This chapter uses the work of Charles Taylor to frame the way in which time operates in the early Gothic. Taylor follows Friedrich Schiller in describing the cleavage between the modern and pre-modern worlds as the difference between ‘naïve’ enchantment and ‘sentimental’ disenchantment (‘radical reflexivity’, as Taylor terms it). Enchanted subjectivity was ‘porous’, meaning that the self had no defences beyond magic to regulate against animistic intrusions. Modern subjectivity, by contrast, is ‘buffered’. For Taylor, the Romantic period was that moment in which the process of disenchantment completed itself as a widely accepted, scarcely noted, norm. From across the unbridgeable divide of radical reflexivity, Gothic writers imagine encounters with an enchanted world where time is represented either as ‘kairotic knots’ affording glimpses into higher times that radically shift the subjectivity of the protagonist, or as senseless repetitions undermining the linear logic of modern character development. The chapter demonstrates how this dynamic plays out in three canonical Gothic texts: Ann Radcliffe’s The Mysteries of Udolpho, Gottfried Bürger’s ‘Lenore’ and S. T. Coleridge’s ‘Christabel’.