Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-11-22T21:41:03.776Z Has data issue: false hasContentIssue false

Part III - Women Writers In-Between: Socialist, Modern, Developmentalists, and Liberal Democratic Ideals

Published online by Cambridge University Press:  05 November 2015

Ileana Rodríguez
Affiliation:
Ohio State University
Mónica Szurmuk
Affiliation:
Instituto de Literatura Hispanoamericana, Argentina
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Andermatt, Verena, editor and translator. Hélène Cixous. Reading with Clarice Lispector. Minneapolis: U of Minnesota P, 1990.Google Scholar
Franco, Jean. Critical Passions: Selected Essays. Ed. with introduction by Mary Louise Pratt and Kathleen Newman. Durham, NC, and London: Duke UP, 1999.Google Scholar
Sarlo, Beatriz. El imperio de los sentimientos. Buenos Aires: Catálogos, 1985.Google Scholar

Works Cited

Aguilar Mora, Jorge. “Prólogo y cronología.” Nellie Campobello, Cartucho. Relatos de la lucha en el Norte de México. México: Ediciones ERA, 2000. 942, 163–171.Google Scholar
Aguilar Mora, Jorge. “El silencio de la Revolución.” El silencio de la Revolución y otros ensayos. México: ERA, 2011.Google Scholar
Arce, Bridget Christine. Troping Mexico’s Historical No Bodies. Ph.D. Dissertation. University of California, Berkeley, 2008.Google Scholar
Brushwood, John S. México en su novela: Una nación en busca de su identidad. México: FCE, 1973.Google Scholar
Campobello, Nellie. Cartucho: Relatos de la lucha en el Norte de México. México: Ediciones ERA, 2000.Google Scholar
Campobello, Nellie. “Prólogo.” Mis libros. México: Compañía General de Ediciones, 1960. 945.Google Scholar
Carballo, Emmanuel. Protagonistas de la literatura mexicana. 2nd ed. México: FCE, SEP, Ediciones El Ermitaño, 1986.Google Scholar
Castro Leal, Antonio. La novela de la revolución mexicana. 1958. Vol. 1. 9th ed., 8th reimp. México: Aguilar, 1971.Google Scholar
Catalán Sánchez, Rocío. “María Luisa Ocampo y Gloria Iturbe.” Así somos 4.3 (2011): 16.Google Scholar
Dessau, Adalbert. La novela de la Revolución Mexicana. México: FCE, 1972.Google Scholar
Esplin, Emron. “The Mexican Revolution in the Eyes of Katherine Anne Porter and Nellie Campobello.” Arizona Quarterly 66.3 (2010): 99122.CrossRefGoogle Scholar
Franco, Jean. Historia de la literatura hispanoamericana. 1973. Barcelona: Ariel, 2002.Google Scholar
Glantz, Margo. Vigencia de Nellie Campobello. Alicante: Universidad de Alicante, 2003.CrossRefGoogle Scholar
Gordon, Samuel. “Modernidad y vanguardia en la literatura mexicana: Estridentistas y contemporáneos.” Revista Iberoamericana XV.148149 (1989): 1083–1098.Google Scholar
Instituto Nacional de Estudios Históricos de la Revolución Mexicana. Las mujeres en la Revolución Mexicana, 1884–1920. México: INEHRM, Instituto de Investigaciones Legislativas, 1992.Google Scholar
Jiménez Domínguez, Tatiana. “Normatividad social de lo femenino en el siglo XIX y alteración del orden genérico en tiempos revolucionarios.” La violencia doméstica en Chiapas: Discursos periodísticos y legales en época de cambios 1930–1940. Tuxtla Gutiérrez: Consejo Estatal para la Cultura y las Artes de Chiapas. 1944.Google Scholar
Keizman, Betina. “Entre el testimonio y la autobiografía, Cartucho y la construcción de una memoria poética/política.” Cuadernos del CILHA 9.8 (2007): 3540.Google Scholar
Lau, Ana. “Expresiones políticas femeninas en el México del siglo XX: El Ateneo Mexicano de Mujeres y La Alianza de Mujeres de México (1934–1953).” Orden social e identidad de género. México siglo XIX y XX. Coords. María Teresa Fernández Aceves et al. México: CIESAS, Universidad de Guadalajara, 2006. 93124.Google Scholar
López, Oresta, and Hernández, Varinia. “La soledad y el fuego de Dolores Jiménez y Muro.” La Jornada (May 5, 2011). http://www.jornada.unam.mx/2001/11/05/arts_39/39_dolores_imuro.htm. May 2, 2014.Google Scholar
López González, Aralia. “Justificación teórica: Fundamentos feministas para la crítica literaria.Sin imágenes falsas, sin falsos espejos: Narradoras mexicanas del siglo XX. Coord. Aralia López González. México: El Colegio de México, 1995. 1348.CrossRefGoogle Scholar
Macías, Anna. Contra viento y marea: el movimiento feminista en México hasta 1940. México: CIESAS, PUEG, UNAM, 2002.Google Scholar
Merlín, Socorro. María Luisa Ocampo: Mujer de teatro. Prol. Alberto Híjar Serrano. México: Gobierno del Estado de Guerrero, INBA-CITRU, Editorial Lema, 2000.Google Scholar
Montes de Oca Navas, Elvia. “La vida cotidiana de las mujeres mexicanas en las revistas femeninas publicadas durante el cardenismo (1934–1940).” La Colmena 53 (2007): 125134.Google Scholar
Ocampo, María Luisa. Bajo el fuego. México: Ediciones Botas, 1947.Google Scholar
Ocampo, María Luisa. El corrido de Juan Saavedra. México: Imprenta Mundial, 1934.Google Scholar
Ocampo, María Luisa. Ha muerto el doctor Benavides. México: Tehutli, 1954.Google Scholar
Ocampo, María Luisa. La maestrita. 1949. 2nd ed. México: B. Costa Amic Editor, 1968.Google Scholar
Ocampo, María Luisa. El señor de Altamira. México: B. Costa Amic Editor, 1963.Google Scholar
Oyarzún, Kemy. “Identidad femenina, genealogía mítica, historia: Las manos de mamá.” Sin imágenes falsas, sin falsos espejos: Narradoras mexicanas del siglo XX. Coord. Aralia López González. México: El Colegio de México, 1995. 5175.CrossRefGoogle Scholar
Poniatowska, Elena. Las soldaderas. México: Ediciones ERA, INAH, CONACULTA, 2007.Google Scholar
Pratt, Mary Louise. “Mi cigarro, mi Singer, y la revolución mexicana: La danza ciudadana de Nellie Campobello.” Revista Iberoamericana 206 (2004): 253273.CrossRefGoogle Scholar
Rivera, Sara. “La lectura oculta de la Revolución Mexicana en Cartucho, de Nellie Campobello.” Iztapalapa 52.23 (2002): 1929.Google Scholar
Rodríguez, Blanca. Nellie Campobello: Eros y violencia. México: UNAM, 1998.Google Scholar
Rodríguez, Blanca. “Prólogo.” Nellie Campobello. Las manos de mamá, Tres poemas, Mis libros. México: Factoría Ediciones, 2002.Google Scholar
Rodríguez, Blanca. “Imágenes bélicas en Cartucho.” Nellie Campobello: La revolución en clave de mujer. Ed. Cázares, Laura. México: Tecnológico de Monterrey, UIA, CONACULTA, 2006. 3949.Google Scholar
Ruffinelli, Jorge. “Nellie Campobello: Pólvora en palabras.” La Palabra y el Hombre 113 (2000): 6372.Google Scholar
Salazar Mendoza, Flor de María. “La Revolución Mexicana en San Luis Potosí.” La Revolución en los Estados de la República Mexicana. Coord. Patricia Galeana. México: Siglo XXI, 2011. 403414.Google Scholar
Sánchez, Luis Alberto. Proceso y contenido de la novela hispano-americana. 1953. 3rd ed. Madrid: Gredos, 1976.Google Scholar
Schmidhuber de la Mora, Guillermo. Dramaturgia mexicana: Fundación y herencia. México: Universidad de Guadalajara, 2006.Google Scholar
Tovar Ramírez, Aurora. Mil quinientas mujeres en nuestra conciencia colectiva: Catálogo biográfico de mujeres en México. México: DEMAC, 1996.Google Scholar
Torres-Rioseco, . “La novela en la América Hispana.” University of California Publications in Modern Philology 21.2 (1949): 159256.Google Scholar
Tuñón, Enriqueta. ¡Por fin ... ya podemos elegir y ser electas! El sufragio femenino en México. México: INAH, Plaza y Valdés, 2002.Google Scholar
Vanden Berghe, Kristine. Homo ludens en la Revolución: Una lectura de Nellie Campobello. México: Iberoamericana Vervuert, Bonilla Artigas Editores, 2013.CrossRefGoogle Scholar
Vogt, Wolfgang. Pensamiento y literatura de América Latina en el siglo XX. México: Universidad de Guadalajara, 1986.Google Scholar
Wyatt, James Larkin. Dos mujeres destacadas en el teatro mexicano contemporáneo: Amalia Castillo Ledón y María Luisa Ocampo. México: UNAM, 1948.Google Scholar
Young, Richard, and Cisneros, Odile. Historical Dictionary of Latin American Literature and Theater. Plymouth, UK: Scarecrow Press, 2010.Google Scholar

