and Cultural Conflicts
- Part IV Opera, Music, Dance, Circus and Iconography
- 14 Commedia dell’Arte in Opera and Music 1550–1750
- 15 From Mozart to Henze
- 16 Commedia dell’Arte in Dance
- 17 The Circus and the Artist as Saltimbanco
- 18 Iconography of the Commedia dell’Arte
- Part V Commedia dell’Arte from the Avant-Garde to Contemporary Theatre
- Conclusion
- Glossary
- Bibliography
- Further Reading
- Index
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- Commedia dell'Arte in Context , pp. 167 - 176Publisher: Cambridge University PressPrint publication year: 2018