General Index

Robert A. Rohland

doi:10.1017/9781009039789.009

General Index

Achilles, 10, 11, 80 n.40, 153, 156–, 238

Actium, Battle of, 104

address, 23, 31, 34, 129–130, 194

and Horace, 93 n.62

and wayfarer in epigram, 17–19, 50

admonition (to enjoyment): see exhortation (to enjoyment)

Aeneas, 130, 196

aetiology

and calendar, 84

Agricola, Rodolphus, 195 n.38

Alcaeus, 15, 116, 212–214, 232, 233

and banquet, 13–14, 144–145, 155, 187–193, 212–214

and performance, 26

and transience, 19 n.72

Alexander the Great, 42–45, 54, 58 n.62, 158

Alexis, 68–71

allusion

and echo, 232, 233 n.19, 236–238

and epigram, 59–67, 73, 153–156

and etymology, 156, 192, 231

and excerpt, 183–226

and exemplum, 211

and hapax legomenon, 13 n.44, 130, 137, 153, 154

and interpolation, 219–221

and intertexual marker, 201 n.59

and locus communis, 210, 216

and lyric appropriation of Homeric material, 112–113

and oppositio in imitando, 130

and quotationality, 185

and Vergil, 192

as pluckable textual object, 219

as quotation, 13, 113

integrative, 210

reflective, 210

through editing, 154

Amyntas, pseudo-Bematist, 53–55

Anacreon, 14, 165, 183

Anacreontea, 14, 16, 172, 185

Anchiale, 42–45, 49, 54, 73

anthology, 186–187, 207–208, 209, 212–214, 221 n.133

Antiphilus, epigrammatist, 161 n.65

Antonia Minor, 161

Apollo, 112

Palatine temple of, 165

Apollonides, epigrammatist, 150–155

archaeology (of literary predecessors)