Works Cited

Asociación Nicaragüense de Escritoras ANIDE. n.d. http://www.escritorasnicaragua.org. July 1, 2014.Google Scholar
Belli, Gioconda. Sobre la grama. Managua: n.p., 1978.Google Scholar
Belli, Gioconda. Línea de fuego. Havana: Casa de las Américas, 1978.Google Scholar
Belli, Gioconda. La mujer habitada. Managua: Editorial Vanguardia, 1988.Google Scholar
Belli, Gioconda. El pergamino de la seducción. Barcelona: Seix Barral, 2006.Google Scholar
Belli, Gioconda. El ojo de la mujer. Poesía reunida. Madrid: Visor Libros, 2002.Google Scholar
Borge, Tomás. Women and the Nicaraguan Revolution. London: Pathfinder Press, 1982.Google Scholar
Byron, Kristine. “Doris Tijerino: Revolution, Writing and Resistance in Nicaragua.” National Women’s Studies Association Journal 18.3 (Fall 2006): 104121.Google Scholar
Campuzano, Luisa. “Cuba 1961: Los textos de las alfabetizadoras: Conflictos de género, clase y cánon.” Unión 26 (enero–marzo 1997): 5258.Google Scholar
Campuzano, Luisa. Quirón o del ensayo y otros eventos. Havana: Editorial Letras Cubanas, 1988.Google Scholar
Chamorro, Violeta Barrios de. Dreams of the Heart. New York: Simon & Schuster, 1996.Google Scholar
Chamorro, Violeta Barrios de, et al. Sueños del corazón: Memorias. Trans. Linares, Andrés. Managua: Fundación Violeta Barrios de Chamorro, 2007.Google Scholar
Davies, Catherine. A Place in the Sun? Women Writers in Twentieth-Century Cuba. London: Zed Books, 1997.Google Scholar
Dore, Elizabeth, and Weeks, John. The Red and the Black: The Sandinistas and the Nicaraguan Revolution. Institute of Latin American Studies Working Papers 28. London: University of London, 1992.Google Scholar
Fagen, R. R. The Transformation of Political Culture in Cuba. Stanford Studies in Comparative Politics, 2. Stanford, CA: Stanford UP, 1969.Google Scholar
Jiménez, Mayra, ed. Poesía de la Nueva Nicaragua: Talleres Populares de Poesía. Mexico D.F.: Siglo Veintiuno Editores, 1983.Google Scholar
Kapcia, Antoni. Cuba: Island of Dreams. Oxford: Berg, 2000.Google Scholar
Kumaraswami, Par. “‘Pensamos que somos historia porque sabemos que somos historia’: Context, Self and Self-construction in Women’s Testimonial Writing from Revolutionary Cuba.” Bulletin of Hispanic Studies 83.6 (2006): 523–539.CrossRefGoogle Scholar
Kumaraswami, Par, and Kapcia, Antoni. Literary Culture in Cuba: Revolution, Nation-building and the Book. Manchester: Manchester UP, 2012.CrossRefGoogle Scholar
Medin, Tzvi. Cuba: The Shaping of a Revolutionary Consciousness. Boulder, CO: Lynne Rienner Publishers, 1990.CrossRefGoogle Scholar
Memorias de la Lucha Sandinista. Ed. Mónica Baltodano. https://memoriasdelaluchasandinista.org/. August 3, 2014.Google Scholar
Molyneux, Maxine. “Mobilization without Emancipation? Women’s Interests, the State, and Revolution in Nicaragua.” Feminist Studies 11.2 (Summer 1985): 227254.CrossRefGoogle Scholar
Morejón, Nancy, and Gonce, Carmen. Lengua de pájaro: Comentarios reales. Havana: Insitituto del Libro, 1967.Google Scholar
Najlis, Michelle. El viento armado. Guatemala: Editorial Universitaria, 1969.Google Scholar
Olema García, Daura. Maestra voluntaria. Havana: Casa de las Américas, 1962.Google Scholar
Randall, Margaret. Sandino’s Daughters Revisited: Feminism in Nicaragua. New Brunswick, NJ: Rutgers UP, 1994.Google Scholar
Randall, Margaret. Sandino’s Daughters: Testimonies of Nicaraguan Women in Struggle. 1981. New Brunswick, NJ: Rutgers UP, 1995.Google Scholar
Randall, Margaret. Todas estamos despiertas: Testimonios de la mujer nicaragüense de hoy: Historias inmediatas. Mexico D.F.: Siglo Veintiuno Editores, 1980.Google Scholar
Rodríguez, Ileana. House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literature by Women: Post-Contemporary Interventions. Durham: Duke UP, 1994.Google Scholar
Rodríguez, Ileana. Women, Guerrillas, and Love: Understanding War in Central America. Trans. Ileana Rodríguez with Robert Carr. Minneapolis: U of Minnesota P, 1996.Google Scholar
Santos Moray, Mercedes. La piedra de cobre. Havana: Editorial Letras Cubanas, 1981.Google Scholar
Serra, Ana. The “New Man” in Cuba: Culture and Identity in the Revolution. Gainesville: UP of Florida, 2007.Google Scholar
Shaughnessy, Lorna. “Problemas de la transición: Sexual emancipation and social transformation in the poetry of Gioconda Belli (1970–1992).” Revolucionarias: Conflict and Gender in Latin American Narratives by Women. Eds. Kumaraswami, Par and Thornton, Niamh. Oxford: Peter Lang 2007. 165190.Google Scholar
Smith, Verity. “What Are Little Girls Made of under Socialism? Cuba’s Mujeres and Muchacha in the Period 1980–1991.” Studies in Latin American Popular Culture 4 (1995): 115.Google Scholar
Sommer, Doris. “No Secrets.” The Real Thing: Testimonial Discourse and Latin America. Ed. Gugelberger, Georg. Durham, NC: Duke UP, 1996. 130157.Google Scholar
Steedman, Carolyn. Past Tenses: Essays on Writing, Autobiography and History. London: Rivers Oram Press, 1992.Google Scholar
Yáñez, Mirta. Todos los negros tomamos café. Havana: Editorial Arte y Literatura, 1976.Google Scholar

Works Cited

Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis and London: U of Minnesota P, 1996.Google Scholar
Borges, Jorge Luis. “Prólogo.” La calle de la tarde. By Lange, Norah. Buenos Aires: J. Samet, 1925. 58.Google Scholar
Bourdieu, Pierre. The Rules of Art: Genesis and Structure of the Literary Field. Trans. Emanuel, Susan. Stanford, CA: Stanford UP, 1992.Google Scholar
Bürger, Peter. Theory of the Avant-Garde. Trans. Shaw, Michael. Theory and History of Literature Series 4. Minneapolis: U of Minnesota P, 1984.Google Scholar
Calle, Sophie de la. “‘De libélula en mariposa’: Nación, identidad y cultura en la posrevolución Un estudio de la danza y narrativa de Nellie Campobello.” Dissertation. University of Maryland, 1998.Google Scholar
Campobello, Nellie. Cartucho: Relatos en la lucha del norte. In La Novela de la Revolución Mexicana. Ed. Leal, Antonio Castro. México, D.F.: Aguilar, 1965. 921968.Google Scholar
Campobello, Nellie. Cartucho. Relatos de la lucha en el norte de México. 1st ed. México, D.F.: Integrales, 1931.Google Scholar
Campobello, Nellie. Cartucho. In Cartucho and My Mother’s Hands. Trans. Meyer, Doris. Austin: U of Texas P, 1988. 189.Google Scholar
Campobello, Nellie. Las manos de mamá. In La Novela de la Revolución Mexicana. Ed. Leal, Antonio Castro. México, D.F.: Aguilar, 1965. 969989.Google Scholar
Campobello, Nellie. My Mother’s Hands. In Cartucho and My Mother’s Hands. Trans. Matthews, Irene. Austin: U to Texas P, 1988. 91128.Google Scholar
Campobello, Nellie. “8 Poemas de Mujer.” Revista de la Habana 4 (October, November, December 1930): 133139.Google Scholar
Campos, Augusto de, ed. Pagu Vida-Obra. São Paulo: Brasiliense, 1982.Google Scholar
Doll, Ramón. Ensayos y críticas. Buenos Aires: Doll, 1929.Google Scholar
Galvão, Patrícia. O Album de Pagu: Nacimento Vida Paixão e Morte. In Pagu Vida-Obra. Ed. Augusto de Campos. 4159.Google Scholar
Galvão, Patrícia. Industrial Park. Eds. and Trans. Jackson, Elizabeth and Jackson, K. David. Omaha: U of Nebraska P, 1993.Google Scholar
Galvão, Patrícia. Parque industrial. São Paulo: Alternativa, 1981.Google Scholar
Irwin, Robert McKee. Mexican Masculinity. Minneapolis and London: U of Minnesota P, 2003.Google Scholar
Kirkpatrick, Gwen. “The Journalism of Alfonsina Storni: A New Approach to Women’s History in Argentina.” Women, Culture, and Politics in Latin America. Ed. Seminar on Feminism and Culture in Latin America. Berkeley: U of California P, 1990. 105129.CrossRefGoogle Scholar
Lange, Norah. Cuadernos de infancia. Buenos Aires: Domingo Viau, 1937.Google Scholar
Loynaz, Dulce María. Jardín. Barcelona: Seix Barral, 1993.Google Scholar
Mahieux, Vivianne. Urban Chroniclers in Latin America: The Shared Intimacy of Everyday Life. Austin: U of Texas P, 2011.Google Scholar
Martínez, Elizabeth Coonrod. Before the Boom: Latin American Revolutionary Novels of the 1920s. Lanham, MD: UP of America, 2001.Google Scholar
Masiello, Francine. “Texto, ley, transgresión: Especulación sobre la novela (feminista) de vanguardia.” Revista Iberoamericana 51.132–133 (July–December 1985): 807822.Google Scholar
Masiello, Francine. “Women, State, and Family in Latin American Literature of the 1920s.” Women, Culture, and Politics in Latin America. Ed. Seminar on Feminism and Culture in Latin America. Berkeley: U of California P, 1990. 2747.CrossRefGoogle Scholar
Molloy, Sylvia. At Face Value: Autobiographical Writing in Spanish America. Cambridge: Cambridge UP, 1991.CrossRefGoogle Scholar
Molloy, Sylvia. “Introduction” to “Female Textual Identities: The Strategies of Self-Figuration.” In Women’s Writing in Latin America. Ed. Castro-Klarén, Sara, Molloy, Sylvia, and Sarlo, Beatriz. 107124.Google Scholar
Osorio, T. Nelson. “Para una caracterización histórica del vanguardismo literario hispanoamericano.” Revista Iberoamericana 47.114–115 (January–June 1981): 227254.CrossRefGoogle Scholar
Owen, Hilary. “Discardable Discourses in Patrícia Galvão’s Parque industrial.” Brazilian Feminisms. Eds. de Oliveira, Solange Ribeiro and Still, Judith. Nottingham: U of Nottingham, 1999. 6884.Google Scholar
Oyarzún, Kemy. “Identidad femenina, genealogía mítica, historia: Las manos de mamá.” Sin imagines falsas, sin falsos espejos: Narradoras mexicanas del siglo xx. Coord. by Aralia López González. México, D.F.: Colegio de México, 1995. 5175.CrossRefGoogle Scholar
Richards, Judith C. Revolting Developments: Gender, Revolution, and the Bildungsroman in Contemporary Mexican Women’s Fiction. Dissertation. University of Kansas, 1994.Google Scholar
Rodríguez, Ileana. House/Garden/Nation: Space, Gender, and Ethnicity in Post-Colonial Latin American Literature by Women. Trans. Robert Carr with the author. Durham, NC: Duke UP, 1994.Google Scholar
Rosenberg, Fernando J. The Avant-Garde and Geopolitics in Latin America. Pittsburgh: U of Pittsburgh P, 2006.CrossRefGoogle Scholar
Schwartz, Jorge. Vanguardas Latino-Americanas: Polêmicas, manifestos e textos críticos. Editora da Universidade de São Paulo, 1995.Google Scholar
Segura, Felipe. Gloria Campobello: La primera ballerina de México. São Paulo: México, D.F.: INBA, 1991Google Scholar
Sommer, Doris. “Mirror, Mirror, in Mother’s Room: Watch Us While We Tell and Groom.” Mama Blanca’s Memoirs. By Teresa de la Parra. Trans. Harriet de Onís and Rev. Frederick H. Fornoff. Pittsburgh: U of Pittsburgh P, 1993. 162183.Google Scholar
Stoner, K. Lynn. From the House to the Streets: The Cuban Woman’s Movement for Legal Reform, 1898–1940. Durham, NC: Duke UP, 1991.Google Scholar
Unruh, Vicky. Latin American Vanguards: The Art of Contentious Encounters. Berkeley: U of California P, 1994.Google Scholar
Unruh, Vicky. “Modernity’s Labors in Latin America: The Cultural Workers of Havana’s Avant-Gardes.” Oxford Handbook of Global Modernisms. Ed. Wollaeger, Mark. New York and Oxford: Oxford UP, 2012. 341366.Google Scholar
Unruh, Vicky. Performing Women and Modern Literary Culture in Latin America. Austin: U of Texas P, 2006.Google Scholar
Verani, Hugo J., ed. Narrativa vanguardista hispanoamericana. México, D.F.: UNAM, 1996.Google Scholar
Videla de Rivero, Gloria. Direcciones del vanguardismo hispanoamericano. 2 vols. Mendoza, Arg.: Universidad Nacional de Cuyo, Facultad de Filosofía y Letras, 1990.Google Scholar
Yurkievich, Saúl. Fundadores de la nueva poesía latinoamericana. Barcelona: Ariel, 1984.Google Scholar

