This chapter explores some of the new developments, trends, and movements that have characterized contemporary American poetry in the period since 2000, a period in which poetry grapples with a tumultuous, rapidly changing culture and continues to become increasingly diverse. The chapter focuses on three of the most important developments: the collapse of the old binary opposition between mainstream and experimental and the emergence of a new hybrid mode; a new openness to remix, sampling, and the use of found language and documentary materials in poetry associated with movements such as Conceptual poetry and Flarf, which can be seen, in part, as a response to the rise of the digital age and new questions about originality and appropriation it has ushered in; and a resurgence of politically engaged, formally adventurous poetry, especially by poets of color, in the era of Obama and Trump. The chapter focuses on representative poets, including Jorie Graham, Dean Young, Kenneth Goldsmith, Tracy K. Smith, Robin Coste Lewis, Claudia Rankine, Ross Gay, Danez Smith, and Terrance Hayes.