Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-25T04:07:30.390Z Has data issue: false hasContentIssue false

7 - Interior Spaces for Music

from Part II - Culture, Place, and Practice

Published online by Cambridge University Press:  08 January 2019

Iain Fenlon
Affiliation:
King's College, Cambridge
Richard Wistreich
Affiliation:
Royal College of Music, London
Get access

Summary

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ahnert, Ruth, ‘Introduction: The Psalms and the English Reformation’, RS 29 (2015), 493508Google Scholar
Ajmar-Wollheim, Marta, ‘Sociability’, in At Home in Renaissance Italy, ed. Ajmar-Wollheim, Marta and Dennis, Flora, London, 2006, 206–21Google Scholar
Alton, Smith, Douglas, ‘The Musical Instrument Inventory of Raymund Fugger’, GSJ 33 (1980), 3644Google Scholar
Alvarenga, João Pedro d’, ‘On Performing Practices in Mid- to Late Sixteenth-Century Portuguese Church Music: The Cappella of Évora Cathedral’, EM 43 (2015), 321Google Scholar
Arnold, Denis, Giovanni Gabrieli and the Music of the Venetian High Renaissance, Oxford, 1979Google Scholar
Baade, Colleen, ‘Music and Misgiving: Attitudes towards Nuns’ Music in Early Modern Spain’, in Female Monasticism in Early Modern Europe: An Interdisciplinary View, ed. van Whye, Cordula, Aldershot, 2008, 8195Google Scholar
Balsamo, Jean, ‘La musique dans l’éducation aristocratique au XVIe siècle’, in Claude Le Jeune et son temps en France et dans les états de Savoie, 1530–1600. Actes du colloque international de Chambéry, 4–7 November 1991, ed. Bouquet-Boyer, Marie-Thérèse and Bonniffet, Pierre, Bern, 1996, 190–7Google Scholar
Barbieri, Patrizio, ‘The Acoustics of Italian Opera Houses and Auditoriums (ca. 1450–1900)’, Recercare 10 (1998), 263328Google Scholar
Barbieri, PatrizioThe State of Architectural Acoustics in the Late Renaissance’, in Architettura e musica nella Venezia del Rinascimento, ed. Howard, Deborah and Moretti, Laura, Milan, 2006, 5378Google Scholar
Barocchi, Paola, ed., Scritti d’arte del Cinquecento, 3 vols., Milan and Naples, 1971–8Google Scholar
Barron, Caroline, ‘Church Music in English Towns 1450–1550: An Interim Report’, Urban History 29 (2002), 8391Google Scholar
Baumann, Dorothea, ‘Musical Acoustics in the Middle Ages’, EM 18 (1990), 199212Google Scholar
Belozerskaya, Marina, Luxury Arts of the Renaissance, Los Angeles, CA, 2005Google Scholar
Beltramini, Guido, ‘Spaces for Music in Sixteenth-Century Paduan Courts’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 177–94Google Scholar
Blackburn, Bonnie J., and Lowinsky, Edward, trans. and eds., The Perfect Musician: Luigi Zenobi, A Letter to N. N., Kraków, 1995Google Scholar
Bletschacher, Richard, Die Lauten- und Geigenmacher des Füssener Landes, Hofheim am Taunus, 1978Google Scholar
Boalch, Donald H., Makers of the Harpsichord and Clavichord, 1440–1840, ed. Mould, Charles, Oxford, 1995Google Scholar
Brooks, Jeanice, Courtly Song in Late-Sixteenth Century France, Chicago, IL, 2000Google Scholar
Brown, Christopher Boyd, ‘Devotional Life in Hymns, Liturgy, Music and Prayer’, in Lutheran Ecclesiastical Culture, 1550–1675, ed. Kolb, Robert, Leiden, 2008, 205–58Google Scholar
Brown, Christopher Boyd Singing the Gospel: Lutheran Hymns and the Success of the Reformation, Cambridge, MA, 2005Google Scholar
Bryant, David, ‘The cori spezzati of St Mark’s: Myth and Reality’, EMH 1 (1982), 165–86Google Scholar
Burnett, Charles, ‘Sound and its Perception in the Middle Ages’, in The Second Sense: Studies in Hearing and Musical Judgement from Antiquity to the Seventeenth Century, ed. Burnett, Charles, Fend, Michael, and Gouk, Penelope, London, 1991, 4369Google Scholar