Works Cited

Aguilar, Gonzalo. Episodios cosmopolitas en la cultura argentina. Buenos Aires: Santiago Arcos, 2009.Google Scholar
Berman, Jessica. Modernist Fiction, Cosmopolitanism, and the Politics of Community. Cambridge: Cambridge UP, 2001.CrossRefGoogle Scholar
Braidotti, Rosi. Nomadic Theory. New York: Columbia UP, 2011.Google Scholar
Grewal, Inderpal and Kaplan, Caren, editors. Scattered Hegemonies: Postmodernity and Transnational Feminist Practices. Minneapolis: U of Minnesota Press, 1994.Google Scholar
King, John. A Study of the Argentine Literary Journal and Its Role in the Development of a Culture, 1931–1970. Cambridge: Cambridge UP, 1986.Google Scholar
Latour, Bruno. “Whose Cosmos, Whose Cosmopolitics.” Common Knowledge 10:3 (2004).CrossRefGoogle Scholar
Lavrin, Asunción. “International Feminisms: Latin American Alternatives.” Gender & History 10 (1998): 519534.CrossRefGoogle Scholar
Lispector, Clarice. A paixao segundo GH. Rio de Janeiro: Nova Fronteira, 1979.Google Scholar
Lispector, Clarice. The Passion According to GH. Trans. Sousa, Ronald W. Minneapolis: U of Minnesota Press, 1988.Google Scholar
Masiello, Francine: Art of Transition: Latin American Culture and the Neoliberal Crisis. Durham, NC: Duke UP, 2002.Google Scholar
Mendes de Sousa, Carlos. Clarice Lispector: Figuras da escrita. Rio de Janeiro: Instituto Moreira Salles, 2011.Google Scholar
Miller, Francesca. Latin American Women and the Search for Social Justice. Hanover, NH: UP of New England, 1991.Google Scholar
Molloy, Sylvia. Poses de fin de siglo. Buenos Aires: Eterna Cadencia, 2012.Google Scholar
Montaldo, Graciela. “Guía Ruben Dario.” Darío, Rubén. Viajes de un cosmopolita extremo. Buenos Aires: Fondo de Cultura Economica, 2013.Google Scholar
Moreno, María. El Affair Skeffington. Buenos Aires: Mansalva, 2013.Google Scholar
Ocampo, Victoria. “Misión de Lawrence de Arabia.” Sur 97 (1942).Google Scholar
Ocampo, Victoria. “Gabriela Mistral y el premio Nobel.” Sur 134 (1945).Google Scholar
Pratt, Mary Louise. “Women, Literature, and National Brotherhood.” Nineteenth-Century Contexts: An Interdisciplinary Journal 18.1 (1994): 2747.CrossRefGoogle Scholar
Salomone, Alicia. “Virginia Woolf en los Testimonios de Victoria Ocampo: Tensiones entre feminismo y colonialismo.” Revista Chilena de Literatura 69 (2006): 6987.Google Scholar
Santiago, Silviano. O cosmopolitismo do pobre: Crítica literária e crítica cultural. Belo Horizonte: Editora UFMG, 2004.Google Scholar
Sheldon Pollock, Homi K. Bhabha, Breckenridge, Carol A., and Chakrabarty, Dipesh, editors. Cosmopolitanism. Durham: Duke UP, 2002.Google Scholar
Siskind, Mariano. Cosmopolitan Desires: Global Modernity and World Literature in Latin America. Chicago: Northwestern UP, 2014.CrossRefGoogle Scholar

Works Cited

Allende, Isabel. La casa de los espíritus. 19th ed. Barcelona: Plaza & Janés, 1986.Google Scholar
Bombal, María Luisa. La última niebla. In María Luisa Bombal: Obras completas. Comp. Lucía Guerra. Barcelona, Buenos Aires, México, and Santiago de Chile: Editorial Andrés Bello, 1996. 5595.Google Scholar
Bourdieu, Pierre. Sociology in Question. Trans. Nice, Richard. London, Thousand Oaks, CA, and New Delhi: Sage, 1995.Google Scholar
Cohn, Deborah. “A Tale of Two Translation Programs: Politics, the Market, and Rockefeller Funding for Latin American Literature in the United States during the 1960s and 1970s.” Latin American Research Review 41.2 (2006): 139164.CrossRefGoogle Scholar
Cortázar, Julio. Final de juego. Madrid: Alfaguara, 1982.Google Scholar
De Lauretis, Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana UP, 1983.Google Scholar
Deleuze, Gill and Guattari, Felix. Anti-Oedipus: Capitalism and Schizophrenia. Trans. Hurley, Robert, Seem, Mark, and Lane, Helen R.. Minneapolis: U of Minnesota P, 1983.Google Scholar
Donoso, José. Historia personal del boom. Santiago, Chile: Alfaguara, 1998.Google Scholar
Edwards, Alice. “House of Mist and La última niebla: María Luisa Bombal between Two Wor(l)ds.” Latin American Literary Review 37.73 (2009): 4757.Google Scholar
Eltit, Diamela. “Errante, errática.” Una poética de literatura menor: La narrativa de Diamela Eltit. Ed. Lértora, Juan Carlos. Santiago, Chile: Cuarto Propio, 1993. 1726.Google Scholar
Eltit, Diamela. E. Luminata. Trans. Chris, Ronald. Santa Fe, NM: Lumen, 1997.CrossRefGoogle Scholar
Eltit, Diamela. Jamás el fuego nunca. Santiago, Chile: Planeta, 2007.Google Scholar
Eltit, Diamela. Lumpérica. 3rd ed. Santiago: Seix Barral, 1998.Google Scholar
Eltit, Diamela. “Sociedad Anónima.” Emergencias: Escritos sobre literatura, arte y política. Ed. Morales, Leónidas. Santiago, Chile: Planeta/Ariel, 2000. 2840.Google Scholar
Esquivel, Laura. Como agua para chocolate: Novela de entrega mensuales con recetas, amores y remedios caseros. México: Planeta, 2004.Google Scholar
Ferré, Rosario. “La autenticidad de la mujer en el arte.” Sitio a Eros. 2nd ed. México: Joaquín Mortiz, 1986. 3439.Google Scholar
Franco, Jean. Foreword. The Youngest Doll. By Rosario Ferré. Trans. Jean Franco. Lincoln and London: U Nebraska P, 1991. viiixiv.Google Scholar
Hutcheon, Linda. Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988.Google Scholar
Hutcheon, Linda. A Theory of Parody. New York: Methuen, 1985.Google Scholar
Ibsen, Kristine. “On Recipes, Reading, and Revolution: Post-Boom, Parody in Como agua para chocolate.” Hispanic Review 63 (1995): 133145.CrossRefGoogle Scholar
Irigaray, Luce. This Sex Which Is Not One. Trans. Catherine Porter with Carolyn Burke. Ithaca, NY: Cornell UP, 1985.Google Scholar
Kaminsky, Amy. Reading the Body Politics: Feminist Criticism and Latin American Women Writers. Minneapolis: U of Minnesota P, 1992.Google Scholar
Kaplan, E. Ann. “Is the Gaze Male?Powers of Desire: The Politics of Sexuality. Eds. Snitow, Ann, Stancell, Christine and Thompson, Sharon. New York: Monthly Review P, 1983. 309–27.Google Scholar
Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Trans. Gora, Thomas, Jarden, Alice, and Roudiez, Leon S.. New York: Columbia UP, 1980.Google Scholar
Laub, Dori. “Bearing Witness or the Vicissitudes of Listening.” Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. Eds. Felman, Shoshana and Dori Laub, M. D. New York; London: Routledge, 1992. 5774.Google Scholar
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Visual and Other Pleasures. Bloomington: Indiana UP, 1989. 1428.CrossRefGoogle Scholar
Nicholson, Brantley and McClennen, Sophia, eds. The Generation of ’72: Latin America’s Forced Global Citizens. Raleigh, NC: A Contracorriente, 2013. 1127.Google Scholar
Pastén, B. and Agustín, J.. “Essayistic Discourse as Literary Autobiography and Feminist Criticism in Rosario Ferré’s Sitio a Eros and El coloquio de las perras.” Hispanófila 132 (May 2001): 103123.Google Scholar
Peri Rossi, Cristina. La nave de los locos. Barcelona: Seix Barral, 1984.Google Scholar
Shaw, Donald. Antonio Skármeta and the Post-Boom. Hanover, NH: Ediciones del Norte, 1994.Google Scholar
Shaw, Donald. The Post-Boom in Spanish American Fiction. New York: SUNY P, 1998.Google Scholar
Somers, Armonía. La mujer desnuda. No. 69. Montevideo: Emecé, 1967. Private and numerated edition.Google Scholar
Sorensen, Diana. “La hermandad ansiosa.” El salto de Minerva: Intelectuales, género y Estado en América Latina. Eds. Moraña, Mabel and Olivera-Williams, María Rosa. Madrid: Iberoamericana-Vervuert, 2005. 227249.CrossRefGoogle Scholar
Swanson, Phillip, ed. Landmarks in Modern Latin American Fiction. London and New York: Routledge, 1990.Google Scholar
Swanson, Phillip. Latin American Fiction: A Short Introduction. Malden, MA: Blackwell, 2005.CrossRefGoogle Scholar
Traba, Marta. “Hipótesis sobre una escritura diferente.” Lectura crítica de la literatura Americana: Actualidades fundacionales. Ed. Sosnowski, Saúl. Caracas, Venezuela: Biblioteca Ayacucho, 1996. 692697.Google Scholar
Traba, Marta. Conversación al sur. 8th ed. México and Madrid: Siglo Veintiuno Editores, 1999.Google Scholar
Valenzuela, Luisa. Como en la guerra. 2nd ed. La Habana: Casa de las Américas, 2001.Google Scholar

