Since the end of the Vietnam War, the Communist party-state has sponsored one project after another to commemorate that inspired and frenzied age. Memoirs, shrines, sculptures, paintings, fiction and film, each in its own way, lent awe to the revolution. By the mid-1980s – the high noon of market reforms – people from all walks of life began to lay claim to that past, ushering in something of a “commemorative fever.” This chapter examines how Vietnamese letters and the arts met the call to re-examine the Vietnam War, what forms they took, and how the many highroads to history, official and private, cut across one another.