Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of Illustrations
- Introduction
- 1 The Domestic versus the Foreign in Eighteenth-Century Paris and London
- 2 Elements of Canon Formation at the Concert Spirituel (Beverly Wilcox)
- 3 To Praise or to Criticize? The Evolution of Music Criticism in Eighteenth-Century France
- 4 Haydn in the Press during the 1780s: How Did a Canon Arise?
- 5 Parallel Canons at the Opéra and the Comédie-Française at the End of the Ancien Régime
- 6 Negotiating Canonic Repertory and les progrès de la musique at the Paris Opéra, 1815–1830
- 7 The Evolution of le vieux répertoire at the Opéra-Comique in the Nineteenth Century
- 8 Richard Wagner, Concert Life, and Musical Canon in Paris, 1860–1914
- An Afterword
- Bibliography
- Index
List of Illustrations
Published online by Cambridge University Press: 26 May 2022
Book contents
- Frontmatter
- Contents
- Acknowledgments
- List of Illustrations
- Introduction
- 1 The Domestic versus the Foreign in Eighteenth-Century Paris and London
- 2 Elements of Canon Formation at the Concert Spirituel (Beverly Wilcox)
- 3 To Praise or to Criticize? The Evolution of Music Criticism in Eighteenth-Century France
- 4 Haydn in the Press during the 1780s: How Did a Canon Arise?
- 5 Parallel Canons at the Opéra and the Comédie-Française at the End of the Ancien Régime
- 6 Negotiating Canonic Repertory and les progrès de la musique at the Paris Opéra, 1815–1830
- 7 The Evolution of le vieux répertoire at the Opéra-Comique in the Nineteenth Century
- 8 Richard Wagner, Concert Life, and Musical Canon in Paris, 1860–1914
- An Afterword
- Bibliography
- Index
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- Canonic Repertories and the French Musical PressLully to Wagner, pp. ix - xPublisher: Boydell & BrewerPrint publication year: 2021