Book contents
- Classical Philology and Theology
- Classical Philology and Theology
- Copyright page
- Contents
- Contributors
- Chapter 1 Philology’s Shadow
- Chapter 2 Philology’s Roommate: Hermeneutics, Antiquity, and the Seminar
- Chapter 3 The Union and Divorce of Classical Philology and Theology
- Chapter 4 The Philology of Judaism: Zacharias Frankel, the Septuagint, and the Jewish Study of Ancient Greek in the Nineteenth Century
- Chapter 5 Source, Original, and Authenticity between Philology and Theology
- Chapter 6 Whose Handmaiden? ‘Hellenisation’ between Philology and Theology
- Chapter 7 Julian the Emperor on Statues (of Himself)
- Chapter 8 Boethius in the Genres of the Book: Philology, Theology, Codicology
- Chapter 9 Virgil, Creator of the World
- Chapter 10 Theology’s Shadow
- Bibliography
- Index
Chapter 8 - Boethius in the Genres of the Book: Philology, Theology, Codicology
Published online by Cambridge University Press: 03 September 2020
- Classical Philology and Theology
- Classical Philology and Theology
- Copyright page
- Contents
- Contributors
- Chapter 1 Philology’s Shadow
- Chapter 2 Philology’s Roommate: Hermeneutics, Antiquity, and the Seminar
- Chapter 3 The Union and Divorce of Classical Philology and Theology
- Chapter 4 The Philology of Judaism: Zacharias Frankel, the Septuagint, and the Jewish Study of Ancient Greek in the Nineteenth Century
- Chapter 5 Source, Original, and Authenticity between Philology and Theology
- Chapter 6 Whose Handmaiden? ‘Hellenisation’ between Philology and Theology
- Chapter 7 Julian the Emperor on Statues (of Himself)
- Chapter 8 Boethius in the Genres of the Book: Philology, Theology, Codicology
- Chapter 9 Virgil, Creator of the World
- Chapter 10 Theology’s Shadow
- Bibliography
- Index
Summary
This chapter looks at the ‘slippery figure’ of Boethius, whose religious and literary affiliations resist easy categorization, as a touchstone of discipline formation. It shows the ways in which Boethius repeatedly transgresses the generic boundaries imposed upon him by twentieth-century grand narratives of Latinity, focusing particularly on the narratives of E. R. Curtius, C. S. Lewis, and Northrop Frye. Boethius refuses to be corralled or co-opted in the service of either philology or theology: the effort required to construct and maintain a tradition can never fully conceal its own excesses or gaps. Finally, it looks at the way in which the myth of the western classic is dependent above all not on the text but on the codex, the material spine-hinged book.
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- Classical Philology and TheologyEntanglement, Disavowal, and the Godlike Scholar, pp. 149 - 179Publisher: Cambridge University PressPrint publication year: 2020
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