Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-05T09:02:57.279Z Has data issue: false hasContentIssue false

29 - The Emergence of Polyphonic Song

from Volume II

Published online by Cambridge University Press:  04 August 2018

Mark Everist
Affiliation:
University of Southampton
Thomas Forrest Kelly
Affiliation:
Harvard University, Massachusetts
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Arlt, Wulf. “Machaut in Context,” in Guillaume de Machaut, 1300–2000: Actes du colloque de la Sorbonne 28–29 septembre 2000, ed. Cerquiglini-Toulet, Jacqueline and Wilkins, Nigel, Musiques/Ecritures: Études. Paris: Presses de l’Université de Paris-Sorbonne, 2002, 147–64.Google Scholar
Beck, Jean, ed. Reproduction phototypique du chansonnier Cangé: Paris, Bibliothèque nationale, Ms. Français No 846, 2 vols., Corpus cantilenarum medii aevi 1; Les chansonniers des troubadours et des trouvères 1. Paris and Philadelphia, 1927.Google Scholar
Butterfield, Ardis. Poetry and Music in Medieval France: From Jean Renart to Guilllaume de Machaut, Cambridge Studies in Medieval Literature [49]. Cambridge University Press, 2002.Google Scholar
Earp, Lawrence. “Genre in the Fourteenth-Century French Chanson: The Virelai and the Dance Song,” Musica Disciplina 45 (1991), 123–41.Google Scholar
Earp, Lawrence. “Lyrics for Reading and Lyrics for Singing in Late Medieval France: The Development of the Dance Lyric from Adam de la Halle to Guillaume de Machaut,” in The Union of Words and Music in Medieval Poetry, ed. Baltzer, Rebecca A., Cable, Thomas, and Wimsatt, James I.. Austin: University of Texas Press, 1991, 101–31.Google Scholar
Everist, Mark, ed. Five Anglo-Norman Motets. Newton Abbott: Antico Edition, 1985.Google Scholar
Everist, Mark, ed. “The Horse, the Clerk and the Lyric: The Musicography of the Thirteenth and Fourteenth Centuries,” Journal of the Royal Musical Association, 130/1 (2005), 136–53.Google Scholar
Everist, Mark, ed. “Motets, French Tenors and the Polyphonic Chanson ca. 1300,” Journal of Musicology 24 (2007), 365406.CrossRefGoogle Scholar
Everist, Mark, ed. “The Polyphonic Rondeau ca. 1300: Repertory and Context,” Early Music History 15 (1996), 5996.Google Scholar
Everist, Mark, ed. “The Rondeau Motet: Paris and Artois in the Thirteenth Century,” Music & Letters 69 (1988), 122.Google Scholar
Everist, Mark, ed. “‘Souspirant en terre estrainge’: The Polyphonic Rondeau from Adam de la Halle to Guillaume de Machaut,” Early Music History 26 (2007), 142.Google Scholar
Fallows, David. “Formes Fixes,” Grove Music Online.Google Scholar
Gennrich, Friedrich, ed. Rondeaux, Virelais und Balladen aus dem Ende des XII., dem XIII., und dem ersten Drittel des XIV. Jahrhunderts mit den überlieferten Melodien, 3 vols. [1] Gesellschaft für romanische Literatur 43. Dresden: Gesellschaft für romanische Literatur, 1921; [2] Gesellschaft für romanische Literatur 47. Gottingen: Gesellschaft für romanische Literatur, 1927; [3 (titled Das altfranzösische Rondeau und Virelai im 12. und 13. Jahrhundert)] Summa musicae medii aevi 10. Langen bei Frankfurt: n.p., 1963.Google Scholar
Gushee, Lawrence. “Two Central Places: Paris and the French Court in the Early Fourteenth Century,” in Gesellschaft für Musikforschung: Bericht über den internationalen musikwissenschaftlichen Kongress Berlin 1974, ed. Kühn, Hellmut and Nitsche, Peter. Kassel: Bärenreiter, 1980, 135–57.Google Scholar
