Book contents
- The Cambridge History of the Napoleonic Wars
- The Cambridge History of the Napoleonic Wars
- The Cambridge History of the Napoleonic Wars
- Copyright page
- Contents
- Figures
- Maps
- Contributors to Volume III
- Introduction to Volume III
- Part I The Experience of War
- Part II The Experience of Imperial Rule
- Part III War, Culture and Memory
- 12 Memoirs and the Communication of Memory
- 13 Festivals, Ceremonies and Public Commemorations
- 14 The Portrayal of Heroism
- 15 The Fine Arts and the Napoleonic Wars
- 16 Poets and Novelists: Writing the Memory of War
- 17 Political Keyboard Music in Revolutionary and Napoleonic France: ‘The Battle’
- 18 The Napoleonic Wars in Caricature
- 19 The Napoleonic Wars in European Cinema
- 20 Nostalgia, or a Ruin with a View
- Part IV The Aftermath and Legacy of the Wars
- Bibliographic Essays
- Index
20 - Nostalgia, or a Ruin with a View
from Part III - War, Culture and Memory
Published online by Cambridge University Press: 05 August 2022
- The Cambridge History of the Napoleonic Wars
- The Cambridge History of the Napoleonic Wars
- The Cambridge History of the Napoleonic Wars
- Copyright page
- Contents
- Figures
- Maps
- Contributors to Volume III
- Introduction to Volume III
- Part I The Experience of War
- Part II The Experience of Imperial Rule
- Part III War, Culture and Memory
- 12 Memoirs and the Communication of Memory
- 13 Festivals, Ceremonies and Public Commemorations
- 14 The Portrayal of Heroism
- 15 The Fine Arts and the Napoleonic Wars
- 16 Poets and Novelists: Writing the Memory of War
- 17 Political Keyboard Music in Revolutionary and Napoleonic France: ‘The Battle’
- 18 The Napoleonic Wars in Caricature
- 19 The Napoleonic Wars in European Cinema
- 20 Nostalgia, or a Ruin with a View
- Part IV The Aftermath and Legacy of the Wars
- Bibliographic Essays
- Index
Summary
The literary critic George Steiner gets to the essence of change brought about by the quarter-century of revolution and war after 1789 with his wonderful remark that whenever ‘ordinary men and women looked across the garden hedge, they saw bayonets passing’.1 At first glance, the image is quaint and brings to mind ‘the recent arrival of a militia regiment’ in Meryton in the first pages of Jane Austen’s Pride and Prejudice. With the red coats in their midst, the Bennett sisters were ‘well supplied both with news and happiness’; indeed, soon they would no longer receive ‘pleasure from the society of a man in any other colour’.2 But Steiner was remarking on something else beside the novel traffic of warriors in the countryside. The world ‘beyond the garden hedge’ destroyed the tranquillity of the universe bounded by the hedge. ‘It is the events of 1789 to 1815’, Steiner explains, that first ‘interpenetrate common, private existence with the perception of historical processes’, their dizzying possibilities and terrifying dangers.
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- The Cambridge History of the Napoleonic Wars , pp. 417 - 432Publisher: Cambridge University PressPrint publication year: 2022