Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-31T19:05:39.436Z Has data issue: false hasContentIssue false

4 - Poetry, after 1740

from GENRES

Published online by Cambridge University Press:  28 March 2008

By
William Keach
Edited by
H. B. Nisbet  and
Claude Rawson
H. B. Nisbet
Affiliation:
University of Cambridge
Claude Rawson
Affiliation:
Yale University, Connecticut
Get access

Summary

The proliferation, dissolution, and crossing of genres

The poetry produced during the middle and later eighteenth century confronts us with an impressive formal and thematic diversity. Simply listing some of the more influential verse published in England during the 1740s will indicate the protean situation: Collins's Persian Eclogues (1742) and Odes on Several Descriptive and Allegorical Subjects (1746); Pope's New Dunciad, Robert Blair's The Grave, and Hammond's Love Elegies (all 1743); Akenside's The Pleasures of Imagination (1744) and Odes (1745); Joseph Warton's The Enthusiast: or The Lover of Nature (1744-8) and Odes on Various Subjects (1746); Young's Night Thoughts (1742-5); the final edition of Thomson's The Seasons (1746) and The Castle of Indolence (1748); Thomas Warton's The Pleasures of Melancholy and Gray's Ode on a Distant Prospect of Eton College (both 1747); Shenstone's The School-Mistress (1748); Johnson's The Vanity of Human Wishes (1749). The first edition of Robert Dodsley's A Collection of Poems, by Several Hands in 1748 is in itself a demonstration of generic profusion as well as authorial range. The influence of Pope and Augustan satire is still evident alongside the newer poetry of Akenside, Collins, the Wartons, Gray, Mason, Shenstone; there are satires, epigrams, and verse epistles as well as hymns, odes, and elegies. The success of Dodsley's collection in its first and subsequent editions testifies to a remarkably flexible, eclectic mid-century readership. On the continent, neo-classical preferences sustained their predominance somewhat longer and more pervasively, but there too poetry was moving towards generic variety and crossing.

Type
Chapter
Information
The Cambridge History of Literary Criticism , pp. 117 - 166
Publisher: Cambridge University Press
Print publication year: 1997

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aarsleff, Hans, From Locke to Saussure: Essays on the Study of Language and Intellectual History (Minneapolis, 1882).Google Scholar
Aarsleff, Hans, The Study of Language in England 1780–1860 (Princeton, 1967).Google Scholar
Abrams, M. H., The Mirror and the Lamp: Romantic Theory and the Critical Tradition (New York, 1953).Google Scholar
Addison, Joseph, et al., The Spectator (1711–14), ed. Bond, Donald F. (5 vols., Oxford, 1965).Google Scholar
Aikin, John, An Essay on the Application of Natural History to Poetry (London, 1777).Google Scholar
Akenside, Mark, The Pleasures of Imagination (London, 1744).Google Scholar
Akenside, Mark, Poetical Works (London, 1835).Google Scholar
Alison, Archibald, Essays on the Nature and Principles of Taste (Edinburgh, 1790).Google Scholar
[Anon., ], The Art of Poetry (London, 1762).Google Scholar
Arbuckle, James, Hibernicus's Letters (2 vols., London, 1729).Google Scholar
Armstrong, John, Sketches (1758), in Miscellanies (2 vols., London, 1770).Google Scholar
Arthos, John, The Language of Natural Description in Eighteenth-Century Poetry (Ann Arbor, 1949).Google Scholar
