This chapter examines Gwendolyn Brooks’s representation of everyday African American lives in what was at midcentury affectionately known as “Bronzeville.” Her literature elevates the ways these people – especially Black women – found meaning and value in their regular lives, even as they lived in the shadow of a disinterested and segregated city. With a focus on Brooks’s first collection of poetry, A Street in Bronzeville, and her novel, Maud Martha, this chapter explores how Brooks’s writing exemplifies humanism and places it in the same populist Chicago tradition of Carl Sandburg, while also maintaining ties to the sociologically informed neighborhood writing of Richard Wright, James T. Farrell, and Nelson Algren. Even though Brooks did not define herself as an African American humanist, she engages with some of its core concepts. Namely, she shows how Black people challenge Christian ideals and how they process death and loss without relying on religious doctrines. Instead, Brooks’s characters look inward and toward their community for aid and redemption.