Carreras, Juan José, and Fenlon, Iain, eds., Polychoralities: Music, Identity and Power in Italy, Spain and the New World, Kassel, 2013Google Scholar
Cavicchi, Camilla, and Vendrix, Philippe, ‘L’érudit et l’amateur: collectionner la musique à la renaissance’, in Collectionner la musique: Histoires d’une passion, ed. Herlin, Denis, Duron, Jean, and Fabris, Dinko, Turnhout, 2010, 2554Google Scholar
Certeau, Michel de, The Practice of Everyday Life, Berkeley, CA, 1984Google Scholar
Cervelli, Luisa, ‘Brevi note sui liutai tedeschi attivi in Italia dal sec. XVI al XVIII’, Analecta musicologica 5 (1968), 299337Google Scholar
Cooper, Donal, ‘Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria’, JWCI 44 (2001), 154Google Scholar
Coster, Will, and Spicer, Andrew, ‘Introduction: The Dimensions of Sacred Space in Reformation Europe’, in Sacred Space in Early Modern Europe, ed. Coster, Will and Spicer, Andrew, Cambridge, 2005, 116Google Scholar
Cowen, Orlin, Lena, Locating Privacy in Tudor London, Oxford, 2009Google Scholar
Cowen, Orlin, Lena Private Matters and Public Culture in Post-Reformation England, Ithaca, NY, 1994Google Scholar
Craig, John, ‘Psalms, Groans and Dogwhippers: The Soundscape of Worship in the English Parish Church, 1547–1642’, in Sacred Space in Early Modern Europe, ed. Coster, Will and Spicer, Andrew, Cambridge, 2005, 104–23Google Scholar
Croce, Giulio Cesare, Ducento enigmi piacevoli da indovinare, Venice, 1611Google Scholar
D’Accone, Frank, ‘The Musical Chapels at the Florentine Cathedral and Baptistry during the First Half of the Sixteenth Century’, JAMS 24 (1971), 150Google Scholar
Dean, Jeffrey, ‘Listening to Sacred Polyphony c. 1500’, EM 25 (1997), 611–36Google Scholar
Dennis, Flora, ‘Music’, in At Home in Renaissance Italy, ed. Ajmar-Wollheim, Marta and Dennis, Flora, London, 2006, 228–43Google Scholar
Dennis, FloraMusical Sound and Material Culture’, in The Routledge Handbook of Material Culture in Early Modern Europe, ed. Richardson, Catherine, Hamling, Tara, and Gaimster, David, London, 2016, 370–81Google Scholar
Dennis, FloraResurrecting Forgotten Sound: Fans and Handbells in Early Modern Italy’, in Everyday Objects: Medieval and Early Modern Material Culture and its Meanings, ed. Richardson, Catherine and Hamling, Tara, Aldershot, 2010, 191209Google Scholar
Dennis, FloraSound and Domestic Boundaries in Fifteenth- and Sixteenth-century Italy’, Studies in the Decorative Arts 16 (2008–9), 719Google Scholar
Dennis, FloraWhen is a Room a Music Room? Sounds, Spaces and Objects in Non-Courtly Italian Interiors’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 3749Google Scholar
Dobbins, Frank, Music in Renaissance Lyons, Oxford, 1992Google Scholar
Duffy, Eamon, The Stripping of the Altars: Traditional Religion in England, c.1400–c.1580, New Haven, CT, and London, 2005Google Scholar
Fabris, Dinko, ‘Giochi musicali e veglie “alla senese” nelle città non toscane dell’Italia rinascimentale’, in Musica Franca: Essays in Honor of Frank A. D’Accone, ed. Alm, Irene, McLamore, Alyson, and Reardon, Colleen, Stuyvesant, NY, 1996, 213–29Google Scholar
Falletti, Franca, Meucci, Renato, and Rossi-Rognoni, Gabriele, eds., Marvels of Sound and Beauty: Italian Baroque Musical Instruments, Milan, 2007Google Scholar
Fenlon, Iain, ‘Artus Taberniel: Music Printing and the Book Trade in Renaissance Salamanca’, in Early Music Printing and Publishing in the Iberian World, ed. Fenlon, Iain and Knighton, Tess, Kassel, 2006, 117–41Google Scholar