and carpe diem, 39

and Sardanapallus, 52

in Hellenistic literature, 15

archaism, 34, 119–125, 135

and wine, 103–107

Archestratus of Gela, 23–24

and Epicurus, 67

Archilochus, 12, 147–148

archive, 105

Argentarius, Marcus, epigrammatist, 155–156

argumentum a fortiori, 13, 61

Aristippus of Cyrene, 21–22, 56 n.56

Aristobulus of Cassandria, 42–45, 51

Aristophanes of Byzantium, 69

Aristotle, 41, 54 n.54, 55–56, 118

Arrian, 42–45, 51–52

Asclepiades of Samos, 16, 17, 56, 155–156, 166

as lyric poet, 15

Ashurbanipal, 44 n.17

Athenaeus, 11, 41, 59–61, 68–69, 143, 153, 189, 212–214

Athens, 70

Auden, W.H., 112 n.14

Augustus, 73, 104, 161

and banquet, 102

and calendar, 84 n.23, 88, 90

and Horace, 101–102

and poetic memory, 93–94

Ausonius, Decimus Magnus, 217 n.116, 218–219

Austin, J.L., 26

Bacchus, 84, 85, 97

banquet, 104, 141, 149–150, 159, 217

and Alcaeus, 13, 144–145, 188–192, 212–214

and Augustus, 102

and command, 52 n.50, 79 n.10, 149–150, 212

and cutting meat, 208–209

and epigram, 27, 143–160, 167–172, 176–182

and excerpting poetry, 205–214

and fable, 198–205

and Greek culture, 62

and Homer, 112–113, 153, 156–157

and Horace, 36, 76–107, 135–138

and learning, 144, 153–156, 212–214

and luxury, 168

and music, 5–7

and performance, 25–27, 129

and popular Epicureansism, 20–21

and popular song, 15 n.56

and presence, 94–97, 144–145

and Roman emperor, 142

and Rome, 10 n.31

and Sardanapallus, 46, 52–53

and setting, 95–96

and textuality, 149–155

and the erotic, 10

and Theognis, 12, 25–27

and tomb, 176–182

and warfare, 12

as place for pleasure, 8–10

as space for lyric, 18

in classical period, 14 n.51

Barthes, Roland, 140, 144, 176

Batrachomyomachia, 202 n.66

bath (as pleasure), 10

Baudelaire, Charles, 225

Berossus, historian, 44 n.17

Bibulus, Marcus Calpurnius, 98–99

Boscoreale cups, 145–149

Brutus, Marcus Iunius, 104

Byron, Lord, 44 n.15, 77 n.4

Caesar, Gaius Julius, 86 n.31, 98–99, 161

and De Analogia, 118 n.24

calendar, 136

and aetiology, 84

and annalistic historiography, 91

and anniversary, 84–85

and Augustus, 84 n.23, 88, 90

and chronology, 57–59

and consular date, 79, 86–102

and cyclicality, 86

and Fasti Capitolini, 90

and political events, 97–99

and presence, 94–97

and reperformance, 84–85

and Roman holiday, 84, 86, 95, 97

and wine, 236

and wine label, 89

and wine storage, 90–91

callida iunctura, 119–125, 131–133, 202

Callimachus, 65, 69, 136–138, 154, 165

Callisthenes of Olynthus, 42

Carmina Burana, 224

carpe diem

and cliché, 224–226

and Epicurus, 20–21

and luxury, 142

and music, 1–6

and sex, 172–176, 218–219

expression of, 36–37, 131–133, 199, 209

in “Eastern” culture, 39

in first centuries bc and ad, 141–142

survey of, 8–25

Cassius, Gaius Cassius Longinus, 80 n.14, 104

Catullus, Gaius Valerius, 127 n.56, 230, 236–238

and carpe diem, 19

Cena Cypriani, 207 n.82

Chagall, Marc, 87 n.37

Charisius, grammarian, 103

Charles IV, Holy Roman Emperor, 187, 221

Choerilus of Iasus, 53–59, 66, 70, 73

Chrysippus of Soli, 65–67, 68, 69, 70

Cicero, Marcus Tullius, 55–56, 67, 69, 71, 80, 118, 171

Cleopatra, Cleopatra VII Philopator, 104

Clitarchus, historian, 42

coinage, of words, 103, 117, 124–125, 130

collecting (in ancient world), 143, 156–159, 160, 165–167

comedy, 68, 70, 212

and carpe diem, 24

commonplace-book, 222

convivium: see banquet

Crates of Thebes, 63–65, 66, 68, 70

Crinagoras of Mytilene, 161–167