Works Cited

Alemay Bay, Carmen. “Versiones, revisiones y subversiones de la poesía de Rubén Darío en el siglo XX.” Anales de Literatura Hispanoamericana 36 (2007): 137152.Google Scholar
Castellanos, Rosario. Poesía no eres tú: Obra poética 1948–1971. Mexico: Fondo de Cultura Económica, 1972.Google Scholar
César, Ana Cristina. Escritos no Rio. Org. Armando Freitas Filho. São Paulo: Brasiliense e UFRJ, 1993.Google Scholar
Delgado, Juan B. and Álvarez, Victoriano Salado. Nuevas orientaciones de la poesía femenina. Mexico: Imprenta Victoria, 1924.Google Scholar
Ibáñez, Sara de. Hora Ciega. Buenos Aires: Losada, 1943.Google Scholar
Kirkpatrick, Gwen. The Dissonant Legacy of Modernismo. Berkeley: U of California P, 1989.CrossRefGoogle Scholar
Kuhnheim, Jill S. Beyond the Page. Tucson: U of Arizona P, 2014.Google Scholar
Lars, Claudia. Donde llegan los pasos. San Salvador: Ministerio de Cultura, 1953.Google Scholar
Loynaz, Dulce María. “Canto a la mujer estéril.” Revista Bimestre Cubana (July–October 1937): 23.Google Scholar
Loynaz, Dulce María. Poesía completa. La Habana: Editorial Letras Cubanas, 1993.Google Scholar
Magliano, Claudia. “Repetir el acto.” Zona poema. Zona poema, January 26, 2010. Web. August 2, 2014.Google Scholar
Meyer, Claudia. Poemas. Artepoetica.net. Rostros y Versos, Antología de poesía universal. Web. August 2, 2014.Google Scholar
Miranda, Julio, ed. Antología histórica de la poesía venezolana del siglo XX, 1907–1996. Puerto Rico: La Editorial de UPR, 2001.Google Scholar
Mistral, Gabriela. “Berta Singerman y la lengua criolla.” Recados para hoy y mañana. Ed. Saavedra, Luis Vargas. Vol. 2. Santiago: Ediciones Universidad Católica de Chile, 1985. 2226.Google Scholar
Nimmo, Clare. “The Poet and the Thinker: María Zambrano and Feminist Criticism.” Modern Language Review 92 (1997): 893902.CrossRefGoogle Scholar
Obaldía, María Olimpia de. Obra completa. Panama: Club Kiwanis de Panamá, 1975.Google Scholar
Paz, Octavio. Poesía en movimiento: México, 1915–1966. Mexico: Siglo Veintiuno Editores, 1966.Google Scholar
Pérez Tellez, Emma. Poemas de la mujer del preso. La Habana: Talleres tipográficos Crasa y Cia, 1932.Google Scholar
Perloff, Marjorie and Dworkin, Craig, editors. The Sound of Poetry, the Poetry of Sound. Chicago: U of Chicago P, 2009.CrossRefGoogle Scholar
Pizarnik, Alejandra. Obras Completas. Buenos Aires: Corregidor, 1993.Google Scholar
Plá, Josefina and Bordoli, Ramón. Poesía paraguaya. Montevideo: Casa del Estudiante, 1989.Google Scholar
Roquette-Pinto, Cláudia. “Entrevista.” Encontros de Interrogação. Itaú Cultural, 2004. Web. August 2, 2014.Google Scholar
Storni, Alfonsina. Ocre. Buenos Aires: Editorial Babel, 1925.Google Scholar
Unruh, Vicky. Performing Women. Austin: U of Texas P, 2006.Google Scholar
Vicuña, Cecilia. “Cecilia Improvises a Song in Quechua.” PennSound. LINEbreak, September 1995. Web. August 2, 2014.Google Scholar
Walker, Paul. Theories of Fugue from the Age of Josquin to the Age of Bach. Rochester, NY: U of Rochester P, 2000.Google Scholar
Zemborain, Lila. “La persistencia de una voz: Ecos de Mistral en las poetas de hoy.” Transatlantic Steamer: New Approaches to Hispanic and American Contemporary Poetry. Ed. Zapata, Miguel Ángel. Lima: Universidad Nacional Mayor de San Marcos, Centro de Producción Fondo Editorial; Hempstead, NY: Hofstra University, 2008. 93103.Google Scholar

Works Cited

Abel, Jessica. La perdida. New York: Pantheon, 2006.Google Scholar
Boullosa, Carmen. Cielos en la tierra. Mexico: Alfaguara, 1997.Google Scholar
Boullosa, Carmen. La novela perfecta. Mexico: Alfaguara, 2006.Google Scholar
Boullosa, Carmen. Texas. Mexico: Alfaguara, 2013.Google Scholar
Calderón de la Barca, Frances. Life in Mexico. 1843. Project Gutenberg.Google Scholar
Castillo, Debra. Re-dreaming America: Toward a Bilingual Understanding of American Literature. Albany: SUNY P, 2004.Google Scholar
Castillo, Debra, and Córdoba, María Socorro Tabuenca. Border Women: Writing from La Frontera. Minneapolis: U of Minnesota P, 2002.Google Scholar
Franco, Jean. The Decline and Fall of the Lettered City. Cambridge, MA: Harvard UP, 2002.Google Scholar
Franco, Jean. “Going Public: Reinhabiting the Private.” On Edge: The Crisis of Contemporary Latin American Culture. Eds. Jean Franco, Juan Flores and George Yúdice. Minneapolis: U of Minnesota P, 1992. 6583.Google Scholar
Franco, Jean. Plotting Women: Gender and Representation in Mexico. New York: Columbia UP, 1989.CrossRefGoogle Scholar
Gil, Eve. Sho Shan y la dama oscura. Mexico: Santillana, 2008.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double Consciousness. Cambridge, MA: Harvard UP, 1993.Google Scholar
Gruesz, Kirsten Silva. Ambassadors of Culture: The Transamerican Origins of Latino Writing. Princeton, NJ: Princeton UP, 2002.CrossRefGoogle Scholar
Long, Mary K. and Egan, Linda, editors. Mexico Reading the United States. Nashville, TN: Vanderbilt UP, 2009.Google Scholar
López, Marissa K. Chicano Nations: The Hemispheric Origins of Mexican American Literature. New York: New York UP, 2011.Google Scholar
Luiselli, Valeria. “Against the Temptations of the New Criticism in Mexico.” Trans. Jessica Ernst Powell. Review 86 46.1 (2013): 98102.Google Scholar
Luiselli, Valeria. Los ingrávidos. Mexico: Sexto Piso, 2011.Google Scholar
Melussi, Beatriz. “Carmen Boullosa: ‘Texas representa el future que no fue para México.’” El país February 21, 2013. http://www.elpais.cr/frontend/imprimir/78353Google Scholar
Pego, Cecilia. Exilia: The Invisible Path. Amazon: Kindle edition, 2011.Google Scholar
Pego, Cecilia. “Entrevista: Cecilia Pego.” Historietologo October 31, 2011. http://historietologo.blogspot.com.au/2011/10/entrevista-cecilia-pego.htmlGoogle Scholar
Puga, María Luisa. Inventar ciudades. México, D.F.: Alfaguara. 1998.Google Scholar
Puga, María Luisa. “El lenguaje ocultoItinerario de palabras. Eds. Puga, María Luisa and Mansour, Mónica. Mexico: Folios Ediciones, l987.Google Scholar
Puga, María Luisa. Las posibilidades del odio. Mexico: Siglo veintiuno, l978.Google Scholar
Rivas Mercado, María Antonieta. Obras completas. Mexico: SEP, 1987.Google Scholar
Rivera Garza, Cristina. “Amor es una reflexión, un volver atrás.” Interview with Jorge Luis Herrera. Universo de El buho. 48–50. http://www.reneavilesfabila.com.mx/universodeelbuho/60/herrera60.pdfGoogle Scholar
Rivera Garza, Cristina. Lo anterior. Mexico: Tusquets, 2004.Google Scholar
Saldívar, José David. Trans-Americanity: Subaltern Modernities, Global Coloniality, and the Cultures of Greater Mexico. Durham, NC: Duke UP, 2011.CrossRefGoogle Scholar
Schmidt-Camacho, Alicia. Migrant Imaginaries: Latino Cultural Politics in the U.S.-Mexico Borderlands. New York: New York UP, 2008.Google Scholar
Unruh, Vicky. Performing Women and Modern Literary Culture in Latin America. Austin: U of Texas P, 2006.Google Scholar
Yapur, Victoria. “Del mito al ícono: Antonieta Rivas Mercado.” Páginas mexicanas. January 20, 2012. http://paginasmexicanas.blogspot.com/2012/01/del-mito-al-icono-antonieta-rivas.htmlGoogle Scholar

Works Cited

Allende, Isabel. Paula. Trans. Peden, Margaret Sayers. New York: Harper Perennial, 1996.Google Scholar
Aventín Fontana, Alejandra. “Algunas notas para el estudio del exilio en la obra poética de Cristina Peri Rossi.” http://revistas.ucm.es/index.php/RFRM/article/viewFile/38685/37406Google Scholar
Braidotti, Rossi. Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory. New York: Columbia UP, 1994.Google Scholar
Celedón, María Angélica and Opazo, Luz María, editors. Volver a empezar. Santiago: Pehuén, 1987.Google Scholar
Díaz, Gwendolyn. Women and Power in Argentine Literature. Austin: Texas UP, 2007.Google Scholar
Franco, Jean. “Introduction.” In a State of Memory. Tununa Mercado. Trans. Peter Kahn. Lincoln: U Nebraska P, 2001. xiiixxiv. Print.Google Scholar
Kaminsky, Amy K. After Exile: Writing the Latin American Diaspora. Minneapolis: U of Minnesota P, 1999.Google Scholar
Lagos, María Inés. “Deconstrucción del estereotipo hispánico en narraciones de Julia Álvarez, Cristina García y Esmeralda Santiago.” Studies in Honor of Myron Lichtblau. Ed. Burgos, Fernando. Newark, NJ: Juan de la Cuesta, 2000. 195214.Google Scholar
Lugones, María. “Playfulness, ‘World’-Travelling, and Loving Perception.” Hypatia 2.2 (1987): 319.CrossRefGoogle Scholar
Medina-Sancho, Gloria. A partir del trauma: Narración y memoria en Traba, Peri Rossi y Eltit. Santiago: Cuarto Propio, 2012.Google Scholar
Pérez Firmat, Gustavo. Life on the Hyphen: The Cuban-American Way. Austin: U of Texas P, 1994.Google Scholar
Rebolledo, Loreto. “El exilio como quiebre biográfico.” Mujeres: espejos y fragmentos. Eds. Montecino, Sonia, Castro, René, and Antonio de la Parra, Marco. Santiago: Aconcagua, 2003. 273282.Google Scholar
Rodríguez, Mercedes M. de. “Variaciones del tema del exilio en el mundo alegórico de El museo de los esfuerzos inútiles.” Monographic Review 4 (1988): 6977.Google Scholar
Santiago, Esmeralda. When I Was Puerto Rican. New York: Vintage, 1994.Google Scholar
Tabori, Paul. Anatomy of Exile. London: Harrap, 1972.Google Scholar
Tirado Bramen, Carrie. “Puerto Rican American Literature.” New Immigrant Literatures in the United States. Ed. Knippling, Alpana Sharma. Westport, CT: Greenwood P. 221239.Google Scholar
Trevisan, Graciela. “Estado de exilio: Entrevista con Cristina Peri Rossi.” http://eltecolote.org/content/estado-de-exilio-entrevista-con-cristina-peri-rossi-2/2010/04/21/Google Scholar
Tununa, Mercado. In a State of Memory. Trans. Kahn, Peter. Introduction by Jean Franco. Lincoln: U Nebraska P, 2001.Google Scholar
Vázquez, Ana. “Algunos problemas sicológicos de la situación del exilio.” Casa de las Américas 119 (1980): 137143.Google Scholar

