Book contents
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
15 - Race, Romance and Anxiety
A History of Mid-Twentieth-Century Commercial Fiction
Published online by Cambridge University Press: 28 June 2023
- The Cambridge History of the Australian Novel
- The Cambridge History of the Australian Novel
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- 1 The Global Invention of the Australian Novel
- 2 Colonial Adventure Novels
- 3 Beyond Britain and the Book
- 4 Transnational Optics
- 5 The Novel in the Late Colonial Period
- 6 Love Is Not Enough
- 7 The Australian Crime Novel, 1830–1950
- 8 The Novel Nation
- 9 Selling Australian Stories to the World
- 10 Women Writers and the Emerging Urban Novel, 1930–1952
- 11 The National Trilogy and Mining
- 12 Nation and Environment in the Twentieth-Century Novel
- 13 Henry Handel Richardson, Christina Stead and the Transnational Fiction of Provincial Development
- 14 The Mid-Century Australian Novel and the End of World History
- 15 Race, Romance and Anxiety
- 16 Whiteness, Aboriginality and Representation in the Twentieth-Century Australian Novel
- 17 When the Twain Meet
- 18 From Bunyip to Boom
- 19 Unsettling Archive
- 20 The Novel at Arms
- 21 ‘Our Least-Known Best Seller’
- 22 Writing, Women and the Australian Novel
- 23 White Lies
- 24 The Economics of the Literary Novel
- 25 Mabo, History, Sovereignty
- 26 Indigenous Futurism
- 27 The Regional Novel in Australia
- 28 Children’s and Young Adult Literature
- 29 Grunge, Nation and Literary Generations
- 30 The Making of the Asian Australian Novel
- 31 Screening the Australian Novel, 1971–2020
- 32 Australian Fantasy, Crime and Romance Fiction in the Twentieth and Twenty-First Centuries
- 33 Uncertain Futures
- 34 A (Sovereign) Body of Work
- 35 The Novel Road to the Global South
- 36 The Fortunes of the Miles Franklin
- 37 The Arab Australian Novel
- 38 Riddling the Nation
- 39 Migrant Writing and the Invention of Australia
- Selective Bibliography: Studies of the Australian Novel, 2000–2021
- Index
Summary
From the 1920s through to the early 1960s, a popular genre of Australian commercial fiction focused on exploring or narrating stories about the outback and more exotic parts of Australian life and geography. Writers as diverse as Ion Idriess, F. J. Thwaites and E. V. Timms used their books to help other non-indigenous Australians engage with their ‘new’ nation. This chapter draws on a some of these novels and uses them to demonstrate how these stories brought to the fore issues of belonging, race, desire and anxiety. The analysis will focus on these texts’ descriptions of love and romance, including how and when intercultural desire was represented. The chapter explores how a settler-colonial logic based on dispossession, erasure and/or assimilation is deployed by the range of authors to mark out social as well as political boundaries of belonging. Overall, the chapter addresses two questions: first, how was Australia imagined and how were its citizens/subjects imagined as belonging to the nation in commercial fiction about race relations at this time; and second, how do stories of intimacy – mostly cis, heterosexual romance – shape these narratives of difference and national belonging? The chapter answers these questions using textual analysis and theories of difference.
- Type
- Chapter
- Information
- The Cambridge History of the Australian Novel , pp. 254 - 271Publisher: Cambridge University PressPrint publication year: 2023