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9 - Melodrama

from PART III - MODES OF WRITING

Published online by Cambridge University Press:  28 March 2012

Kate Flint
Affiliation:
University of Southern California
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Summary

From grand opera to soap opera, from Gothic and nautical to domestic, urban, and imperial, from stage to screen, melodrama has been a dominant shaping force of modernity for over two hundred and fifty years. We live, still, within its aesthetic regime in the twenty-first century. Ignored as bad drama until its rehabilitation began in the 1960s, melodrama is now both widely acknowledged as an important dramatic genre, with its own coherent set of conventions, and also understood more broadly as a mode of apprehension, behaviour, and social action.

In its most literal definition, melodrama consists of a combination of music and drama in which passages of music either alternate with passages of dramatic speech or subtend them almost continuously and in which speech and action are interrupted by moments of static pictorial composition, the tableaux. Thus melodrama is an organized audio-visual field, dialectically working back and forth between music and pictures, music and speech, movement and stasis, sound and silence. As Juliet John argues, ‘the emotional economy of melodrama is best figured as a series of waves’; as Martin Meisel puts it, melodrama offers ‘a style of punctuated discontinuity, visually marked’. Music and tableaux provide punctual markers of the narrative structure as well as guides for the audience’s affective response; they articulate its shifts in mood or tone as the drama moves between high and low plots, terror and comedy, complications and resolutions, absorption and shock.

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Publisher: Cambridge University Press
Print publication year: 2012

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  • Melodrama
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.011
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  • Melodrama
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.011
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Melodrama
  • Edited by Kate Flint, University of Southern California
  • Book: The Cambridge History of Victorian Literature
  • Online publication: 28 March 2012
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521846257.011
Available formats
×