Fenlon, IainGiaches de Wert and the Palatine Basilica of Santa Barbara: Music, Liturgy, and Design’, in Music and Culture in Renaissance Italy, Oxford, 2002, 180204Google Scholar
Fenlon, Iain ‘Music, Print and Society in Sixteenth-Century Europe’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 280303Google Scholar
Fenlon, IainMusic and Learning in Isabella d’Este’s Studiolo’, in La corte di Mantova nell’età di Andrea Mantegna: 1450–1550, ed. Mozzarelli, Cesare, Oresko, Robert, and Ventura, Leandro, Rome, 1997, 353–67Google Scholar
Fenlon, Iain Music and Patronage in Sixteenth-Century Mantua, 2 vols., Cambridge, 1980–2Google Scholar
Fenlon, IainMusic Rooms in the Ducal Palace in Mantua’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 237–58Google Scholar
Fenlon, IainPreparations for a Princess’, in Music and Culture in Renaissance Italy, Oxford, 2002, 205–28Google Scholar
Fenlon, IainRenaissance Novellara: Musical Life in the Gonzaga Hinterland’, ML 91 (2010), 484–97Google Scholar
Fenlon, Iain The Ceremonial City: History, Memory and Myth in Renaissance Venice, New Haven, CT, and London, 2007Google Scholar
Ferino-Pagden, Sylvia, Dipingere la musica. Strumenti in posa nell’arte del Cinque e Seicento, Milan, 2001Google Scholar
Findlen, Paula, Possessing Nature: Museums, Collecting and Scientific Culture in Early Modern Italy, Berkeley, CA, 1994Google Scholar
Fisher, Alexander J., Music, Piety and Propaganda: The Soundscapes of Counter-Reformation Bavaria, New York, 2014Google Scholar
Fisher, Alexander J. Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630, Aldershot, 2004Google Scholar
Fleming, Michael, ‘An “Old Old Violl” and “Other Lumber”: Musical Remains in Provincial, Non-Noble England, c.1580–1660’, GSJ 58 (2005), 8999Google Scholar
Gaier, Martin, ‘Il mausoleo nel presbiterio’, in Lo spazio e il culto: relazioni tra l’edificio ecclesiale e il suo uso liturgico dal XV al XVII secolo. Atti del convegno: Florence: Kunsthistorisches Institut, Venice, 2006, 153–80Google Scholar
Ghisi, Andrea, Il nobile et piacevole gioco, intitolato il passatempo, Venice, 1620Google Scholar
Goldthwaite, Richard, Wealth and the Demand for Art in Italy, 1300–1600, Baltimore, MD, 1993Google Scholar
Goldthwaite, Richard, and Carter, Tim, Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence, Cambridge, MA, 2013Google Scholar
Green, Ian, ‘“All People that on Earth Do Dwell. Sing to the Lord with Cheerful Voice”: Protestantism and Music in Early Modern England’, in Christianity and Community in the West, ed. Ditchfield, Simon, Aldershot, 2001, 148–64Google Scholar
Guazzo, Stefano, La civil conversazione, 3 vols., ed. Quondam, A., Modena, 1993Google Scholar
Guidobaldi, Nicoletta, La musica di Federico: Immagini e suoni alla corte di Urbino, Florence, 1995Google Scholar
Haar, James, ‘From Cantimbanco to Court: The Musical Fortunes of Ariosto in Florentine Society’, in L’arme e gli amori: Ariosto, Tasso and Guarini in Late Renaissance Florence, ed. Rossi, Massimiliano and Superbi, Fiorella Gioffredi, Florence, vol. II, 179–97Google Scholar
Haar, JamesThe Courtier as Musician: Castiglione’s View of the Science and Art of Music’, in The Science and Art of Renaissance Music, ed. Corneilson, Paul, Princeton, NJ, 1998, 2037Google Scholar
Hall, Marcia B., Renovation and Counter-Reformation: Vasari and Duke Cosimo in Santa Maria Novella and Santa Croce, 1565–77, Oxford, 1979Google Scholar
Hall, Marcia B.The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy’, JWCI 37 (1974), 157–73Google Scholar