Ctesias of Cnidus, 46–47, 58

Culler, Jonathan, 31, 34, 125, 225, 234 n.23

Cynic philosophy: see Crates of Thebes, Diogenes the Cynic, Monimus of Syracuse

Cyrenaic philosophy: see Aristippus of Cyrene, Hegesias of Cyrene

Dante Alighieri, 114 n.17

deconstruction, 30–31

deixis, 144–145

and epigram, 50

and Horace, 95–96

and lyric, 95–96

Delacroix, Eugène, 44 n.15

Dellius, Quintus, 94–96, 105

didactic poetry, 23–24, 183, 194

dining hall, 176–182

Diodorus Siculus, 44

Diogenes the Cynic, 64

Dionysius of Halicarnassus, 58 n.62

Domitian, 142

drinking party: see banquet

dum licet, 9 n.28, 193, 206

Dunbar, William, 238 n.29

echo, 227–238

ekphrasis, 142, 161–172, 180–182

elegy, 6, 7

and carpe diem, 11–13, 24

and epigram, 18

in late antiquity, 20, 227–238

epic, 112–113

and carpe diem, 10–11, 24

Epicurus, 41, 73, 147

and Archestratus of Gela, 23 n.95, 67 n.98, 70

and belly, 69–71

and carpe diem, 20–21, 65–67, 69–71

and comedy, 69–71

and divination, 171

and Horace, 21, 77 n.5

and linguistic theory, 119

and Sardanapallus, 65–67, 69–71

misrepresentation of, 65–67, 69–71

epigram, 16–19, 38–75, 99, 140–182

and allusion, 73

and companion pieces, 63

and deixis, 50

and elegy, 18

and Ergänzungsspiel, 49

and gems, 160–176

and performance, 27

and reader-response theory, 48–49

and riddles, 48–49

and Rome, 177–180

and tomb, 16–18, 176–182

and variation, 59–67

and wayfarer, 163

definition of, 16

Latin, 19–20

Erasmus of Rotterdam, 10 n.29, 223–224

Adagia, 224

Eusebius of Caesarea, 58

exhortation (to enjoyment), 2 n.4, 3, 5, 8, 55, 71, 162

and banquet, 99–100

and choice of words, 129–130

and death, 104, 159

and inscription, 50, 59 n.69, 61

and kairos, 81–82

and performance, 71

and presence, 53, 70, 129–130

and present tense, 70

and Sardanapallus epitaph, 52–53, 59 n.67

plucking and seizing, 14, 81–82, 85–86, 99–100, 131–133, 193

through object, 159

types of, 8–10

Fermor, Patrick Leigh, 76–77

Fish, Stanley, 45, 53

flâneur, 178–179

Florilegium Gallicum, 209

Foucault, Michel, 39

Frost, Robert, 112 n.14

Galen of Pergamum, 91

Gellius, Aulus, 118, 123

gem, 160–176see also luxury

genre

and Horace’s lyric, 19

lyric and satire, 198–205

relation of epic and lyric, 13, 112–113

relation of epigram and elegy, 18

Gracchus, Gaius Sempronius Gracchus, 97

Grecism, 119–125, 128–130, 131, 136–138

Guercino, 162

Gumbrecht, Hans Ulrich, 31–34, 125, 140, 234 n.23, 235–236 see also presence

Hannibal, 102

Hedylus of Samos, 154

Hegesias of Cyrene, 22

Hegesippus, chronicler, 70

here and now, 7, 25, 96see also occasion, setting

Herrick, Robert, 11, 223

Hesiod, 187–193

hic et nunc: see here and now

Homer, 8, 10, 11 n.23, 41, 137, 153–155, 156–157

and banquet, 112–113, 153

and carpe diem, 11

and lyric, 13, 112–113

and Simonides, 113–116

and transience of nature, 11, 111–113, 221

in Petronius, 208–209

scholia of, 155–156

Horace, Quintus Horatius Flaccus, 11, 13, 15, 16, 19, 39, 76, 139, 183, 184, 185, 198, 205, 206, 215, 222, 224, 232, 236

and Augustus, 101–102

and civil wars, 101, 104

and Epicurus, 21, 76, 77

and performance, 28–31

and poetic memory, 91–94, 102

and presence, 28–31, 78–82, 94–97, 124–125, 129–130, 139

and reperformance, 30, 84–85

and textuality, 28–29, 86, 93, 105–106, 116–117

in Renaissance, 221

Housman, A.E., 32–34, 121, 200 n.55

iam, 9 n.28, 230

iambus, 6, 7

Ida, Mount, 76–77

imperative (to enjoyment): see exhortation (to enjoyment)

