Book contents
- Frontmatter
- 1 Introduction: The Age of the New
- Part I The New Nature
- Part II Personae and Sites of Natural Knowledge
- Part III Dividing the Study of Nature
- 17 Natural Philosophy
- 18 Medicine
- 19 Natural History
- 20 Cosmography
- 21 From Alchemy to “Chymistry”
- 22 Magic
- 23 Astrology
- 24 Astronomy
- 25 Acoustics and Optics
- 26 Mechanics
- 27 The Mechanical Arts
- 28 Pure Mathematics
- Part IV Cultural Meanings of Natural Knowledge
- Index
- References
25 - Acoustics and Optics
from Part III - Dividing the Study of Nature
Published online by Cambridge University Press: 28 March 2008
Book contents
- Frontmatter
- 1 Introduction: The Age of the New
- Part I The New Nature
- Part II Personae and Sites of Natural Knowledge
- Part III Dividing the Study of Nature
- 17 Natural Philosophy
- 18 Medicine
- 19 Natural History
- 20 Cosmography
- 21 From Alchemy to “Chymistry”
- 22 Magic
- 23 Astrology
- 24 Astronomy
- 25 Acoustics and Optics
- 26 Mechanics
- 27 The Mechanical Arts
- 28 Pure Mathematics
- Part IV Cultural Meanings of Natural Knowledge
- Index
- References
Summary
During the early modern period, music (of which acoustics is an offspring) and optics belonged to the “mixed mathematical” sciences. “Mixed mathematics” refers here to those physical disciplines that could be treated by extensive use of arithmetic or geometric techniques, such as astronomy, mechanics, optics, and music (see Andersen and Bos, Chapter 28, this volume).
The study of sound in the sixteenth and seventeenth centuries cannot be properly considered to belong to any single discipline but rather is found at the intersection of several fields, including music theory, mechanics, anatomy, and natural philosophy. Thus, no single mixed mathematician of the sixteenth or the seventeenth century can be properly said to have specialized in acoustics. Among the early modern scholars who contributed to the study of sound were mixed mathematician Giovanni Battista Benedetti (1530–1590), musician Vincenzo Galilei (1520–1591), and natural philosopher Robert Boyle (1627–1691), which gives some idea of the variety of disciplinary approaches. It is nonetheless safe to say that the study of music theory provided the common background on the basis of which further studies on sound phenomena would be undertaken. Moreover, in the area of natural philosophy, the classical treatises De sensu (On the Senses), De audibilibus (On Things Audible), De anima (On the Soul), and the Problemata (Problems), all attributed to Aristotle at the time, contained material pertaining to acoustic phenomena and were well known to sixteenth- and seventeenth-century scholars.
The practitioners involved in the study of sound were socially disparate as well, ranging from the choirmaster of St. Mark’s in Venice, Gioseffo Zarlino (1517–1590); to a schoolteacher in the Netherlands, Isaac Beeckman (1588–1637); to a Minim friar in Paris, Marin Mersenne (1588–1648).
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- Chapter
- Information
- The Cambridge History of Science , pp. 596 - 631Publisher: Cambridge University PressPrint publication year: 2006
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