Herl, Joseph, Worship Wars in Early Lutheranism: Choir, Congregation and Three Centuries of Conflict, Oxford, 2004Google Scholar
Hills, Helen, Architecture and the Politics of Gender in Early Modern Europe, Aldershot, 2003Google Scholar
Hills, HelenCities and Virgins: Female Aristocratic Convents in Early Modern Naples and Palermo’, Oxford Art Journal 22 (1999), 3152Google Scholar
Hills, Helen Invisible City: The Architecture of Devotion in Seventeenth-Century Neapolitan Convents, Oxford, 2004Google Scholar
Howard, Deborah, ‘The Role of Music in the Venetian Home in the Cinquecento’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 95114Google Scholar
Howard, Deborah, and Longair, Malcolm, ‘Harmonic Proportion and Palladio’s “Quattro Libri”’, Journal of the Society of Architectural Historians 61 (1982), 116–43Google Scholar
Howard, Deborah, and Moretti, Laura, Sound and Space in Renaissance Venice: Architecture, Music and Acoustics, New Haven, CT, and London, 2009Google Scholar
Howard, Deborah, and Moretti, Laura, eds., Architettura e musica nella Venezia del Rinascimento, Milan, 2006Google Scholar
Howard, Deborah, and Moretti, Laura, The Music Room in Early Modern France and Italy: Sound, Space and Object, Oxford, 2012Google Scholar
Hulse, Lynn, ‘The Musical Patronage of Robert Cecil, First Earl of Salisbury’, JRMA 116 (1991), 2440Google Scholar
Indovinelli, riboboli, passerotti, et farfalloni, n.p., n.d.Google Scholar
Jardine, Lisa, Worldly Goods: A New History of the Renaissance, New York, 1996Google Scholar
Katrizky, Margaret A., ‘The Diaries of Prince Ferdinand of Bavaria: Commedia dell’Arte at the Wedding Festivals of Florence (1563) and Munich (1568)’, in Italian Renaissance Festivals and Their European Influence, ed. Mulyrne, J. R. and Shewring, Margaret, Lewiston, NY, 1992, 143–4Google Scholar
Kendrick, Robert, Celestial Sirens: Nuns and their Music in Early Modern Milan, Oxford, 1996Google Scholar
Kendrick, Robert The Sounds of Milan, 1585–1650, Oxford, 2002Google Scholar
Kmetz, John, ‘The Piperinus–Amerback Partbooks: Six Months of Music Lessons in Renaissance Basel’, in Music in the German Renaissance, ed. Kmetz, John, Cambridge, 1994, 215–34Google Scholar
Kümin, Beat, ‘Masses, Morris and Metrical Psalms: Music in the English Parish c. 1400–1600’, in Music and Musicians in Renaissance Cities and Towns, ed. Kisby, Fiona, Cambridge, 2001, 7081Google Scholar
Leaver, Robin, ‘Goostly Psalmes and Spirituall Songs’: English and Dutch Metrical Psalms from Coverdale to Utenhove, 1535–66, Oxford, 1991Google Scholar
Leaver, Robin, ‘The Reformation and Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 371400Google Scholar
Lefebvre, Henri, The Production of Space, trans. Donald Nicholson-Smith, Oxford, 1991Google Scholar
Liguori, Francesco, L’arte del liuto. Le botteghe dei Teiffenbrucker prestigiosi costruttori di liuti a Padova tra il Cinquecento e il Seicento, Padua, 2010Google Scholar
Lorenzetti, Stefano, Musica e identità nobiliare nell’Italia del Rinascimento, Florence, 2003Google Scholar
Lorenzetti, StefanoPublic Behaviour, Music and the Construction of Feminine Identity in the Italian Renaissance’, Recercare 23 (2011), 734Google Scholar
Marsh, Christopher, ‘Sacred Space in England, 1560–1640: The View from the Pew’, JEH 53 (2002), 286311Google Scholar
Maxwell, Susan, ‘A Marriage Commemorated in the Stairway of Fools’, SCJ 36 (2005), 717–41Google Scholar
Maxwell, SusanThe Pursuit of Art and Pleasure in the Secret Grotto of Wilhelm V of Bavaria’, RQ 61 (2008), 414–62Google Scholar
