This essay summarizes the renewed and expanded perspectives on Caribbean literature made possible by the three-volume critical project to which it contributes the final essay. It then addresses three of the most pertinent issues facing Caribbean literature and literary studies as it moves further into the twenty-first century: first, how the future of Caribbean literary criticism will be shaped as much by what we rediscover about its past as by what is yet to come; second, how critical models might evolve as we reach the limit point of cascading inclusions; and third, questions of accessing and preserving literary sources (past, present and future), with a cautious appraisal of the promise of digital humanities.