Works Cited

Agosín, Majorie. An Absence of Shadows. Trans. Kostopulos-Cooperman, Celeste, Franzen, Cola, and Berg, Mary G.. Fredonia, NY: White Pine Press, 1998.Google Scholar
Alvarez, Julia. How the García Girls Lost Their Accent. Chapel Hill, NC: Algonquin Books, 1991.Google Scholar
Anzaldúa, Gloria. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute, 1987.Google Scholar
Casal, Lourdes. “Armando.” The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. Eds. Hogeland, Lisa Marie et al. San Francisco: Aunt Lute Press, 2008. 761–762.Google Scholar
Castillo, Ana. Mixquiahuala Letters. 1986. New York: Doubleday. 1992.Google Scholar
Chabram-Dernersesian, Angie. “I Throw Punches for My Race, but I Don’t Want to Be a Man: Writing Us – Chica-nos (Girl, Us)/Chicanas – into the Movement Script.” Cultural Studies. Eds. Grossberg, Lawrence, Nelson, Cary, and Treichler, Paula. New York: Routledge, 1992. 8195.Google Scholar
Cisneros, Sandra. House on Mango Street. Houston: Arte Publico Press, 1984.Google Scholar
Corpi, Lucha. “Marina.” Infinite Divisions: An Anthology of Chicana Literature. Eds. Rebolledo, Tey Diana and Rivero, Eliana S. Tucson: U of Arizona P, 1993. 196–197.Google Scholar
Correa, Viola. “La Nueva Chicana.” http://www.unm.edu/~larranag/chicana.html. August 31, 2014.Google Scholar
De Burgos, Julia. “To Julia de Burgos,” “Canto to Martí,” and “Ay, Ay, Ay of the Kinky-Haired Negress.” Songs of the Simple Truth. Trans. Agüeros, Jack. Willimantic, CT: Curbstone Press, 1996.Google Scholar
Estevez, Sandra María. “A la Mujer Borrinqueña.” The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. Eds. Hogeland, Lisa Marie et al. San Francisco: Aunt Lute Press, 2008. 1037–1038.Google Scholar
Ferré, Rosario. Papeles de Pandora. México D.F.: Editorial Joaquín Mortiz, S.A., 1976.Google Scholar
Ferré, Rosario. “Sleeping Beauty.” Trans. Rosario Ferré and Diana L. Vélez. The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. Eds. Hogeland, Lisa Marie et al. San Francisco: Aunt Lute Press, 2008. 765–782.Google Scholar
Gaspar de Alba, Alicia. “Malinchista: A Myth Revisited.” Infinite Divisions: An Anthology of Chicana Literature. Eds. Rebolledo, Tey Diana and Rivero, Eliana S. Tucson: U of Arizona P, 1993. 212–213.Google Scholar
Gonzales-Berry, Erlinda. Paletitias de guayaba/A Train Called Absence. Trans. Gonzales-Berry and Kay Garca. Infinite Divisions: An Anthology of Chicana Literature. Eds. Rebolledo, Tey Diana and Rivero, Eliana S.. Tucson: U of Arizona P, 1993. 207–212.Google Scholar
González, Isabel. “Step Children of a Nation.” Eds. Nicolás Kanellos et al. Herenecia: The Anthology of Hispanic Literature of the United States. New York: Oxford UP, 2002. 162–170.Google Scholar
Hogeland, Lisa Marie et al., eds. The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. San Francisco: Aunt Lute Press, 2008.Google Scholar
Idar, Jovita. “For Our Race: Preservation of Nationalism” and “We Should Work.” Trans. Tonya E. Wolford and Kanellos, Nicolás et al. Herenecia: The Anthology of Hispanic Literature of the United States. Eds. Kanellos, Nicolás et al. New York: Oxford UP. 142–144.Google Scholar
Kanellos, Nicolás et al., editors. Herenecia: The Anthology of Hispanic Literature of the United States. New York: Oxford UP, 2002.Google Scholar
Lucero White Lea, Aurora. “A Plea for the Spanish Language.” Herenecia: The Anthology of Hispanic Literature of the United States. Eds. Kanellos, Nicolás et al. New York: Oxford UP, 2002. 135–142.Google Scholar
Mignolo, Walter. The Idea of Latin America. Malden MA: Blackwell, 2005.Google Scholar
Mohr, Nicolasa. Nilda. 1974. Houston: Arte Publico P, 2011.Google Scholar
Mohr, Nicolasa. El Bronx Remembered. 1975. 1983.Google Scholar
Moraga, Cherríe. “From a Long Line of Vendidas.” Loving in the War Years. By Moraga, Cherríe. Boston: South End P, 1983.Google Scholar
Moraga, Cherríe, and Anzaldúa, Gloria. This Bridge Called My Back: Writings by Radical Women of Color. New York: Kitchen Table/Women of Color Press, 1983.Google Scholar
Objas, Achy. We Came All the Way from Cuba So You Could Dress Like This? San Francisco: Cleis Press, 1994.Google Scholar
Parker, Patricia. “Metaphor and Catachresis.” The Ends of Rhetoric: History, Theory, Practice. Eds. Bender, John and Wellbery, David E.. Stanford, CA: Stanford UP, 1990. 6076.CrossRefGoogle Scholar
Prida, Dolores. Beautiful Señoritas. The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. Eds. Hogeland, Lisa Marie et al. San Francisco: Aunt Lute Press, 2008. 921–940.Google Scholar
Quintilian, . Institutio oratoria. Trans. Rackham, H.. 4 vols. Cambridge, MA: Harvard UP, 1980.Google Scholar
Rebolledo, Tey Diana and Rivero, Eliana S., editors. Infinite Divisions: An Anthology of Chicana Literature. Tucson: U of Arizona P, 1993.Google Scholar
Ruiz de Burton, María Amparo. Who Would Have Thought It? 1872. New York: Penguin Classics, 2009.Google Scholar
Ruiz de Burton, María Amparo. The Squatter and the Don. 1885. NewYork: Random House, 2004.Google Scholar
Santos-Febres, Mayra. Sirena Selena vestida de pena. Doral, FL: Stockcero, 2008.Google Scholar
Santos-Febres, Mayra. Cualquier miércoles soy tuya. México D.F.: Punto de Lectura, 2010.Google Scholar
Tafolla, Carmen. “La Malinche.” Infinite Divisions: An Anthology of Chicana Literature. Eds. Rebolledo, Tey Diana and Rivero, Eliana S.. Tucson: U of Arizona P, 1993. 198–199.Google Scholar
Tenayuca, Emma and Brooks, Homer. “The Mexican Question in the Southwest.” Herenecia: The Anthology of Hispanic Literature of the United States. Eds. Kanellos, Nicolás et al. New York: Oxford UP, 2002. 156–162.Google Scholar
Umpierre, Luz María. “In Response.” The Aunt Lute Anthology of U.S. Women Writers. Vol. 2. The 20th Century. Eds. Hogeland, Lisa Marie et al. San Francisco: Aunt Lute Press, 2008.1036–1037.Google Scholar
Vidamontes, Helena Maria. The Moths and Other Stories. Houston: Arte Publico Press, 1985.Google Scholar
Villegas de Magnón, Leonor. The Rebel. Houston: Arte Publico Press, 1994.Google Scholar