Harrison, Frank Ll and Dobson, Eric J, eds. Medieval English Songs. London: Faber, 1979.Google Scholar
Ibos-Augé, Anne. “La fonction des insertions lyriques dans des œuvres narratives et didactiques aux XIIIème et XIVème siècles,” 4 vols. Ph.D. dissertation, Université Michel de Montaigne-Bordeaux iii, 2000.Google Scholar
Marival, Julien and Bertrand, Dalin. Picardie, Tranches de France. Paris: Déclics, 2008.Google Scholar
McIntosh, Angus et al. A Linguistic Atlas of Late Medieval English, 4 vols. Aberdeen: Aberdeen University Press, 1986.Google Scholar
Page, Christopher. “Johannes de Grocheio on Secular Music: A Corrected Text and a New Translation,” Plainsong and Medieval Music 2 (1993), 1741.Google Scholar
Page, Christopher. Voices and Instruments of the Middle Ages: Instrumental Practice and Songs in France 1100–1300. London and Melbourne: Dent, 1987.Google Scholar
Ruffo, Kathleen W. “The Illustration of Noted Compendia of Courtly Poetry in Late Thirteenth-Century Northern France.” Ph.D. dissertation, University of Toronto, 2000.Google Scholar
Saint-Cricq, Gaël. “Formes types dans le motet du XIIIe siècle: Étude d’un processus répétitif,” 2 vols. PhD dissertation, University of Southampton, 2010.Google Scholar
Saint-Cricq, Gaël. “Le motet du XIIIe siècle, corps mixte,” Analyse musicale 54 (2006), 1622.Google Scholar
Stevens, John. “Corpus Christi College MS 8,” Cambridge Music Manuscripts 900–1700, ed. Fenlon, Iain. Cambridge University Press, 1982, 5962.Google Scholar
Stevens, John. “The Manuscript Presentation and Notation of Adam de la Halle’s Courtly Chansons,” in Source Materials and the Interpretation of Music: A Memorial Volume to Thurston Dart, ed. Bent, Ian. London: Stainer & Bell, 1981, 2964.Google Scholar
Stones, Alison. “The Illustrated Chrétien Manuscripts and Their Artistic Context,” in Les Manuscrits de Chrétien de Troyes: The Manuscripts of Chrétien de Troyes, ed. Busby, Keith, Nixon, Terry, Stones, Alison, and Walters, Lori, 2 vols. Amsterdam: Rodopi, 1993, vol. i: 222–45.Google Scholar
Tischler, Hans, ed. The Earliest Motets (to circa 1270): A Complete Comparative Edition, 3 vols. New Haven, CT; London: Yale University Press, 1982.Google Scholar
Tischler, Hans, ed., The Montpellier Codex, 4 vols. [vol. iv ed. and trans. Stakel, Susan and Relihan, Joel C.], Recent Researches in the Music of the Middle Ages and Early Renaissance 2–8. Madison, WI: A-R Editions, 197885.Google Scholar
van den Boogaard, Nico H. J. Rondeaux et refrains du XIIe siècle au début du XIVe: Collationnement, introduction, et notes, Bibliothèque française et romane D:3. Paris: Éditions Klincksieck, 1969.Google Scholar
Wilkins, Nigel, ed. The Lyric Works of Adam de la Hale (Chansons, jeux partis, rondeaux, motets), Corpus mensurabilis musicae 44. [Rome]: American Institute of Musicology, 1967.Google Scholar
Wilkins, Nigel, ed. The Works of Jehan de Lescurel, Corpus mensurabilis musicae 30. n.p.: American Institute of Musicology, 1966.Google Scholar
Williams, Sarah Manley, Jane. “The Music of Guillaume de Machaut.” Ph.D. dissertation, Yale University, 1952.Google Scholar
Williamson, Amy. “Genre, Taxonomy and Repertory in Thirteenth-Century Polyphony.” M.Mus. dissertation, University of Southampton, 2009.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×