Leaning against the affordances of narratological clarity that the rhetoric of afterness sometimes seems to promise—a spatiotemporal legibility complicated in the queer poetics of John Ashbery and Harryette Mullen—this chapter returns to Eve Kosofsky Sedgwick’s formulation of reparative reading as it first appears in her introduction to Novel-Gazing (rather than its later form in Touching Feeling) for its illumination of a mode of relational attention, inseparable from the latter’s quality of effort, that Sedgwick figures in terms of the experimental spirit of the palpable. Both echoing William James’s characterization of the “strain and squeeze” of tendency and echoed in Lauren Berlant and Kathleen Stewart’s articulation of a horizon of the palpable as sidelong “tendency dilating,” the haptic absorptions of Sedgwick’s vision of reading invite us to shift our attention to a textual substance whose complex responsiveness interrupts the perceptual ease of object relations. Brian Teare’s Pleasure and Maggie Nelson’s The Argonauts offer instances of such textual ecologies turned in on and against themselves, giving productive pause to the hand of the eye.