Works Cited

Alemán, Gabriela. Álbum de familia. Bogotá: Panamericana Editorial, 2011.Google Scholar
Ángel, Albalucía. Estaba la pájara pinta sentada en el verde limón. Bogotá: Instituto colombiano de cultura, 1975.Google Scholar
Ángel, Albalucía. Las andariegas. Barcelona: Argos Vergara, 1984.Google Scholar
Ángel, Albalucía. Misiá señora. Barcelona: Argos Vergara, 1982.Google Scholar
Arguedas, José María. Deep Waters. Trans. Barraclough, Francis Horning. Long Grove, IL: Waveland Press, 2000.Google Scholar
Ayllón, Virginia, and Olivares, C.. “Las suicidas: Lindaura Anzoátegui de Campero, Adela Zamudio, María Virginia Estenssoro, Hilda Mundy.” Hacia una historia critica de la literatura en Bolivia. Eds. Paz Soldán, A. M. et al. La Paz: Fundación PIEB, 2002.Google Scholar
Barrios de Chungara, Domitilia, with Moema Viezzer. Let Me Speak: Testimony of Domitilia, a Woman of the Bolivian Mines. New York: Monthly Review Press, 1978.Google Scholar
Bedregal, Yolanda. Obra completa. 5 vols. La Paz: Plural Editores, 2009.Google Scholar
Benner, Susan E., and Leonard, Kathy S., editors. Fire from the Andes: Short Fiction by Women from Bolivia, Ecuador and Peru. Albuquerque: New Mexico UP, 1998.Google Scholar
Bergmann, Emilie, Greensberg, J., Kirkpatrick, G., et al. Women, Culture, and Politics in Latin America. Berkeley: U of California P, 1990.Google Scholar
Bryce Echenique, Alfredo. A World for Julius. Trans. Gerdes, Dick. Madison: U of Wisconsin P, 2004.Google Scholar
Buitrago, Fanny. Mrs Honeycomb. Trans. Peden, Margaret Sallers. New York: HarperCollins, 1996.Google Scholar
Cajías, Dora. Adela Zamudio transgresora de su tiempo. La Paz: Ministerio de Desarrollo Humano, 1996.Google Scholar
Cornejo Polar, Antonio. Sobre literatura y crítica latinoamericanas. Caracas: Ediciones de la facultad de Humanidades y Educación, Universidad Central de Venezuela, 1982.Google Scholar
Cornejo Polar, Antonio. “Mestizaje e hibridez: Los riesgos de las metáforas: Apuntes.” Revista de Crítica Literaria Latinoamericana 47.1 (1998): 711.CrossRefGoogle Scholar
Delgado, Washington. Historia de la literatura republicana. 2nd ed. Lima: Rikchay, 1984.Google Scholar
Donoso Pareja, Miguel. Antología de narradoras ecuatorianas. Quito: Libresa, 1997.Google Scholar
Dore, Elizabeth, and Molyneux, M., eds. Hidden Histories of Gender and the State in Latin America. Durham, NC: Duke UP, 2000.Google Scholar
Escajadillo, Tomás. Mariátegui y la literatura peruana. Lima: Mantaro, 2004.Google Scholar
Estenssoro, María Virginia. El occiso: Obras completas. 1937. Tomo I. La Paz: Los Amigos del Libro, 1971.Google Scholar
Estenssoro, María Virginia. Memorias de la Villa Rosa: Obras completas. Tomo III. La Paz: Los Amigos del Libro, 1976.Google Scholar
Flores, Angel, and Flores, K., eds. The Defiant Muse: Hispanic Feminist Poems from the Middle Ages: A Bilingual Anthology. New York: Feminist Press, 1986.Google Scholar
Guamán Poma de Ayala, Felipe. The First New Chronicle and Good Government. Trans. Hamilton, Roland. Austin: U of Texas P, 2009.Google Scholar
Guardia, Sara Beatriz, ed. Viajeras entre dos mundos. Dourados: Universidade Federal da Grande Dourados, 2012.Google Scholar
Handelsmen, Michael H. Amazonas y artistas: Un estudio de la prosa de la mujer ecuatoriana. Quito: Colección Letras del Ecuador, 1978.Google Scholar
Higgins, James. A History of Peruvian Literature. Liverpool: Francis Cairns, 1987.Google Scholar
Lauer, Mirko. El sitio de la literatura: Escritores y política en el Perú del s. XX. Lima: Mosca Azul Editores, 1989.Google Scholar
Mariátegui, José Carlos. Seven Interpretative Essays on Peruvian Reality. Austin: U of Texas P, 1971.Google Scholar
Martin, Claire Emilie, and Goswitz, M. N., eds. Retomando la palabra: Las pioneras del XIX en diálogo con la crítica contemporánea. Frankfurt: Iberoamericana-Vervuert, 2012.CrossRefGoogle Scholar
Matto de Turner, Clorinda. Birds without a Nest. Trans. J. G. Hudson. Ed. Lindstrom, Naomi. Austin: U of Texas P, 1996.CrossRefGoogle Scholar
Mitre, Eduardo. Pasos y voces. La Paz: Plural, 2010.Google Scholar
Monsiváis, Carlos. Aires de familia. Barcelona: Anagrama, 2000.Google Scholar
Mundy, Hilda. Pirotecnia. 1936. La Paz: Ediciones La Mariposa Mundial, 2004.Google Scholar
Ollé, Carmen. “Alrededor de la poesía femenina peruana.” La Primera. Lima: 20 February 2006.Google Scholar
Ollé, Carmen. Halcones en el parque. Lima: San Marcos, 2011.Google Scholar
Ollé, Carmen. Las dos caras del deseo. Lima: Peisa, 1994.Google Scholar
Ollé, Carmen. Noches de adrenalina. Lima: Cuadernos del Hipocampo, 1981.Google Scholar
Ollé, Carmen. Pista falsa. Barranco, Perú: Ediciones El Santo Oficio, 1999.Google Scholar
Ollé, Carmen. ¿Por qué hacen tanto ruido? Lima: Flora Tristán, 1992.Google Scholar
Ollé, Carmen. Todo orgullo humea la noche. Lima: Lluvia Editores, 1988.Google Scholar
Ollé, Carmen. Retrato de una mujer sin familia ante una copa. Lima: Peisa, 2007.Google Scholar
Ollé, Carmen. Una muchacha bajo su paraguas. Barranco, Perú: El Santo Oficio, 2002.Google Scholar
Orihuela, Juan Carlos. “La peregrinación vigilante: Tendencias de la narrativa boliviana de la segunda mitad del siglo XX.” Hacia una historia critica de la literatura en Bolivia. La Paz: Fundación PIEB, 2002, 200225.Google Scholar
Paz Soldán, Edmundo. “Hilda Mundy, la vanguardista.” El Bommeran: Blog de Edmundo Paz Soldán. April, 2013. Web.Google Scholar
Prada, Ana R., Ayllón, Virginia, and Contreras, P., eds. Diálogos sobre escritura y mujeres: Memoria. La Paz: Sierpe, 1999.Google Scholar
Prada, Ana R., and Ayllón, Virginia. La otra mirada (antología). La Paz: Santillana, 1999.Google Scholar
Prada, Ana R. Salto de eje: Escritos sobre mujeres y literatura. La Paz: IEB/Carrera de Literatura/Sierpe Publicaciones, 2011.Google Scholar
Prada, Ana R.Nuestra Caníbal.” Hueso húmero 44. Lima, 2004. Web.Google Scholar
Quijano, Aníbal. “El ´movimiento indígena y las cuestiones pendientes en América Latina.” Review (Fernand Braudel Center) 29.2, From Postcolonial Studies to Decolonial Studies: Decolonizing Postcolonial Studies, 2006.Google Scholar
Riesco, Laura. Ximena at Crossroads. Trans. Berg, Mary G.. Buffalo, NY: White Pine Press, 1998.Google Scholar
Rivero, Giovanna. Sangre dulce/Sweet Blood. Trans. Leonard, Kathy. Santa Cruz de la Sierra, Bolivia: La Hoguera, 2006.Google Scholar
Sánchez, Luis Alberto. Introducción crítica a la literatura peruana. Lima: Villanueva, 1972.Google Scholar
Tristán, Flora. Peregrinations of a Pariah. Trans. Jean Hawkes. Ed. Hawkes, Jean. London: Virago Press, 1985.Google Scholar
Unruh, Vicky. “Las rearticulaciones inesperadas de las intelectuales de Amauta: Magda Portal y María Weisse.” Narrativa Femenina en América Latina: Prácticas y Perspectivas Teóricas. Ed. Castro-Klarén, Sara. Frankfurt: Iberoamerica/Vervuert, 2003.Google Scholar
Varela, Blanca. Valses y otras falsas confesiones. Lima: INC, 1972.Google Scholar
Velásquez, Mónica, ed. Antología de la poesía boliviana: Ordenar la danza. Santiago de Chile: LOM, 2004.Google Scholar
Veintemilla, Marietta. Páginas de Ecuador. Lima: Imprenta liberal de F. Masías, 1890.Google Scholar
Velásquez, Mónica. Hija de Meda. La Paz: Plural, 2008.Google Scholar
Vilanova, Núria. Social Change and Literature in Peru 1970–1990. Lewiston, NY: Edwin Mellen Press, 1999.Google Scholar
Vilanova, Núria. “Miradas infantiles en la narrativa del Perú.” Studies in Latin American Literature and Culture in Honour of James Higgins. Eds. Hall, Stephen and Rowe, William. Bulletin of Hispanic Studies Special Issue. Liverpool. April, 2005, 228–237.Google Scholar
Wiethüchter, Blanca, Soldán, Alba María Paz, Ortiz, Rodolfo, and Rocha, Omar, editors. Hacia una historia crítica de la literatura en Bolivia. La Paz: Fundación PIEB, 2002.Google Scholar
Williams, Raymond L.An Interview with Women Writers in Colombia.” Latin American Women Writers: Yesterday and Today. Eds. Miller, Yvette E. and Tatum, Charles M.. Latin America Literary Review, 1977.Google Scholar
Yáñez Cossío, Alicia. Bruna and Her Sisters in the Sleeping City. Trans. Wishnia, Kenneth J. A.. Evanston, IL: Northwestern UP, 1999.Google Scholar

Works Cited

Bennett, Louise. “Jamaica Oman.” The Routledge Reader in Caribbean Literature. Eds. Donnell, Alison and Welsh, Sarah Lawson. Oxford: Routledge, 1996. 145.Google Scholar
Brand, Dionne. “Elizete, Beckoned: From In Another Place, Not Here.” Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles. Ed. Glave, Thomas. Durham, NC: Duke UP, 2008. 7077.Google Scholar
Brathwaite, Edward Kamau. 1979/1981. “History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry.” Roots. Ann Arbor: U of Michigan P, 1993. 259304.Google Scholar
Brown-Guillory, Elizabeth. “Introduction: On Their Way to Becoming Whole.” Middle Passages and the Healing Place of History: Migration and Identity in Black Women’s Literature. Ed. Brown-Guillory, Elizabeth. Columbus: Ohio State UP, 2006. 114.Google Scholar
Carbet, Marie-Magdalene. “Letter to an Unknown Girlfriend.” Through a Black Veil: Readings in French Caribbean Poetry. Trans. and ed. Hurley, E. Anthony. Trenton, NJ: Africa World P, 2000, 6465.Google Scholar
Césaire, Ina. 1992. Fire’s Daughters. New French Language Plays. Trans. Miller, Judith G.. New York: Ubu Repertory Theatre, 1993. 153.Google Scholar
Césaire, Michèle. 1992. The Ship. New French Language Plays. Trans. Miller, Richard. New York: Ubu Repertory Theatre, 1993. 55107.Google Scholar
Chauvet, Marie Vieux. 1968. “Love.Love, Anger, Madness: A Haitian Trilogy. Trans. Myriam Réjouis, Rose and Vinokur, Val. New York: Modern P, 2009. 1156.Google Scholar
Cliff, Michelle. 1984. Abeng. New York: Plume-Penguin. 1995.Google Scholar
Condé, Maryse. Land of Many Colors and Nanna-ya. Trans. Ball, Nicole. Lincoln: U of Nebraska P, 1999.Google Scholar
Condé, Maryse. Windward Heights. Trans. Philcox, Richard. New York: Soho P, 1998.Google Scholar
Danticat, Edwidge. “Another Country.” Create Dangerously: The Immigrant Artist at Work. Princeton, NJ: Princeton UP, 2010. 107115.Google Scholar
Davies, Carole Boyce. “Introduction: Migratory Subjectivities.” Black Women, Writing and Identity: Migrations of the Subject. London: Routledge, 1994. 127.Google Scholar
Depestre, René. 1955. “An Interview with Aimé Césaire.” Discourse on Colonialism. Trans. Pinkham, Joan. New York: Monthly Review P, 1972. 7994.Google Scholar
Fanon, Frantz. 1952. Black Skin, White Masks. Trans. Philcox, Richard. New York: Grove P, 2008.Google Scholar
Fanon, Frantz. 1961. The Wretched of the Earth. Trans. Farrington, Constance. London: Penguin, 2001.Google Scholar
Ford-Smith, Honor. My Mother’s Last Dance. Toronto: Sister Vision P, 1996.Google Scholar
Ford-Smith, Honor. “Introduction.” Lionheart Gal: Life Stories of Jamaican Women. Jamaica: University of the West Indies P, 2005. xiiixxi.CrossRefGoogle Scholar
Glissant, Édouard. Caribbean Discourse: Selected Essays. Trans. Dash, J. Michael. Charlottesville: University of Virginia P, 1989.Google Scholar
Kincaid, Jamaica. A Small Place. New York: Plume, 1989.Google Scholar
Lorde, Audre. Zami: A New Spelling of My Name. Berkeley, CA: Crossing P, 1988.Google Scholar
MaComère: The Journal of the Association of Caribbean Women Writers and Scholars. July 18, 2014. <http://www.macomerejournal.com/about.html>..>Google Scholar
Marson, Una. “To Wed or Not to Wed.” Tropic Reveries. Mandeville: 1930. 81.Google Scholar
Mootoo, Shani. “Out on Main Street.” Extract in Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles. Ed. Glave, Thomas. Durham, NC: Duke UP, 2008. 252260.Google Scholar
Nichols, Grace. “With Apologies to Hamlet.” I Have Crossed an Ocean: Selected Poems. London: Bloodaxe Books, 2010. 77.Google Scholar
Philip, Marlene Nourbese. “The Absence of Writing or How I Almost Became a Spy.” A Genealogy of Resistance and Other Essays. Toronto: Mercury P, 1997. 4156.Google Scholar
Philip, Marlene Nourbese. “Oliver Twist.” Penguin Book of Caribbean Verse in English. Ed. Burnett, Paula. London: Penguin, 1986. 333334.Google Scholar
Powell, Patricia. Pagoda. New York: Alfred Knopf, 1998.Google Scholar
Rhys, Jean. “Wide Sargasso Sea.” The Complete Novels. New York: Norton P, 1985. 463574.Google Scholar
Schwarz-Bart, Simone. The Bridge of Beyond. Trans. Bray, Barbara. London: Heinemann, 1982.Google Scholar
Sharpe, Jenny. Ghosts of Slavery: A Literary Archaeology of Black Women’s Lives. Minneapolis: U of Minnesota P, 2002.Google Scholar
Tiffin, Helen. “Post-Colonial Literatures and Counter-Discourse.” Extract in The Post-Colonial Studies Reader. Eds. Ashcroft, Bill et al. London: Routledge, 1995. 9598.Google Scholar
Tinsley, Omise’eke Natasha. Thiefing Sugar: Eroticism between Women in Caribbean Literature. Durham: Duke UP, 2010.Google Scholar
Wynter, Sylvia. 1990. “Beyond Miranda’s Meanings: Un/silencing the ‘Demonic Ground’ of Caliban’s Woman. ’” Extr. in The Routledge Reader in Caribbean Literature. Eds. Donnell, Alison and Welsh, Sarah Lawson. London: Routledge, 1996. 476482.Google Scholar

