Book contents
- The Cambridge History of the Mongol Empire
- The Cambridge History of the Mongol Empire
- Copyright page
- Dedication
- Contents
- Figures in Volume I
- Figures in Volume II
- Maps in Volume I
- Maps in Volume II
- Tables in Volume I
- Contributors to Volume I
- Contributors to Volume II
- Acknowledgments
- Notes on Dates and Transliterations
- Abbreviations
- Volume I
- Volume II
- Volume II Part 1 Literary Sources
- Volume II Part 2 Archaeological and Visual Sources
- 17 Archaeological Sources
- 18 Archaeological Sources
- 19 Archaeological Sources
- 20 Archaeological Sources
- 21 Visual Sources
- Index to Volume I
- Index to Volume II
- References
21 - Visual Sources
from Volume II Part 2 - Archaeological and Visual Sources
Published online by Cambridge University Press: 01 January 2024
- The Cambridge History of the Mongol Empire
- The Cambridge History of the Mongol Empire
- Copyright page
- Dedication
- Contents
- Figures in Volume I
- Figures in Volume II
- Maps in Volume I
- Maps in Volume II
- Tables in Volume I
- Contributors to Volume I
- Contributors to Volume II
- Acknowledgments
- Notes on Dates and Transliterations
- Abbreviations
- Volume I
- Volume II
- Volume II Part 1 Literary Sources
- Volume II Part 2 Archaeological and Visual Sources
- 17 Archaeological Sources
- 18 Archaeological Sources
- 19 Archaeological Sources
- 20 Archaeological Sources
- 21 Visual Sources
- Index to Volume I
- Index to Volume II
- References
Summary
This chapter provides an overview of the copious material production that occurred during the centuries when the Mongols dominated much of Asia. Co-authored, the essay offers a fully integrated study that focuses on common themes rather than regional differences. It begins by assessing the sources available for study in order to underscore some of the problems in using them. It then shows that the process of commodity and exchange across the Mongol domains resulted in a shared material culture and in the emergence of a new visual language marked by three features: an interest in perspective and the opening up of space, the cultivation of monumental size in which importance was demonstrated through scale, and a concern for allover surface patterning, often with raised, pierced, or multilevel carving.
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- The Cambridge History of the Mongol Empire , pp. 1349 - 1398Publisher: Cambridge University PressPrint publication year: 2023