from THEORIES OF PROSE FICTION
Published online by Cambridge University Press: 28 March 2008
Narrative fiction in Italy was already strongly rooted in the heritage of Boccaccio and his successors by the time Pietro Bembo's Prose della volgar lingua appeared in 1525, having earned a conspicuous place within the prevailing literary tastes and social codes of the day. In Book II of Castiglione's The courtier, Federico Fregoso describes the practice of ‘long and continuous discourse’ [‘ragionar lungo e continuato’] by certain men who ‘so gracefully and entertainingly narrate [‘con tanto bona grazia e così piacevolmente narrano’] …, that with gestures and words they put it before our eyes and almost bring us to touch it with our hand’. Fregoso's homage to the gift of narration is striking not only for its social ratification of a broad literary trend, but for the way it frames this gift within qualities of presentation that give a subtle nod to the concept of enargeia and the rhetoric of presence discussed by François Rigolot elsewhere in the present volume. Strongly reminiscent of Leon Battista Alberti's remarks on istoria in the Della pittura (c. 1435), Fregoso's statement sanctions the practice of narration as a social event vested with its own aesthetic and rhetorical justification. The reach of this activity extends even into such paraliterary forms as letters and treatises (political, theoretical/descriptive, moral/philosophical) where fictional narratives are frequently embedded as diversions in a larger ‘scientific’ project (for example, the letters of Pietro Aretino and Giambattista Marino, Aretino's Ragionamenti and Carte parlanti, and Alessandro Piccolomini's La Raffaella).
To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.