McGee, Timothy, ‘The Fall of the Noble Minstrel: The Sixteenth-Century Minstrel in a Musical Context’, Medieval and Renaissance Drama in England 7 (1995), 98120Google Scholar
Monson, Craig, Disembodied Voices: Music and Culture in an Early Modern Italian Convent, Berkeley, CA, 1995Google Scholar
Monson, CraigRenewal, Reform and Reaction in Catholic Music’, in European Music, 1520–1640, ed. Haar, James, Woodbridge, 2006, 401–21Google Scholar
Montford, Kimberlyn, ‘Holy Restraint: Religious Reform and Nuns’ Music in Early Modern Rome’, SCJ 37 (2006), 1007–26Google Scholar
Moore, James H., ‘The Vespero delli cinque laudate and the role of salmi spezzati at St Mark’s’, JAMS 24 (1981), 249–78Google Scholar
Moretti, Laura, ‘Architectural Spaces for Music: Jacopo Sansovino and Adrian Willaert at St Mark’s’, EMH 24 (2004), 153–84Google Scholar
Moretti, LauraBuilt Architecture for Music: Spaces for Chamber Music in Sixteenth-Century Italy’, in The Routledge Companion to Music and Visual Culture, ed. Shephard, Tim and Leonard, Anne, London, 2013, 281–5Google Scholar
Moretti, LauraL’immagine della musica nello “studio” del Palazzo Veronese di Mario Bevilacqua (1536–93)’, Music in Art 40 (2015), 285–96Google Scholar
Moretti, LauraSpaces for Musical Performance in the Este Court in Ferrara (c. 1440–1540)’, in The Music Room in Early Modern France and Italy: Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 213–36Google Scholar
Moretti, LauraThe Function and Use of Musical Sources at the Paduan “Court” of Alvise Cornaro in the First Half of the Cinquecento’, JAF 2 (2010), 4761Google Scholar
Moretti, LauraThe Palazzo, Collections, and Musical Patronage of Niccolò Gaddi (1536–91)’, Journal of the History of Collections 29 (2017), 189207Google Scholar
Nelson, Bernadette, ‘Ritual and Ceremony at the Spanish Royal Chapel, c.1559–c.1561’, EMH 19 (2000), 105200Google Scholar
Nelson, Katie, ‘Love in the Music Room: Thomas Whythorne and the Private Affairs of Tudor Music Tutors’, EM 40 (2012), 1526Google Scholar
Newcomb, Anthony, ‘Courtesans, Muses or Musicians? Professional Women Musicians in Sixteenth–Century Italy’, in Women Making Music: The Western Art Tradition, ed. Bowers, Jane and Tick, Judith, Urbana IL, 1986Google Scholar
Newcomb, Anthony The Madrigal at Ferrara, 1579–97, 2 vols., Princeton, NJ, 1980Google Scholar
O’Regan, Noel, ‘The Performance of Roman Sacred Polychoral Music in the Late Sixteenth and Early Seventeenth Centuries: Evidence from Archival Sources’, Performance Practice Review 8 (1995), 107–46Google Scholar
Ongaro, Giulio, ‘All Work and No Play? The Organization of Work Among Musicians in Late Renaissance Venice’, Journal of Medieval and Renaissance Studies 25 (1995), 5572Google Scholar
Ongaro, GiulioThe Tieffenbruckers and the Business of Lute-Making in Sixteenth-Century Venice’, GSJ 44 (1991), 4654Google Scholar
Palumbo, Fossati, Isabella, ‘L’interno della casa dell’artigiano e dell’artista nella Venezia del cinquecento’, Studi veneziani 8 (1984), 109–53Google Scholar
Pickford, Sophie, ‘Music in the French Domestic Interior (1500–1600)’, in The Music Room in Early Modern France and Italy. Sound, Space and Object, ed. Howard, Deborah and Moretti, Laura, Oxford, 2012, 7993Google Scholar
Pirotta, Nina, and Povoledo, Elena, Music and Theatre from Poliziano to Monteverdi, trans. Karen Eales, Cambridge, 1992Google Scholar
Pomian, Krzysztof, Collectors and Curiosities: Paris and Venice, 1500–1800, Cambridge, 1990Google Scholar