Barbauld, Anna Laetitia, ‘Critical Essay’ prefixed to Mark Akenside's The Pleasures of Imagination (London, 1794).Google Scholar
Barrell, John, English Literature in History 1730–80: An Equal, Wide Survey (New York, 1983).Google Scholar
Barrell, John, and Guest, Harriet, ‘On the use of contradiction: economics and morality in the eighteenth-century long poem’, in The New Eighteenth Century, ed. Nussbaum, Felicity and Brown, Laura (London and New York, 1987).Google Scholar
Bate, W. J., From Classic to Romantic: Premises of Taste in Eighteenth-Century England (Cambridge MA, 1946).CrossRefGoogle Scholar
Bate, W. J., ‘The sympathetic imagination in eighteenth-century English criticism’, ELH, 12 (1945).CrossRefGoogle Scholar
Batteux, Charles, Les Beaux-Arts réduits à un même principe (Paris, 1747).Google Scholar
Beattie, James, Dissertations Moral and Critical (London, 1783).Google Scholar
Beattie, James, Essays on Poetry and Music, as They Affect the Mind, 2nd edn (Edinburgh, 1778).Google Scholar
Beattie, James, Poetical Works (London, 1881).Google Scholar
Beccaria, Cesare, Ricerche intorno alla natura dello stile (1770).Google Scholar
Beddow, Michael, ‘Goethe on genius’, in Genius: The History of an Idea, ed. Murray, Penelope (Oxford, 1989).Google Scholar
Berkeley, George, Works, ed. Luce, A. A. and Jessop, T. D. (9 vols., London, 1948–57).Google Scholar
Berlin, Isaiah, Vico and Herder: Two Studies in the History of Ideas (New York, 1976).Google Scholar
Blackall, Eric A., The Emergence of German as a Literary Language, 1700–1775 (Cambridge, 1959).Google Scholar
Blackwell, Thomas, Enquiry into the Life and Writings of Homer (London, 1735).Google Scholar
Blair, Hugh, Critical Dissertation on the Poems of Ossian (London, 1763, enl. 1765).Google Scholar
Blair, Hugh, Lectures on Rhetoric and Belles-Lettres (2 vols., Edinburgh, 1783); ed. Harding, Harold F. (Carbondale IL, 1965).Google Scholar
Blair, Robert, The Grave (London, 1743).Google Scholar
Blake, William, Poetry and Prose, ed. Erdman, David and Bloom, Harold (Garden City NY, 1965).Google Scholar
Blanckenburg, Christian Friedrich, Litterarische Zusätze zu J. G. Sulzers Allgemeiner Theorie (Leipzig, 1796–98).Google Scholar
Boswell, James, Life of Samuel Johnson, ed. Hill, G. B. and Powell, L. F. (6 vols., Oxford, 1934–50).Google Scholar
Bronson, Bertrand, ‘The pre-Romantic or post-Augustan mode’, ELH, 20 (1953); rpt in Facets of the Enlightenment (Berkeley, 1968).CrossRefGoogle Scholar
Brown, John, A Dissertation on the Rise, Union, and Power, the Progressions, Separation and Corruptions of Poetry and Music (London, 1763).Google Scholar
Brown, John, The History of the Rise and Progress of Poetry, Through Its Several Species (Newcastle, 1764).Google Scholar
Brown, Marshall, ‘The urbane sublime’, ELH, 45 (1978).CrossRefGoogle Scholar
Buffon, Georges Louis Clerc, , Comte, Discours sur le style (Paris, 1753).Google Scholar
Burke, Edmund, A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (London, 1757), ed. Boulton, James T. (London, 1958).Google Scholar
Butt, John, English Literature in the Mid-Eighteenth Century, ed. and completed Carnall, Geoffrey (Oxford, 1979).Google Scholar
Chalker, John, The English Georgic: A Study in the Development of a Form (London, 1969).Google Scholar
Chénier, André, Oeuvres complètes, ed. Walter, Gerard (Bruges, 1940).Google Scholar
Clark, Robert T., ‘Herder, Cesarotti and Vico’, Studies in Philology, 44 (1947).Google Scholar