interpolation, 215 n.102, 216

and allusion, 219–221

interpretative communities: see Fish, Stanley

Ion of Chios, 14, 52

Isidorus of Seville, 103 n.98, 203 n.70, 231 n.13

Johnson, Samuel, 195

Julian, epigrammatist, 16 n.59

Jullian, Philippe, 87

Juno Lucina, 84

Juvenal, 102, 131, 214–226

kairos, 81–82

katabasis, 130

Kreipe, Karl Heinrich, 76

leaves, fallen: see nature, transience of – and leaves

Leonidas of Tarentum, 17

linguistic theory

and atoms, 119

and presence, 116–117

in antiquity, 117–119

of Epicurus, 119

of Horace, 108–139

Lucilius, Gaius, 204

Lucretius, Titus Lucretius Carus, 119, 196, 206

and carpe diem, 20–21

Luke, the Evangelist, 66 n.86

Lupercalia, 85

luxury, 7 n.18, 8, 18, 145–149, 157–176see also gem

Lycia, 61–63

lyric, 3, 6 n.17, 7, 11, 111

and banquet, 105

and choice of words, 116–117

and cliché, 224–226

and deixis, 95–96

and echo, 233

and epic, 12–13, 112–113

and Homer, 112–113

and Horace, 28–31

and hyperbole, 224–226

and poetic memory, 91–94, 105–106

and popular song, 15–16

and presence, 25–35, 124–125

and repetition, 116–117

and satire, 198–205

and setting, 25, 95–96

and transience of nature, 112–113

and wine, 105–106

and word coinage, 124–125

Hellenistic book editions of, 29

in Rome, 116

in the classical period, 14

in the Hellenistic period, 15

Latin, 19

melic, 7, 11, 13–14

origin of, 13, 39

song culture of, 25–29

theory of, 31

Macedonius, epigrammatist, 154

Machon, 57

Macrobius Ambrosius Theodosius, 143, 237 n.27

Maecenas, Gaius Cilnius, 80 n.40, 84, 85, 88, 90, 98 n.78, 124, 233

Marcellus, Marcus Claudius, 161, 165

Mark Antony, Marcus Antonius, 71–75, 98 n.79, 102 n.91, 104

Mars, 84

Martial, Marcus Valerius Martialis, 20, 88, 106, 156–157, 165, 177–180

Meineke’s Law, 15 n.55, 29

Mimnermus, 11–12, 112, 115

Monimus of Syracuse, 64, 147

Montand, Yves, 112 n.14

motto

and Anacreontea, 16

and Horace, 19, 200 n.53

Musaeus of Athens, 112

music, 20, 35

and banquet, 25–26, 138, 147–149, 208

and echo, 227–238

and Horace, 29see also notation (musical)

Nachleben (of carpe diem): see reception (of carpe diem)

