Book contents
- The Cambridge History of the British Essay
- The Cambridge History of the British Essay
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Preface to a History in the Manner of an Essay
- Part I Forming the British Essay
- Part II The Great Age of the British Essay
- Part III Assaying Culture, Education, Reform
- Part IV Fractured Selves, Fragmented Worlds
- Part V The Essay and the Essayistic Today
- 39 The Eye and the I: Essay and Image
- 40 Of Human Suffering: The Essay and Ekphrasis
- 41 After Empire: Postcolonialism and the Essay
- 42 Performance and the Irish Essay
- 43 The Essay and the Public Intellectual
- 44 Essayism in Literary Theory
- 45 The Essay in the Career of the Contemporary British Novelist
- 46 Blogging in Britain: Essays in the Digital Age
- 47 The Essay, Ecocriticism, and the Anthropocene
- Book part
- Bibliography
- Index
42 - Performance and the Irish Essay
from Part V - The Essay and the Essayistic Today
Published online by Cambridge University Press: 31 October 2024
- The Cambridge History of the British Essay
- The Cambridge History of the British Essay
- Copyright page
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Preface to a History in the Manner of an Essay
- Part I Forming the British Essay
- Part II The Great Age of the British Essay
- Part III Assaying Culture, Education, Reform
- Part IV Fractured Selves, Fragmented Worlds
- Part V The Essay and the Essayistic Today
- 39 The Eye and the I: Essay and Image
- 40 Of Human Suffering: The Essay and Ekphrasis
- 41 After Empire: Postcolonialism and the Essay
- 42 Performance and the Irish Essay
- 43 The Essay and the Public Intellectual
- 44 Essayism in Literary Theory
- 45 The Essay in the Career of the Contemporary British Novelist
- 46 Blogging in Britain: Essays in the Digital Age
- 47 The Essay, Ecocriticism, and the Anthropocene
- Book part
- Bibliography
- Index
Summary
Across centuries and continents, the Irish essay has captured impressions and insights triggered by socio-political transformations across the island, and the form’s malleability has allowed writers to puzzle out the contours of Irish identity, often highlighting its deliberate performativity. Shaped by the culture’s oral tradition, the Irish essay frequently imbricates with storytelling, theatrical performance, and public lectures, live events that underscore its performative qualities. Writers often gear their impressions and inquiries self-consciously to audiences real and imagined, assuming the essay plays a meaningful role in public dialogue. In the twenty-first century, personal and lyric essays focused on rapidly changing perceptions of bodies and sexuality exemplify this trait. This alertness to performance and audiences helps to explain the Irish essay’s ready adaptation to new forms, technologies, and platforms in pursuit of readers, listeners, and viewers at home and abroad.
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- The Cambridge History of the British Essay , pp. 635 - 649Publisher: Cambridge University PressPrint publication year: 2024