Cohen, Murray, Sensible Words: Linguistic Practice in England, 1640–1785 (Baltimore, 1977).Google Scholar
Cohen, Ralph, ‘On the interrelations of eighteenth-century literary forms’, New Approaches to the Eighteenth Century, ed. Harth, Philip (New York, 1974).Google Scholar
Coleridge, S. T., Biographia Literaria, ed. Engell, James and Bate, W. Jackson (Princeton, 1983).Google Scholar
Coleridge, S. T., Poems, ed. Coleridge, E. H. (2 vols., Oxford, 1912).Google Scholar
Collins, William, The Works of William Collins, ed. Wendorf, Richard and Ryskamp, Charles (Oxford, 1979).CrossRefGoogle Scholar
Colman, George, Prose on Several Occasions (3 vols., London, 1787).Google Scholar
Condillac, Étienne Bonnot, Oeuvres philosophiques, ed. Roy, Georges (3 vols., Paris, 1947).Google Scholar
Condillac, Étienne Bonnot, Philosophical Writings, trans. Philip, Franklin, with the collaboration of Lane, Harlan (2 vols., Hillsdale NJ, 1982).Google Scholar
Cowper, William, The Letters and Prose Writings of William Cowper, ed. King, James and Ryskamp, Charles (5 vols., Oxford, 1979).Google Scholar
Cowper, William, Poems, vol. I: 1748–1782, ed. Baird, John D. and Ryskamp, Charles (Oxford, 1980).Google Scholar
Cowper, William, Poetical Works, ed. Milford, H. S. (London, 1907; rpt 1967).Google Scholar
Darwin, Erasmus, The Botanic Garden (London, 1791); Scolar Press rpt with intro. by King-Hele, Desmond (Menston, 1973).Google Scholar
Davie, Donald (ed.), The Late Augustans: Longer Poems of the Later Eighteenth Century (London, 1958; rpt 1965).Google Scholar
Davie, DonaldPurity of Diction in English Verse (London, 1955).Google Scholar
Derrida, Jacques, The Archaeology of the Frivolous: Reading Condillac, trans. Leavey, John P. Jr (Lincoln NB, 1980).Google Scholar
Diderot, Denis, Oeuvres complètes, ed. Assézat, J. and Tourneux, M. (20 vols., Paris, 1875–79).Google Scholar
Dieckmann, Herbert, ‘Diderot's conception of genius’, Journal of the History of Ideas, 2 (1941).CrossRefGoogle Scholar
Dodsley, Robert (ed.), A Collection of Poems, by Several Hands (London, 1748).Google Scholar
Drake, Nathan, Literary Hours, 2nd edn (2 vols., Sudbury, 1800).Google Scholar
Dryden, John, Of Dramatic Poesy and Other Critical Essays, ed. Watson, George (2 vols., London, 1962).Google Scholar
Du Bos, Jean-Baptiste, Réflexions critiques sur la poësie et sur la peinture (1719; 6th edn, 3 vols., Paris, 1755).Google Scholar
[Duff, William], Critical Observations on the Writings of the Most Celebrated Writers and Geniuses in Original Poetry (London, 1770).Google Scholar
[Duff, William], An Essay on Original Genius In Philosophy and the Fine Arts, Particularly in Poetry (1767), ed. Mahoney, J. L. (Gainesville, 1964).Google Scholar
Enfield, William (‘The Enquirer’), Monthly Magazine 2 (July, 1796).Google Scholar
Engell, James, The Creative Imagination: Enlightenment to Romanticism, (Cambridge MA, 1981).CrossRefGoogle Scholar
Feingold, Richard, Nature and Society: Later Eighteenth-Century Uses of the Pastoral and Georgic (Hassocks, Sussex, 1978).Google Scholar
Ferguson, Adam, Essay on the History of Civil Society (Edinburgh, 1767).Google Scholar
Findlay, L. M., ‘The genius of the French language: towards a poetics of political reaction during the Revolutionary period’, Studies in Romanticism, 28 (1989).CrossRefGoogle Scholar
Frieden, Ken, Genius and Monologue (Ithaca, 1985).Google Scholar