Prizer, William, ‘Isabella d’Este and Lorenzo da Pavia, “Master Instrument-Maker”’, EMH 2 (1982), 87118Google Scholar
Prizer, William“Una virtù molto conveniente a Madonne”: Isabella d’Este as a Musician’, JM 17 (1999), 1049Google Scholar
Reardon, Colleen, Holy Concord Within Sacred Walls: Nuns and Music in Siena, 1575–1700, Oxford, 2001Google Scholar
Rooley, Anthony, ‘Sounds and Spaces’, EM 42 (2014), 119–20Google Scholar
Rose, Stephen, ‘Performances and Popular Culture in the German Reformation’, EM 33 (2005), 295303Google Scholar
Scamozzi, Vincenzo, L’idea della architettura universale, Venice, 1615Google Scholar
Schiltz, Katelijne, ‘Church and Chamber: The Influence of Acoustics on Musical Composition and Performance’, EM 31 (2003), 6578Google Scholar
Selfridge-Field, Eleanor, Venetian Instrumental Music from Gabrieli to Vivaldi, Oxford, 1975Google Scholar
Serlio, Sebastiano, Architecturae liber septimus, Frankfurt am Main, 1575Google Scholar
Serlio, Sebastiano Sebastiano Serlio on Architecture, trans. and ed. Hart, Vaughan and Hicks, Peter, 2 vols., New Haven, CT, and London, 1996–2001Google Scholar
Shephard, Tim, Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530, Oxford, 2014Google Scholar
Shephard, TimMusical Spaces: The Politics of Space in Renaissance Italy’, in The Routledge Companion to Music and Visual Culture, ed. Shephard, Tim and Leonard, Anne, New York, 2014, 274–80Google Scholar
Sherr, Richard, ‘Performance Practice in the Papal Chapel during the 16th Century’, EM 15 (1987), 452–62Google Scholar
Sherr, RichardSpeculations on Repertory, Performance Practice and Ceremony in the Papal Chapel in the Early Sixteenth Century’, in Studien zur Geschichte der päpstlichen Kapelle: Tagungsbericht Heidelberg 1989, ed. Janz, Bernhard, Vatican City, 1994, 103–22Google Scholar
Temperley, Nicholas, ‘“All Skillful Praises Sing”: How Congregations Sang the Psalms in Early Modern England’, RS 29 (2015), 531–53Google Scholar
Thornton, Dora, The Scholar in his Study: Ownership and Experience in Renaissance Italy, New Haven, CT, and London, 1997Google Scholar
Toffolo, Stefano, Antichi strumenti veneziani, Venice, 1987Google Scholar
Toffolo, Stefano Strumenti musicali a Venezia nella storia e nell’arte dal XIV al XVIII secolo, Cremona, 1995Google Scholar
Troiano, Massimo, Dialoghi … ne’ quali si narrano le cose piu notabili fatti nelle Nozze dello illustriss. & eccell. Prencipe Giulielmo VI Conte Palatino del Reno, e Duca di Bavaria …, Venice, 1569Google Scholar
van Orden, Kate, ‘Children’s Voices: Singing and Literacy in Sixteenth-Century France’, EMH 25 (2006), 209–56Google Scholar
van Orden, Kate Music, Discipline, and Arms in Early Modern France, Chicago, IL, 2005Google Scholar
Wagner, Oettinger, Rebecca, Music as Propaganda in the German Reformation, Aldershot, 2001Google Scholar
Weill-Garris, Kathleen, and D’Amico, John F, ‘The Renaissance Cardinal’s Ideal Palace: A Chapter from Cortesi’s De Cardinalatu, in Studies in Italian Art and Architecture, 15th through 18th Centuries, Memoirs of the American Academy in Rome, ed. Millon, Henry A. 35 (1980), 45123Google Scholar
Willis, Jonathan, Church Music and Protestantism in Post-Reformation England: Discourses, Sites and Identities, Aldershot, 2010Google Scholar
Winternitz, Emanuel, Musical Instruments of the Western World, New York, 1967Google Scholar
Wittkower, Rudolf, Architectural Principles in the Age of Humanism, London, 1949Google Scholar
Zecher, Carla, Sounding Objects: Musical Instruments, Poetry and Art in Renaissance France, Toronto, 2007Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×