Book contents
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- List of Music Examples
- List of Analytical Tables
- Preface and Acknowledgements
- Supplementary Introduction to the Revised and Expanded Edition
- List of Sigla and Abbreviations
- I Early Influences and Impressions, 1852–70
- II Formative Years, 1870–87
- III Recognition, 1888–1901
- IV The New Generation, 1901–14
- V War and Decline, 1914–24
- Appendix: List of Works
- Select Bibliography
- Index of Works
- General Index
- Irish Musical Studies Previous volumes
Appendix: List of Works
Published online by Cambridge University Press: 12 May 2024
- Frontmatter
- Dedication
- Contents
- List of Illustrations
- List of Music Examples
- List of Analytical Tables
- Preface and Acknowledgements
- Supplementary Introduction to the Revised and Expanded Edition
- List of Sigla and Abbreviations
- I Early Influences and Impressions, 1852–70
- II Formative Years, 1870–87
- III Recognition, 1888–1901
- IV The New Generation, 1901–14
- V War and Decline, 1914–24
- Appendix: List of Works
- Select Bibliography
- Index of Works
- General Index
- Irish Musical Studies Previous volumes
Summary
At the end of each entry an abbreviated reference to the location of the autograph manuscript (Aut.) has been included (see list of abbreviations). ‘Unperformed’ and ‘unpublished’ both refer to the composer's lifetime.
Choral Works
Published only in vocal score except where ‘full score’ is indicated. Unless otherwise indicated, a normal orchestra is used. Opus numbers, dedications, dates of completion (provided by the composer),and dates of first performances are given together with any revisions. Unless otherwise stated, first performances were conducted by the composer.
- Type
- Chapter
- Information
- Charles Villiers StanfordMan and Musician, pp. 607 - 650Publisher: Boydell & BrewerPrint publication year: 2024