Gerard, Alexander, An Essay on Genius, ed. Fabian, B. (Munich, 1966).Google Scholar
Gerard, Alexander, An Essay on Genius (London, 1774); ed. Hipple, W. J. (1963); ed. Fabian, Bernhard (Munich, 1966).CrossRefGoogle Scholar
Gerard, Alexander, An Essay on Taste (Edinburgh, 1759; 2nd edn, 1780).Google Scholar
Goethe, J. W., Gedenkausgabe der Werke, Briefe, und Gespräche, ed. Beutler, Ernst (24 vols., Zurich, 1948–60).Google Scholar
Goethe, J. W., The Sorrows of Young Werther and Selected Writings, trans. Hunter, Catherine (New York, 1962).Google Scholar
Gray, Thomas, The Complete Poems of Thomas Gray; English, Latin, and Greek, ed. Starr, H. W. and Hendrickson, J. R. (Oxford, 1966).CrossRefGoogle Scholar
Gray, Thomas, Correspondence of Thomas Gray, ed. Toynbee, Paget and Whibley, Leonard (3 vols., Oxford, 1971).Google Scholar
Greene, D. J., ‘Logical structure in eighteenth-century poetry’, Philological Quarterly, 31 (1952).Google Scholar
Guyer, Paul, Kant and the Claims of Taste (Cambridge MA, 1979).Google Scholar
H[arris], J[ames], Hermes; or, a Philosophical Inquiry Concerning Language and Universal Grammar (London, 1751).Google Scholar
H[arris], J[ames], Three Treatises: The First Concerning Art; the Second Concerning Music, Painting and Poetry; the Third Concerning Happiness (London, 1744; rev. 1765).Google Scholar
H[arris], J[ames], Upon the Rise and Progress of Criticism (London[?], 1752).Google Scholar
Hamann, J. G., Sämtliche Werke, ed. Nadler, Josef (6 vols., Vienna, 1949–57).Google Scholar
Hammond, James, Love Elegies (London, 1743).Google Scholar
Hartley, David, Observations on Man (2 vols., London, 1749).Google Scholar
Hartman, Geoffrey, ‘Christopher Smart's “Magnificat”: toward a theory of representation’, ELH, 45 (1974); rpt in The Fate of Reading and Other Essays (Chicago, 1985).Google Scholar
Helvétius, Claude Adrien, De L'Esprit (Paris, 1758).Google Scholar
Helvétius, Claude Adrien, De L'Esprit: or, Essays on the Mind and its Several Faculties, anon. English trans. (1759).CrossRefGoogle Scholar
Herder, J. G., Essay on the Origin of Language (with Rousseau's Essay on the Origin of Language), trans. Moran, John H. and Gode, Alexander (New York, 1966).Google Scholar
Herder, J. G., Sämtliche Werke, ed. Suphan, Berhard (33 vols., Berlin, 1877–1913).Google Scholar
Hughes, Peter, ‘Restructuring literary history: the eighteenth century’, New Literary History, 8 (1977).CrossRefGoogle Scholar
Hume, David, Philosophical Works (4 vols., Edinburgh, 1854).Google Scholar
Hume, David, Treatise of Human Nature, ed. Selby-Bigge, L. A. (London, 1896; rpt 1928).Google Scholar
Hunter, J. Paul, ‘“Peace” and the Augustans: some implications of didactic method and literary form’, in Studies in Change and Revolution, ed. Korshin, Paul (London, 1972).Google Scholar
Hurd, Richard, Letters on Chivalry and Romance (Dublin, 1762).Google Scholar
Hurd, Richard, The Works of Richard Hurd, D.D. (8 vols., London, 1811).Google Scholar
Hurdis, James, Lectures Shewing the Several Sources of That Pleasure Which the Human Mind Receives from Poetry (Bishopstone, Sussex, 1797).Google Scholar
Johnson, Samuel, A Dictionary of the English Language (2 vols., London, 1755).Google Scholar
Johnson, Samuel, Lives of the English Poets, ed. Hill, G. B. (3 vols., Oxford, 1905).Google Scholar
Johnson, Samuel, The Yale Edition of the Works of Samuel Johnson (16 vols., New Haven, 1958–).Google Scholar
