Book contents
- Frontmatter
- 1 From Vindolanda to Domesday: the book in Britain from the Romans to the Normans
- PART I THE MAKING OF BOOKS
- 2 The material fabric of early British books
- 3 Anglo-Saxon scribes and scriptoria
- 4 Writing in the Insular world
- 5 Script in Wales, Scotland and Cornwall
- 6 English vernacular script
- 7 Latin script in England c. 900–1100
- 8 The design and decoration of Insular gospel-books and other liturgical manuscripts, c. 600 – c. 900
- 9 The decoration of the earliest Welsh manuscripts
- 10 Book decoration in England, c. 871 – c. 1100
- 11 Bookbindings
- PART II THE CIRCULATION OF BOOKS
- PART III TYPES OF BOOKS AND THEIR USES
- PART IV COLLECTIONS OF BOOKS
- PART V CODA
- Bibliography
- Concordance of named manuscripts
- Index of manuscripts
- General Index
- Plate 4.1: The Lindisfarne Gospels"
- Plate 5.1: The Lichfield/St Chad Gospels"
8 - The design and decoration of Insular gospel-books and other liturgical manuscripts, c. 600 – c. 900
from PART I - THE MAKING OF BOOKS
Published online by Cambridge University Press: 28 March 2012
- Frontmatter
- 1 From Vindolanda to Domesday: the book in Britain from the Romans to the Normans
- PART I THE MAKING OF BOOKS
- 2 The material fabric of early British books
- 3 Anglo-Saxon scribes and scriptoria
- 4 Writing in the Insular world
- 5 Script in Wales, Scotland and Cornwall
- 6 English vernacular script
- 7 Latin script in England c. 900–1100
- 8 The design and decoration of Insular gospel-books and other liturgical manuscripts, c. 600 – c. 900
- 9 The decoration of the earliest Welsh manuscripts
- 10 Book decoration in England, c. 871 – c. 1100
- 11 Bookbindings
- PART II THE CIRCULATION OF BOOKS
- PART III TYPES OF BOOKS AND THEIR USES
- PART IV COLLECTIONS OF BOOKS
- PART V CODA
- Bibliography
- Concordance of named manuscripts
- Index of manuscripts
- General Index
- Plate 4.1: The Lindisfarne Gospels"
- Plate 5.1: The Lichfield/St Chad Gospels"
Summary
Gospel-books produced in Ireland, Britain and Insular centres on the Continent between about ad 600 and 900 constitute an important phase in the history of medieval book design. Often elaborately decorated and written in formal script, these impressive witnesses to the sacred and authoritative nature of Christ’s words and actions, were essential to every stage of Christian learning (see Plates 8.1–3). They supplied spiritual truth to those who studied them privately as well as to those who listened to a passage read daily from the altar during the service. When carried in church processions, they served as a tangible embodiment of the faith, especially for recent, probably illiterate, converts.
From the fourth to the seventh century a gradual process of conversion to Christianity introduced the peoples of Ireland and Britain to a comprehensive system of literacy and spawned the demand for books required to practise the liturgy. As a result, a large number of gospel-books must have been produced; most do not survive. One indication of how prolific such production might have been in Ireland is found in the Book of Armagh written in 807. Primarily a New Testament, the manuscript also contains a series of notes relating to St Patrick (that may have been displaced from a seventh-century text) including a list of books – among which are copies of the gospels – that Patrick dispersed to a notable fifty new churches.
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- Information
- The Cambridge History of the Book in Britain , pp. 225 - 243Publisher: Cambridge University PressPrint publication year: 2011