Works Cited

Agosín, Marjorie. These Are Not Sweet Girls: Poetry by Latin American Women. Buffalo, NY: White Pine Press, 1994.Google Scholar
Anglesey, Zoé, editor. Ixok Amar. Go: Central American Women’s Poetry for Peace. Penobscot, ME: Granite Press, 1987.Google Scholar
Aparicio, Yvette. Post-Conflict Central American Literature: Searching for Home and Longing to Belong. Plymouth, UK: Bucknell UP with Rowman Littlefield, 2014.Google Scholar
Araya Solano, Seidy. Seis narradoras de Centroamérica. Heredia, Costa Rica: Editorial Universidad Nacional, 2003.Google Scholar
Arias, Arturo. Gestos ceremoniales: Narrativa centroamericana 1960–1990. Guatemala: Artemis-Edinter, 1998.Google Scholar
Arias, Arturo. The Rigoberta Menchú Controversy. Minneapolis and London: U of Minnesota P, 2001.Google Scholar
Barbas-Rhoden, Laura. Writing Women in Central America: Gender and the Fictionalization of History. Athens: Ohio UP, 2003.Google Scholar
Beverley, John. Literature and Politics in the Central American Revolutions. Austin: U of Texas P, 1990.Google Scholar
Caso, Nicole. Practicing Memory in Central American Literature. New York: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Chacón, Albino, ed. Diccionario de la literatura centroamericana. San José, Costa Rica: Editorial Costa Rica, 2007.Google Scholar
Colom, Yolanda. Mujeres en la Alborada: Guerrilla y participación femenina en Guatemala 1973–1978. Guatemala: Artemis-Edinter, 1998.Google Scholar
Cortez, Beatriz. Estética del cinismo: Pasión y desencanto en la literatura centroamericana de posguerra. Guatemala: FG Editores, 2010.Google Scholar
Escobar Sarti, Carolina. Te devuelvo las llaves. Guatemala: F&G Editores, 2010.Google Scholar
Gold, Janet N. Volver a imaginarlas: Retratos de escritoras centroamericanas. Tegucigalpa, Honduras: Editorial Guaymuras, 1998.Google Scholar
Gugelberger, George M., ed. The Real Thing: Testimonial Discourse and Latin America. Durham, NC, and London: Duke UP, 1996.Google Scholar
Hernández, Liduvina. Mujeres contra la muerte. Tegucigalpa: Editorial Guaymuras, 1993.Google Scholar
Meneses, Vidaluz. Flame in the Air: Bilingual Poetry Edition. Ed. M. Roof. Trans. M. Roof. Brimfield, MA: Casasola Editores, 2013.Google Scholar
Meneses, Vidaluz. La lucha es el más alto de los cantos. Managua: Anamá, 2006.Google Scholar
Meza Márquez, Consuelo. Narradoras centroamericanas contemporáneas: Identidad y crítica socioliteraria feminista. Aguascalientes: Universidad de Aguascalientes, 2007.Google Scholar
Meza Márquez, Consuelo. “Panorama de la narrativa de mujeres centroamericanas.” Istmo: Revista virtual de estudios literarios y culturales centroamericanos. Denison. 2002. Retrieved July 26, 2014, from http://istmo.denison.edu/n04/proyectos/panorama.html.Google Scholar
Mosby, Dorothy E. Place, Language, and Identity in Afro–Costa Rican Literature. Columbia: U of Columbia P, 2003.Google Scholar
Padilla, Yadira M. Changing Women, Changing Nation: Female Agency, Nationhood, and Identity in Trans-Salvadoran Narratives. Albany: State University of New York P, 2012.CrossRefGoogle Scholar
Pardi, P. Reflections about Claudia Lars. E-mail. July 22, 2014.Google Scholar
Preble-Niemi, Oralia, ed. Afrodita en el trópico: Erotismo y construcción del sujeto femenino en obras de autoras centroamericanas. Potomac, MD: Scripta Humanistica, 1999.Google Scholar
Quesada Soto, Álvaro. Breve historia de la literatura costarricense. San José: Editorial Costa Rica, 2010.Google Scholar
Rodríguez, Ana Patricia. Dividing the Isthmus: Central American Transnational Histories, Literatures and Cultures. Austin: U of Texas P, 2009.Google Scholar
Rodríguez, Ileana. Women, Guerrillas, and Love: Understanding War in Central America. Trans. Carr, Robert with the author. Minneapolis and London: U of Minnesota P, 1996.Google Scholar
Shea, Maureen. “Del Apogeo al Desaliento: La Audacia de la Escritora frente a su Comunidad Centroamericana entre 1880 y 1950.” Hacia una Historia de las Literaturas Centroamericanas: Tensiones de la modernidad: Del modernismo al realismo. Vol. 2. Eds. Valeria Grinberg Pla and Ricardo Roque-Baldovinos. Guatemala, Guatemala: F&G Editores, 2009. 283313.Google Scholar
Tapscott, Stephen. Twentieth-Century Latin American Poetry: A Bilingual Anthology. Austin: U of Texas P, 1996.Google Scholar
Ticas, S.Creación y destrucción: representaciones fragmentadas del sujeto y la memoria en la obra artística y literaria de Martivón Galindo.” Latin American Studies Association. Chicago: LASA, 2014.Google Scholar
Umaña, Helen. Estudios de Literatura Hondureña. Tegucigalpa, Honduras: Editorial Guaymuras, 2000.Google Scholar
Umaña, Helen. Panorama crítico del cuento hondureño (1881–1999). Tegucigalpa: Editorial Iberoamericana, 1999.Google Scholar
Vargas, Vania, ed. Ni hermosa ni maldita: Narrativa guatemalteca actual. Guatemala: Editorial Santillana, 2012.Google Scholar
Villacorta, C., and Luis, Jorge. María Josefa García Granados: Su vida, su obra, su correspondencia, sus papeles, en la leyenda, en el teatro. Guatemala: Editorial José de Pineda Ibarra, 1971.Google Scholar
Zardetto, Carol. Arte y posguerra en Guatemala. Retrieved August 19, 2014, from Gimnasia: Ejercicios contemporáneos. http://revistagimnasia.com/entradas/2014/7/9/arte-y-posguerra-en-guatemala. July 10, 2014.Google Scholar
Zardetto, Carol. “Estrella Polar.” Cuentos Guatemaltecos. Madrid: Editorial Popular, 2014, 49–63.Google Scholar
Zimmerman, Marc. Literatura y testimonio en Centroamérica: Posiciones postinsurgentes. Houston and Guatemala: La Casa and Universidad Rafael Landívar, 2006.Google Scholar

Works Cited

Arce, Luz. The Inferno: A Story of Terror and Survival in Chile. Trans. Skar, Stacey Alba. Madison: U of Wisconsin P, 2004.Google Scholar
Arguedas, José Maria. “El Viejo Horno.” Amor Mundo y todos los cuentos. Perua: J. Alvarez, l967.Google Scholar
Bolaño, Roberto. “La parte de los crimenes.” 2666. Barcelona: Anagrama, 2004. 442792.Google Scholar
Brownmiller, Susan. Against Our Will: Men, Women and Rape. New York: Simon & Schuster, 1975.Google Scholar
Burgos Debray, Elizabeth. I Rigoberta Menchú: An Indian Woman in Guatemala. Trans. Wright, Ann. London: Verso, 1983.Google Scholar
Castellanos, Rosario. Cartas a Ricardo. México: Consejo Nacional para la cultura y las artes, l994. 36.Google Scholar
de la Cruz, Sister Juana Ines. The Answer/La Respuesta, New York: Feminist Press of CUNY, 1994.Google Scholar
Echeverría, Esteban. La Cautiva. Buenos Aires: Emece, 1966.Google Scholar
Eltit, Diamela. Fuerzas especiales. Santiago: Planeta, 2013.Google Scholar
Eltit, Diamela. Impuesto a la carne. Barcelona: Seix Barral, 2010.Google Scholar
Franco, Jean. “La Malinche: From Gift to Sexual Contract.” Critical Passions: Selected Essays. eds. Pratt, Mary Louise and Newman, Kathleen. Durham: Duke UP, 1999.Google Scholar
Franco, Jean. “Raping the Dead.” Cruel Modernity. Durham, NC: Duke UP, 2013. 7792.CrossRefGoogle Scholar
Fregoso, Rosa-Linda, and Bejarano, Cynthia, editors. “Introduction.” Terrorizing Women: Feminicide in the Americas. Durham, NC: Duke UP, 2010.Google Scholar
Russell, Diane. Sexual Exploitation. Thousand Oaks, CA: Sage, l984.Google Scholar
Sada, Daniel. Casi Nunca. Barcelona: Anagrama 2008.Google Scholar
Segato, Rita Laura. “Territory, Sovereignty and Crimes of the Second State: The Writing on the Body of Murdered Women.” Terrorizing Women: Feminicide in the Americas. Eds. Fregoso, Rosa-Linda and Bejarano, Cynthia. Durham, NC: Duke UP, 2010. 7092.Google Scholar
Theidon, Kimberly. Entre prójimos: El conflicto armado interno y la política de la reconciliación en el Perú. Lima: Instituto de Estudios Peruanos, 2004.Google Scholar