JohnstonArthur, , ‘Poetry and criticism after 1740’, in Lonsdale, Roger (ed.), History of Literature in the English Language: Dryden to Johnson (London, 1971).Google Scholar
Jones, William Sir, Poems Consisting Chiefly of Translations from the Asiatic Languages; to Which Are Added Two Essays: I, On the Poetry of the Eastern Nations; II, On the Arts Commonly Called Imitative (Oxford, 1772).Google Scholar
Kames, Henry Home, Lord, , Elements of Criticism (3 vols., Edinburgh, 1762).Google Scholar
Kant, Immanuel, Gesammelte Schriften, ed. Wissenschaften, Preussische Akademie (Berlin, 1902–).Google Scholar
Kant, Immanuel, Critique of Judgment, trans. Pluhar, Werner S. (Indianapolis, 1987).Google Scholar
Land, Stephen, From Signs to Propositions: The Concept of Form in Eighteenth-Century Semantic Theory (London, 1974).Google Scholar
Landry, Donna, ‘The resignation of Mary Collier: Some problems in feminist literary history’, in The New Eighteenth Century, ed. Nussbaum, Felicity and Brown, Laura (London and New York, 1987).Google Scholar
Lange, Victor, The Classical Age of German Literature, 1740–1815 (London, 1982).Google Scholar
Lessing, G. W., Sämtliche Schriften, ed. Lachmann, Karl and Muncker, Franz (23 vols., Stuttgart, 1886–1924).Google Scholar
Lipking, Lawrence, The Ordering of the Arts in Eighteenth-Century England (Princeton, 1970).Google Scholar
Locke, John, An Essay concerning Human Understanding, ed. Nidditch, Peter H. (Oxford, 1975).Google Scholar
Lockwood, Thomas, ‘On the relationship of satire and poetry after Pope’, Studies in English Literature, 14 (1974).CrossRefGoogle Scholar
Lowth, Robert, De Sacra Poesi Hebraeorum praelectiones (Oxford, 1753), trans. as Lectures on the Sacred Poetry of the Hebrews (1787).Google Scholar
Maass, Johann G. E., Versuch über die Einbildungskraft (Halle and Leipzig, 1792, enl. 1797).Google Scholar
Macpherson, James, The Poems of Ossian … Containing Dr. Blair's Three Celebrated Critical Dissertations (2 vols., London, 1806).Google Scholar
Mann, Elizabeth L., ‘The problem of originality in English literary criticism, 17507ndash;1800’, Philological Quarterly, 18 (1939).Google Scholar
McLean, Norman, ‘From action to image: theories of the lyric in the eighteenth century’, in Crane, R. S. et al. (eds.), Critics and Criticism Ancient and Modern (Chicago, 1952).Google Scholar
Meiners, Christoph, Grundriβ der Theorie und Geschichte der schönen Wissenschaften (Lemgo, 1787).Google Scholar
Meister, Leonhard, Über Aberglauben, Einbildungskraft, und Schwärmerey (Berne, 1795).Google Scholar
Meister, Leonhard, Über die Einbildungskraft in ihrem Einfluβ auf Geist und Herz (Zurich, 1795).Google Scholar
Meister, Leonhard, Über die Schwärmerei (2 vols., Berne, 1775–7).Google Scholar
Meister, Leonhard, Versuch über die Einbildungskraft (Berne, 1778).Google Scholar
Menhennet, Alan, Order and Freedom: German Literature and Society, 1720–1805; (London, 1973).Google Scholar
Mercier, Louis-Sébastien, Du Théâtre, ou nouvel essai sur l'art dramatique (Paris, 1773).Google Scholar
Miles, Josephine, The Primary Language of Poetry in the 1740s and 1840s (Berkeley, 1950).Google Scholar
Moir, John, Gleanings; or, Fugitive Pieces (2 vols., London, 1785).Google Scholar
Monk, Samuel, The Sublime: A Study of Critical Theories in Eighteenth-Century England (Ann Arbor, 1935; rpt with a new Preface, 1960).Google Scholar
Muratori, L. A., Delia forza della Fantasia Umana (Venice, 1740).Google Scholar