Narcissus, 229, 233

nature (transience of), 13, 19, 32–34, 100, 123 n.41, 136, 231

and choice of words, 109–117, 122

and cyclical time, 110, 116, 125–131

and flower of youth, 115, 132 n.74

and fruits, 131–133

and Homer, 12, 111–113

and leaves, 11, 76, 109–117, 127–128, 130 n.68, 186, 221

and lyric, 112–113

and rose, 219 n.126

and Simonides, 113–116

and wine, 78, 105–106

neologism, 119–125, 135

Nero, 157–160, 207 n.81, 208 n.84

Newton, Isaac, 40

Nietzsche, Friedrich, 108

Nineveh, 54, 57–59, 60, 66

Niobe, 11 n.23

notation (musical), 1, 4–6, 29

occasio: see kairos

occasion, 30 n.126, 31, 32, 86, 97, 226see also here and now, setting

octopus, 57

Odeon, 69 n.93

Odysseus, 10, 12, 153

Opimius, Lucius, 97, 98see also wine – and Opimian

orientalism, 47

Ovid, Publius Ovidius Naso, 10, 84, 85, 229

Ozymandias, 44

Paetus, Lucius Autronius, 89

Palladas, epigrammatist, 11 n.33, 16 n.59, 17

pastoral poetry

and carpe diem, 24

Pentadius, elegiac poet, 227–238

performance, 3–7, 25–35, 73, 129, 159, 198, 235–236

and Anacreontea, 16

and choice of words, 135

and Horace, 28–31

and music, 20

and Nero, 158

and reperformance, 26–27, 30, 129–130, 189, 233, 234 n.24

and speech act, 26–27

and theatre, 71, 198

in classical period, 14 n.51

Pergamum, 69

Persius, Aulus Persius Flaccus, 201, 217–218

Petrarch, Francesco Petrarca, 221–223

Petronius, 108, 142, 159, 180–182, 205–214

Philaenis of Samos, 67

Philippi, Battle of, 80 n.40, 104

Philodemus of Gadara, 20, 119, 189 n.20

Philomela, 229

Philoxenus of Cythera, 57

Picasso, Pablo, 87 n.37

Pindar, 14 n.50, 28 n.113, 47 n.26, 106 n.109, 132 n.74, 225 n.144

Plancus, Lucius Munatius, 102, 104

Plautus, Titus Maccius, 117

Pliny the Elder, Gaius Plinius Secundus, 157–160

Plutarch, 153

Polemon II, king of Pontus, 167–172

Poliziano, Angelo, 223

Polybius, historian, 102

Pompeii, 142 n.7, 168, 180

Pompey, Gaius Pompeius Magnus, 102 n.91

theatre of, 158

Porphyrio, Pomponius, 94, 133 n.75, 136 n.89, 201 n.57, 202 n.63, 222 n.137

Posidippus of Pella, 160, 175 n.100

presence, 4, 7, 25–35, 73, 144–145, 150, 153, 235–236

and banquet, 94–97

and calendar, 94–97

and choice of words, 108, 116–117, 129–130, 135, 139

and comparative literature, 31

and echo, 233–234

and exhortation (to enjoyment), 53

and Horace, 28–31, 76–77, 116–117, 124–125, 129–130, 139

and lyric, 124–125

and materiality, 141

and present tense, 55–59, 61–62

and repetition, 77

and sex, 176

and song, 234

and sound, 230, 236–238

and textuality, 116–117

and wine, 78–82, 141

and wine storage, 94–97

and word coinage, 124–125see also Gumbrecht, Hans Ulrich

prescription (to enjoyment): see exhortation (to enjoyment)

