Book contents
- Frontmatter
- Contents
- Note to the Reader
- Acknowledgments
- Introduction
- 1 Clarinet Iconography
- 2 The Chalumeau and Clarinet before Mozart
- 3 From “Little Trumpet” to Unique Voice: The Clarinet in the Concert Orchestra
- 4 The Clarinet in Opera before 1830: Instrument and Genre Come of Age
- 5 The Clarinet in Nineteenth-Century Opera
- 6 Innovation and Convention in the Golden Age of the Clarinet Concerto, ca. 1800–1830
- 7 Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music
- 8 Important Clarinetists since 1900: A Concise Introduction
- 9 Re-creating History? The Early Clarinet in Theory and Practice
- 10 The Clarinet in Vernacular Music
- Notes on Contributors
- Index
- Eastman Studies in Music
Notes on Contributors
Published online by Cambridge University Press: 26 May 2022
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Book contents
- Frontmatter
- Contents
- Note to the Reader
- Acknowledgments
- Introduction
- 1 Clarinet Iconography
- 2 The Chalumeau and Clarinet before Mozart
- 3 From “Little Trumpet” to Unique Voice: The Clarinet in the Concert Orchestra
- 4 The Clarinet in Opera before 1830: Instrument and Genre Come of Age
- 5 The Clarinet in Nineteenth-Century Opera
- 6 Innovation and Convention in the Golden Age of the Clarinet Concerto, ca. 1800–1830
- 7 Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music
- 8 Important Clarinetists since 1900: A Concise Introduction
- 9 Re-creating History? The Early Clarinet in Theory and Practice
- 10 The Clarinet in Vernacular Music
- Notes on Contributors
- Index
- Eastman Studies in Music
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- The Clarinet , pp. 289 - 290Publisher: Boydell & BrewerPrint publication year: 2021