Natali, Giulio, Storia Letteraria D'Italia (2 vols., Milan, 1929).Google Scholar
Nicolson, Marjorie Hope, Newton Demands the Muse: Newton's ‘Opticks’ and the Eighteenth Century Poets (Princeton, 1946).Google Scholar
Nisbet, H. B., Herder and the Philosophy and History of Science (Cambridge, 1970).Google Scholar
Nisbet, H. B., (ed.), German Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller and Goethe (Cambridge, 1985).Google Scholar
Novak, Maximillian, Eighteenth Century English Literature (New York, 1983).CrossRefGoogle Scholar
Ogilvie, John, Philosophical and Critical Observations on the Nature, Character, and Various Species of Composition (2 vols., London, 1774).Google Scholar
Pascal, Roy, The German Sturm und Drang (Manchester, 1953).Google Scholar
Patey, Douglas Lane, ‘The eighteenth century invents the canon’, Modern Language Studies, 18 (1988).CrossRefGoogle Scholar
Percy, Thomas, Reliques of Ancient English Poetry (3 vols., London, 1765).Google Scholar
Pittock, Joan, The Ascendancy of Taste: The Achievement of Joseph and Thomas Warton (London, 1973).Google Scholar
Platner, Ernst, Anthropologie für Aerzte und Weltweise (Leipzig, 1772, enl. 1790).Google Scholar
Price, Martin, ‘The sublime poem: pictures and powers’, Yale Review, 58 (1968–69).Google Scholar
Price, Martin, To the Palace of Wisdom: Studies in Order and Energy from Dryden to Blake (New York, 1964).Google Scholar
Price, Uvedale, An Essay on the Picturesque, as Compared with the Sublime and Beautiful (2 vols., London, 1794–8).Google Scholar
Priestley, Joseph, Course of Lectures on Oratory and Criticism (Warrington, 1762).Google Scholar
Rawson, Claude, Order from Confusion Sprung: Studies in Eighteenth-Century Literature from Swift to Cowper (London, 1985).Google Scholar
Reynolds, Joshua Sir, Discourses on Art, ed. Wark, Robert (New Haven, 1975).Google Scholar
Rivarol, Antoine, Oeuvres complètes (5 vols., Paris, 1808).Google Scholar
Schaffer, Simon, ‘Genius in Romantic natural philosophy’, in Cunningham, Andrew and Jardine, Nicholas (eds.), Romanticism and Science (Cambridge, 1990).Google Scholar
Schiller, Friedrich, On the Aesthetic Education of Man, ed. and trans. Wilkinson, E. M. and Willoughby, L. A. (Oxford, 1967).Google Scholar
Schiller, Friedrich, Werke: Nationalausgabe, ed. Petersen, Julius, Blumenthal, Lieselotte and Wiese, Benno (42 vols., Weimar, 1962–91).Google Scholar
Shaftesbury, Anthony Ashley Cooper, third Earl of, Characteristicks of Men, Manners, Opinions, Times (3 vols., London, 1711); ed. Robertson, J. M. (2 vols., 1900).Google Scholar
Shaftesbury, Anthony Ashley Cooper, Soliloquy; or, Advice to an Author (London, 1710).Google Scholar
Sharpe, William, Dissertation upon Genius (London, 1755); rpt with intro. By BruceJohnson, William (Delmar NY, 1973).Google Scholar
Shenstone, William, Poetical Works, ed. Gilfillan, George (New York, 1854; rpt 1968).Google Scholar
Siskin, Clifford, The Historicity of Romantic Discourse (New York, 1988).Google Scholar
Sitter, John, Literary Loneliness (Ithaca, 1982).Google Scholar
Sitter, John, ‘Mother, memory, muse and poetry after Pope’, ELH, 44 (1977).CrossRefGoogle Scholar
Smart, Christopher, Poetical Works, ed. Williamson, Marina and Walsh, Marcus (4 vols., Oxford, 1980–7).Google Scholar
Smith, Adam, The Theory of Moral Sentiments, ed. Raphael, D. D. and Macfie, A. L. (Oxford, 1976; rpt with corrections, 1979).Google Scholar
