Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-24T18:09:27.929Z Has data issue: false hasContentIssue false

Chapter 2 - Fictions of antiquity: Troilus and Criseyde and The Legend of Good Women

Published online by Cambridge University Press:  05 October 2014

Alastair Minnis
Affiliation:
Yale University, Connecticut
Get access

Summary

Troilus and Criseyde was probably composed during the early and middle years of the 1380s and completed no later than 1387, which places it after the Boece and certainly before the earliest version of the prologue to the Legend of Good Women, where it is cited. In five books of rhyme royal stanzas the ‘double sorrow’ of Troilus is charted as he loves, wins and loses Criseyde, the story being set within the context of the Trojan War, which Chaucer embellishes with extensive use (and to some extent creation) of appropriately pagan history, philosophy and religion. Chaucer took the relatively straightforward account of an amatory love triangle from Giovanni Boccaccio’s Il Filostrato (1336–8?) and reworked it with occasional recourse to two sources Boccaccio himself had used, Benoît de Sainte-Maure’s Roman de Troie (of the mid-twelfth century) and the Latin prose rendering of that French poem that Guido delle Colonne completed in 1287, the Historia destructionis Troiae. Guido had introduced heavily moralistic comments about the evils of pagan love and lore, but this is quite different in tenor from Chaucer’s transformation of Boccaccio, which is marked by a desire to find virtue in his heathen characters and to endow Troilus (thanks to material derived from Boethius’ Consolatio philosophiae) with the ability to engage in intricate philosophical analysis, as he suffers the slings and arrows of outrageous fortune. Here is an ‘historical novel’ conceived on a grand scale; featuring a distinctive and internally consistent heathen imaginary which manifests distance, difference and otherness. A world all of its own.

Other worlds: pagan philosophy and desire

In Chaucer’s day, it was widely recognized that many worlds existed within the present one, inasmuch as it accommodated different peoples and races, many of which followed creeds that were quite different from Christianity. Several hundred years of crusades (with Jerusalem, the place of Christ’s death, as the great prize) had prompted some awareness, however crude and miscomprehending, of the tenets of Islam, and in 1243–5, approximately two decades before Marco Polo began his travels in Asia, Persia, China and Indonesia, Friar William of Rubruck had made an arduous journey to meet the fourth Great Khan of the Mongol Empire, Möngke (1209–59).

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×