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Published online by Cambridge University Press:  30 September 2021

Edited by
Edward Campbell  and
Peter O'Hagan
Edward Campbell
Affiliation:
University of Aberdeen
Peter O'Hagan
Affiliation:
Roehampton University, London
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The Cambridge Stravinsky Encyclopedia , pp. 199 - 202
Publisher: Cambridge University Press
Print publication year: 2021

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References

Neidhöfer, Christoph, ‘An approach to interrelating counterpoint and serialism in the music of Igor Stravinsky, focusing on the principal diatonic works of his transitional period’ (Ph.D. dissertation, Harvard University, 1999).Google Scholar
Straus, Joseph N., Stravinsky’s Late Music (Cambridge University Press, 2001).Google Scholar
Walsh, Stephen, The Music of Stravinsky (London: Routledge, 1988).Google Scholar
Walsh, Stephen, The Music of Stravinsky (London: Routledge, 1988).Google Scholar
Levitz, Tamara, Modernist Mysteries: Perséphone (New York: Oxford University Press, 2012), 334–6.Google Scholar
Sachs, Harvey, Music in Fascist Italy (London: Weidenfeld and Nicolson, 1987), 167–9.Google Scholar
SCS; SPD; SSEGoogle Scholar

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  • I
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
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  • I
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • I
  • Edited by Edward Campbell, University of Aberdeen, Peter O'Hagan, Roehampton University, London
  • Book: The Cambridge Stravinsky Encyclopedia
  • Online publication: 30 September 2021
Available formats
×