Spacks, Patricia M., The Poetry of Vision (Cambridge MA, 1967).CrossRefGoogle Scholar
Spence, Joseph, Observations, Anecdotes, and Characters of Books and Men ed. Osborn, James M. (Oxford, 1966).Google Scholar
Sulzer, J. G., Allgemeine Theorie der schönen Künste (4 vols., Leipzig, 1771–4).Google Scholar
Tetens, Johann Nicolaus, Philosophische Versuche über die menschliche Natur und ihre Entwicklung (2 vols., Leipzig, 1776–7).Google Scholar
Thomson, James, Poetical Works, ed. Robertson, J. Logie (Oxford, 1908; rpt 1965).Google Scholar
Tillotson, Geoffrey, Augustan Poetic Diction (London, 1961; rpt 1964).Google Scholar
Trapp, Joseph, Lectures on Poetry Read in the Schools of Natural Philosophy at Oxford (London, 1742, English trans, of Latin text, 1711–19).Google Scholar
Tucker, Abraham, The Light of Nature Pursued (7 vols., 1768–77; 2nd edn, rev. and corrected, London, 1805).Google Scholar
Tuveson, Ernest L., The Imagination as a Means of Grace (Berkeley and Los Angeles, 1960).Google Scholar
Twining, Thomas, Aristotle's Treatise on Poetry, Translated with Notes and Two Dissertations on Poetical and Musical Imitation (2 vols., 1789, 1812).Google Scholar
Vico, G., The New Science of Giambattista Vico, unabridged trans, of the 3rd edn (1744), trans. Bergin, Thomas Goddard and Frisch, Max Harold (Ithaca, 1968).Google Scholar
Vico, G., Opere, ed. Nicolini, Fausto (Milan, 1953).Google Scholar
Voltaire, (François-Marie Arouet), Oeuvres complètes, ed. Moland, Louis (52 vols., Paris, 1877–83).Google Scholar
Warburton, William, The Divine Legation of Moses (London, 1737–8).Google Scholar
Warnock, Mary, Imagination (Berkeley, 1976).Google Scholar
Warton, Joseph, The Enthusiast; or Lover of Nature (London, 1744).Google Scholar
Warton, Joseph, An Essay on the Genius and Writings of Pope (2 vols., London, 1756, 1782).Google Scholar
Warton, Joseph, Odes on Several Subjects (London, 1746).Google Scholar
Warton, Joseph, ed., The Works of Virgil (4 vols., London, 1778).Google Scholar
Warton, Thomas, History of English Poetry (4 vols., London, 1774–81).Google Scholar
Warton, Thomas, The Pleasures of Melancholy (London, 1747).Google Scholar
Wasserman, Earl, ‘Collins's “Ode on the Poetical Character”’, ELH, 34 (1967).CrossRefGoogle Scholar
Webb, Daniel, Observations on the Correspondence Between Poetry and Music (London, 1769).Google Scholar
Webb, Daniel, Remarks on the Beauties of Poetry (London, 1762).Google Scholar
Wellbery, David E., Lessing's ‘Laocoon’: Semiotics and Aesthetics in the Age of Reason (Cambridge, 1984).Google Scholar
Wellek, René, A History of Modern Criticism. Vol. I: The Later Eighteenth Century (New Haven, 1955; paperback edn, Cambridge, 1981).Google Scholar
Williams, Raymond, The Country and the City (Frogmore, 1975).Google Scholar
Wimsatt, W. K., and Brooks, Cleanth, Literary Criticism. A Short History (New York, 1957; paperback edn, 1967).Google Scholar
Wordsworth, William, Lyrical Ballads, ed. Brett, R. L. and Jones, A. R. (New York and Cambridge, 1963).Google Scholar
Wordsworth, William, Prose Works, ed. Owen, W. J. B. and Smyser, J. W. (3 vols., Oxford, 1974).Google Scholar
Yolton, John, John Locke and the Way of Ideas (Oxford, 1956).Google Scholar
Young, Edward, Complete Works (2 vols., London, 1854).Google Scholar
Young, Edward, Conjectures on Original Composition (London, 1759), ed. Morley, E. J. (Manchester, 1918).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×