This chapter offers a contemplation on the symbiotic nature and interdependencies of the later works of Ann Radcliffe and Matthew Lewis, and their consequent reputations in the late eighteenth and early nineteenth centuries. Beginning with an account of how the critical tradition has tended to conceptualise the Radcliffe/ Lewis relation, the chapter focuses in upon a range of contemporary readerships that chose to read, compare and mention in the same breath the works of both authors, often without drawing any aesthetic differences between them.