Book contents
- Frontmatter
- Contents
- Acknowledgements
- List of Abbreviations
- Dedication
- Introduction
- 1 ‘The name of soveraynetee’: The Franklin's Tale
- 2 ‘Humble servant to youre worthynesse’: The Clerk's Tale
- 3 Domestic Opportunities: The Social Comedy of the Shipman's Tale
- 4 Love in Confinement in the Merchant's Tale
- 5 The Medieval Marriage Market and Human Suffering: The Man of Law's Tale
- 6 Chain of Love or Prison Fetters?: The Knight's Tale and Emily's Marriage
- 7 ‘Nyce fare’: The Courtly Culture of Love in Troilus and Criseyde
- 8 Beyond the Bounds of Good Behaviour: Imprudent Fidelity in the Legend of Good Women
- Conclusion
- Bibliography
- Index
6 - Chain of Love or Prison Fetters?: The Knight's Tale and Emily's Marriage
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- Acknowledgements
- List of Abbreviations
- Dedication
- Introduction
- 1 ‘The name of soveraynetee’: The Franklin's Tale
- 2 ‘Humble servant to youre worthynesse’: The Clerk's Tale
- 3 Domestic Opportunities: The Social Comedy of the Shipman's Tale
- 4 Love in Confinement in the Merchant's Tale
- 5 The Medieval Marriage Market and Human Suffering: The Man of Law's Tale
- 6 Chain of Love or Prison Fetters?: The Knight's Tale and Emily's Marriage
- 7 ‘Nyce fare’: The Courtly Culture of Love in Troilus and Criseyde
- 8 Beyond the Bounds of Good Behaviour: Imprudent Fidelity in the Legend of Good Women
- Conclusion
- Bibliography
- Index
Summary
Apart from Constance's two marriage alliances, the other prominent aristocratic marriage in the Canterbury Tales is that of Palamon and Emily, with which the Knight's Tale ends. If Constance was unenthusiastic about marrying the Sultan, Emily states her opposition to becoming a wife in no uncertain terms. Praying in the temple of Diana, she says:
‘Chaste goddesse, wel wostow that I
Desire to ben a mayden al my lyf,
Ne nevere wol I be no love ne wyf.
I am, thow woost, yet of thy compaignye,
A mayde, and love huntynge and venerye,
And for to walken in the wodes wilde,
And noght to ben a wyf and be with childe.
Noght wol I knowe compaignye of man.’
(I, 2304–11)This statement is determined and unequivocal – Emily ‘nevere’ wants to marry or be loved; she does not want to have children, or experience intimacy with men. It is the central message of Emily's only speech in the entire Tale, and, as Priscilla Martin and Ian Robinson have noted, comes as a great shock to the reader since Emily's behaviour before and after this moment in the narrative shows no sign of resistance to marriage, and since Palamon and Arcite's apparent lack of interest in Emily's own perspective may have encouraged us to forget that she has one. Moreover, Emily does not express her opposition to marriage to any of the other human actors in the story.
- Type
- Chapter
- Information
- Chaucer and the Cultures of Love and Marriage , pp. 127 - 142Publisher: Boydell & BrewerPrint publication year: 2012