Quintilian, Marcus Fabius Quintilianus, 108, 202

Quintus of Smyrna, 112 n.14

Rabirius, Gaius, 108–12, 71–75

Raleigh, Walter, 19

reader-response theory

and epigram, 48–49

reception (of carpe diem), 7 n.18, 7 n.20, 10 n.29, 17 n.63, 221–224

Renaissance, 7 n.18, 10 n.19, 17 n.63, 221–224

Richards, Keith, 112 n.14

ritual, 25–31, 84–85, 86

Rome

cityscape of, 177–180

Ronsard, Pierre de, 17 n.63, 223

Rothschild, Baron Philippe de, 87

Rufinus, epigrammatist, 16 n.59, 219

Sappho, 14 n.50, 28

Sardanapallus

and Dionysus statue, 74

as legendary figure, 44–45

as role model, 59–61, 74

death of, 46–47

in fifth-century sources, 45–46

Sardanapallus epitaph

and banquet, 52–53

and comedy, 68–71

and Greek lyric, 52–53

and Mark Antony, 71–75

as interpretatio Graeca, 42–45

in prose, 42–45, 47–53

in Rome, 20, 71–75

in verse, 41–42, 53–59

reception of, 59–67, 68–75

satire, 7, 198–226

Scaliger, Julius Caesar, 109, 118

Seikilos, 1–8, 15, 35, 148 n.25

semiotics: see Barthes, Roland

Seneca, Lucius Annaeus, 21, 22–23, 195–196, 197–198, 221

and Horace, 23

Sennacherib, 45, 49

Sestius, Lucius, 93

setting, 18, 25, 78, 95–96see also here and now, occasion

sex, 172–176, 218–219

and banquet, 10, 99–100

and cows, 194–198

and Sardanapallus, 51, 56

denial of, 8, 17, 166, 218–219

teaching of, 10

Shelley, Percey Bysshe, 44

Simon and Garfunkel, 112 n.14

Simonides of Ceos, 13, 112, 113–116, 128–130

skeleton, 18, 21, 38 n.3, 141, 145–149, 159, 161–172

Social War, 102

Soracte, Mount, 76–77, 116

Sotion of Alexandria, 69

Spartacus, 102

Speichergedächtnis: see wine storage – and storage memory

Stimmung, 34 n.141see also Gumbrecht, Hans Ulrich

Stobaeus, Joannes, 187, 207–208

storage memory: see wine storage – and storage memory

Strato of Lampsacus, 16

Suetonius, Gaius Suetonius Tranquillus, 99

Swift, Jonathan, 97

symposium: see banquet

Take That, 2 n.4

Terence, Publius Terentius Afer, 117

textuality, 4, 7, 25–35, 165, 235–236

and Alexandrian book editions, 16 n.59

and echo, 233–234

and epigram, 65, 144, 149–155

and Horace, 86, 93, 105–106

and inscription, 19

and poetic memory, 105–106

and wine labels, 93

Thaliarchus, 77

Theognis of Megara

and carpe diem, 12

and Homer, 12

and performance, 26–27

Thucydides, 38–39

Tiberius, 98 n.79

Tibullus, Albius, 193

tomb, 149–150, 176–182

and epigram, 16–18, 176–182

of Apollonius (Lycian dynast), 61–63

of Augustus, 177–180

of Bacchidas, 59–61

of Cornelius Vibrius Saturnius, 180

of Sardanapallus, 42–45, 47–53, 59

of Trimalchio, 159, 180–182

Torquatus, Lucius Manlius, 81

Totenmahl, 62, 180

tragedy

and carpe diem, 24

translatio imperii, 58 n.62

triclinium:see dining hall

Trimalchio, 10, 142, 156, 159, 180–182, 205–214

Tullus, Lucius Volcatius, 86, 88, 89

Ungaretti, Giuseppe, 112 n.14

urbanitas, 200, 201, 208, 217, 225

Vaenius, Otto, 222 n.136

Varro, Marcus Terentius, 118, 191

Vergil, Publius Vergilius Maro, 130–131, 187–198, 221

Waits, Tom, 112 n.14

Warhol, Andy, 87 n.37

Wieland, Christoph Martin, 186, 199

wine

and archaism, 103–107

and calendar, 236

and choice of words, 133–135

and consular date, 86–88

and Horace, 78–107, 210

and lyric, 105–106

and nature (transience of), 78

and Opimian, 88 n.40, 90 n.50, 97–98, 106, 205, 209–210

and optimal maturation time, 80–81

and poetic memory, 102, 105–106

and presence, 141

and reperformance, 84–85

and seasons, 105–106

appelation

Alban, 93

Caecuban, 91

Falernian, 94, 179, 212

Fundi, 89, 106

Sabine, 91

as remedy against worries, 85 n.26

being unmixed, 13 n.44, 136–138, 153–155, 156–157

vessel

amphora, 88, 89–90, 93 n.62, 97, 99, 159

Amystis cup, 136, 138

cadus, 105

cup, 143–160

cup of Nestor, 157

cups from Boscoreale: see Boscoreale cups

diota, 78

dolium, 87

mixing bowl, 153, 157 n.52

skyphus, 157 n.52

wine label, 87, 88–95, 104, 209

and calendar, 89

and Château Mouton Rothschild, 87

and Maecenas, 98 n.78

and wine storage, 94

in epigraphic evidence, 79

in literature, 79

wine storage

access to, 94–95

and apotheca, 89, 97

and archaism, 103–107

and calendar, 90–91

and condo, 91–93

and diffundo, 93

and fume, 90

and poetic memory, 91–94, 105

and presence, 94–97

and seasons, 105–106

and spatial visualisation of time, 90–91, 94–95

and storage memory, 105

and war, 102

Winnie-the-Pooh, 51 n.46

word choice

and cyclical time, 116, 117–131

and Lucretius, 119

and lyric, 116–117

and performance, 135

and presence, 108, 116–117, 135, 139

and transience of nature, 109–117

and wine, 133–135

worry (about future, death), 9, 88

and Horace, 88

and wine, 85

Young, Neil, 1

Zonas, epigrammatist, 149–150

Book contents

General Index

Summary

General Index

Book contents

General Index

Summary

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