Works Cited

Chávez, Rosa. Casa Solitaria. Guatemala: Oscar de León Palacios, 2005.Google Scholar
Chávez, Rosa. Piedra/Abaj. Guatemala: Editorial Cultura, 2009.Google Scholar
Chávez, Rosa. Los dos corazones de Elena Kamé. La Plata, AR: U Nacional de la Plata, 2009.Google Scholar
Chávez, Rosa. El corazón de la piedra. Caracas: Monte Ávila, 2010.Google Scholar
Chávez, Rosa. Quitapenas. Guatemala: Catafixia, 2010.Google Scholar
Colop, Sam, editor and translator. Popol Wuj: Versión poética K’iche’. Guatemala: Proyecto de Educación Maya Bilingüe Intercultural, Editorial Cholsamaj, 1999.Google Scholar
Cú Choc, Maya. “Poemaya.” Novísimos. Flores, Marco Antonio, ed. Guatemala: Editorial Cultura, 1996. 69102.Google Scholar
Cú Choc, Maya. La Rueda. Guatemala: Editorial Cultura, 2001.Google Scholar
Cú Choc, Maya. Recorrido. Poemas. Editorial Saquil Tzij, 2005.Google Scholar
Del Valle Escalante, Emilio, editor. Uk’u’x kaj, uk’u’x ulew: Antología de poesía maya guatemalteca contemporánea. Pittsburgh: U of P IILI, 2010.Google Scholar
Del Valle Escalante, Emilio, editor. “Contemporary Maya Poetry and the Question of Modernity: Xib’alb’a as an Allegory of Globalization.” Casa de las Américas 271 (April–June 2013): 3447.Google Scholar
England, Nora. “Maya Linguists, Linguistics, and the Politics of Identity.” Texas Linguistic Forum 45: 3345. Proceedings of the Tenth Annual Symposium about Language and Society, Austin, April 12–14, 2002.Google Scholar
Fischer, Edward F. and McKenna Brown, R., eds. Maya Cultural Activism in Guatemala. Austin: U of Texas P, 1996.CrossRefGoogle Scholar
Gabriel Xiquín, Calixta. Hueso de la tierra. Guatemala: Libros San Christobal, 1996.Google Scholar
Gabriel Xiquín, Calixta. Tejiendo los sucesos en el tiempo/Weaving Events in Time. Trans. Rascón, Susan G. and Strugalla, Suzanne M.. Rancho Palos Verdes: Yax Te’ Foundation, 2002.Google Scholar
López Ixcoy, Candelaria Dominga. Ri Ukemiik ri Tz’ib’anik pa K’ichee’ ch’ab’al/Manual de redaccion k’ichee’. Guatemala: Cholsamaj, 1994.Google Scholar
Martínez Salazar, Egla. Global Coloniality of Power in Guatemala: Racism, Genocide, Citizenship. Lanham, MD: Lexington Books, 2012.Google Scholar
Palacios, Rita M. Indigenousness and the Reconstruction of the Other in Guatemalan Indigenous Literature. Dissertation. University of Toronto, 2010. Palacios_Rita_M_200911_PhD_thesis.pdf. April 14, 2014.Google Scholar
Quijano, Aníbal. “Coloniality and Modernity/Rationality.” Cultural Studies 21.2–3 (March/May 2007): 168178.CrossRefGoogle Scholar
Sittig, Anne. “Contemporary Mayan Women Speak of Peace, Resistance and Citizenship.” Feministas Unidas 24.2 (2004): 3438.Google Scholar
Yashar, Deborah J. Contesting Citizenship in Latin America: The Rise of Indigenous Movements and the Postliberal Challenge. New York: Cambridge UP, 2005.CrossRefGoogle Scholar

Works Cited

Aguilar, Gonzalo. “Rodolfo Walsh, más allá de la literatura.” Punto de Vista: Revista de cultura 67 (2000): 1014.Google Scholar
Arce, Luz. El Infierno. Santiago, Chile: Editorial Planeta, 1993.Google Scholar
Arfuch, Leonor. Memoria y autobiografía: Exploraciones en los límites. Buenos Aires: Fondo de Cultura Económica, 2013.Google Scholar
Arias, Arturo, editor. The Rigoberta Menchú Controversy. Minneapolis: U of Minnesota P, 2001.Google Scholar
Becker Eguiluz, Nubia. Una mujer en Villa Grimaldi. Santiago: Pehuén editores, 2011 (first published as Memorias de una mirista. Montevideo: Ediciones del Taller, 1980).Google Scholar
Becker Eguiluz, Nubia. (1987), Recuerdos de una Mirista, Ediciones del Taller. Santiago de Chile: Publicado nuevamente bajo el nombre Una mujer en villa Grimaldi, Peuen Editores, 2011.Google Scholar
Beverley, John. “The Margin and the Center: On Testimonio.” The Real Thing. Ed. Gulberger, George M., Durham, NC: Duke UP, 1996. 2341.Google Scholar
Beverley, John. Testimonio: On the Politics of Truth. Minneapolis, London: U of Minnesota P, 2004.Google Scholar
Beverley, John, and Zimmerman, Marc. Literature and Politics in the Central American Revolutions. Austin: U of Texas P, 1990.Google Scholar
Boccanera, Jorge, editor. Redes de la memoria: Escritoras ex detenidas/testimonio y ficción. Buenos Aires: Desde la gente, 2000.Google Scholar
Castro-Klarén, Sara, Molloy, Silvia, and Sarlo, Beatriz. Women’s Writing in Latin America: An Anthology. Boulder, CO: Westview Press, 1991.Google Scholar
Eloy Martínez, Tomás. Lugar común la muerte. Buenos Aires: Planeta, 2009.Google Scholar
Eltit, Diamela. Emergencias: Escritos sobre literatura, arte y política. Santiago, Chile: Planeta/Ariel, 2000.Google Scholar
Felman, Shoshana and Laub, Dori. Testimony: Crises of Witnessing in Literature, Psychoanalysis, and History. New York and London: Routledge, 1992.Google Scholar
Ferman, Claudia. “Textual Truth, Historical Truth, and Media Truth: Everybody Speaks about the Menchús.” The Rigoberta Menchú Controversy. Ed. Arias, Arturo. Minneapolis: U of Minnesota P, 2001. 156170.Google Scholar
Gugelberger, George M.Introduction: Institutionalization of Transgression, Testimonial Discourse and Beyond.” The Real Thing. Ed. Gugelberger, George M.. Durham, NC: Duke UP, 1996. 122.Google Scholar
Gugelberger, George M., editor. The Real Thing: Testimonial Discourse and Latin America, Durham, NC: Duke UP, 1996.Google Scholar
Gugelberger, George M., and Kearney, Michael. “Voices of the Voiceless: Testimonial Literature in Latin America.” Latin American Perspectives 3 (1991): 314.Google Scholar
Jara, René. “Prólogo.” Testimonio y literatura. Eds. Jara, René and Vidal, Hernán. Minneapolis: Institute for the Study of Ideologies and Literature, 1986. 15.Google Scholar
Lejeune, Philippe. “The Autobiographical Contract.” French Literary Theory Today. Ed. Todorov, Tzvetan. Cambridge: Cambridge UP, 1982. 193222.Google Scholar
Levi, Primo. If This Is a Man. Trans. Woolf, Stuart. London: Abacus, 1984.Google Scholar
Mate, Reyes. Memoria de Auschwitz: Actualidad moral y política. Madrid: Trotta, 2003.Google Scholar
Menchú, Rigoberta and Debray, Elisabeth Burgos. I, Rigoberta Menchú: An Indian Woman in Guatemala. Trans. Wright, Ann. London: Verso, 1984.CrossRefGoogle Scholar
Molloy, Sylvia. At Face Value: Autobiographical Writing in Latin America. Cambridge: Cambridge UP, 1991.CrossRefGoogle Scholar
Partnoy, Alicia. The Little School: Tales of Disappearance and Survival. Trans. Partnoy, A. with Lois Athey and Sandra Braunstein. San Francisco: Cleis Press, 1986.Google Scholar
Reyes Mate, Manuel. Por los campos de exterminio. Barcelona: Anthropos, 2003.Google Scholar
Ricoeur, Paul. Memory, History, Forgetting. Trans. Blamey, K. and Pellauer, D.. Chicago: U of Chicago P, 2004.CrossRefGoogle Scholar
Rodríguez, Ileana. “Between Silence and Lies: Rigoberta Va.” The Rigoberta Menchú Controversy. Ed. Arias, Arturo. Minneapolis: U of Minnesota P, 2001. 332350.Google Scholar
Sarlo, Beatriz. Tiempo pasado, cultura de la memoria y giro subjetivo: Una discusión. Buenos Aires: Siglo XXI editores, 2007.Google Scholar
Sillato, María del Carmen. Diálogos de amor contra el silencio: Memorias de prisión, sueños de libertad (Rosario-Buenos Aires, 1977 a 1981). Córdoba, Argentina: Alción Editora, 2006.Google Scholar
Sillato, María del Carmen. Traces: Memories of Resistance (Argentina 1974–1983). Trans. Shnier, Joan. Stuttgart: Abrazos, 2013.Google Scholar
Sklodowska, Elzbieta. “Spanish American Testimonial Novel: Some Afterthoughts.” The Real Thing. Ed. Gugelberger, George M.. Durham, NC: Duke UP, 1996. 84100.Google Scholar
Sneh, Perla. Palabras para decirlo: Lenguaje y exterminio. Buenos Aires: Paradiso, 2012.Google Scholar
Sommer, Doris. “Not Just a Personal Story: Women’s Testimonios and the Plural Self.” Life/Lines: Theoretical Essays on Women’s Autobiography. Eds. Schenck, C. and Brodzki, B.. Ithaca, NY: Cornell UP, 1988. 107130.Google Scholar
Sommer, Doris. “Las Casas’ Lies and Other Language Games.” The Rigoberta Menchú Controversy. Ed. Arias, Arturo. Minneapolis: U of Minnesota P, 2001. 237250.Google Scholar
Strejilevich, Nora. A Single Numberless Death. Trans. Strejilevich, Nora with Cristina de la Torre. Charlottesville: U of Virginia P, 2002.Google Scholar
Strejilevich, Nora. El arte de no olvidar: Literatura testimonial en Chile, Argentina y Uruguay entre los 80 y los 90. Buenos Aires: Catálogos, 2006.Google Scholar
Verdugo, Patricia. Los zarpazos del puma. Santiago: Ediciones Cesoc, 1989.Google Scholar
Warren, Kay B.Telling Truths: Taking David Stoll and the Rigoberta Menchú Exposé Seriously.” The Rigoberta Menchú Controversy. Ed. Arias, Arturo. Minneapolis: U of Minnesota P, 2001. 198218.Google Scholar
Zuffi, Griselda. “Testimonio: Una verdad recordada.” Paper presented at the Congress of the Brazilian Association of Comparative Literature (ABRALIC), Rio de Janeiro, 2005.Google Scholar

Works Cited

Andermann, Jens. New Argentine Cinema. London: I. B. Tauris, 2012.CrossRefGoogle Scholar
Arce, Luz. El infierno. Santiago de Chile: Planeta, 1993.Google Scholar
Arce, Luz. The Inferno: A Story of Terror and Survival in Chile. Trans. Skar, Stacey Alba D.. Madison: U of Wisconsin P, 2004.Google Scholar
Avelar, Idelber. The Untimely Present: Postdictatorial Latin American Fiction and the Task of Mourning. Durham, NC: Duke UP, 1999.Google Scholar
Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.Google Scholar
Burgos, Elisabeth, editor. Me llamo Rigoberta Menchú y así me nació la conciencia. Mexico City: Siglo XXI Editores, 1985.Google Scholar
Burgos-Debray, Elisabeth, editor. I, Rigoberta Menchú: An Indian Woman in Guatemala. New York: Verso, 1984.Google Scholar
Calle Santa Fe. Dir. Carmen Castillo. Les Films d’Ici, 2008. Film.Google Scholar
Calveiro, Pilar. Política y/o violencia: Una aproximación a la guerrilla de los años 70. Buenos Aires: Grupo Editorial Norma, 2005.Google Scholar
Eltit, Diamela. E. Luminata. Trans. Christ, Ronald. Santa Fe: Lumen Books, 1997.CrossRefGoogle Scholar
Eltit, Diamela. Jamás el fuego nunca. Santiago de Chile: Seix Barral, 2007.Google Scholar
Eltit, Diamela. Lumpérica. Santiago de Chile: Las Ediciones del Ornitorrinco, 1983.Google Scholar
Franco, Jean. Cruel Modernity. Durham, NC: Duke UP, 2013.Google Scholar
Lazzara, Michael J.Filming Loss: (Post-)Memory, Subjectivity, and the Performance of Failure in Recent Argentine Documentary Films.” Latin American Perspectives 36.5 (September 2009): 147157.CrossRefGoogle Scholar
Lazzara, Michael J.Remembering Revolution after Ruin and Genocide: Recent Chilean Documentary Films and the Writing of History.” Film and Genocide. Eds. Wilson, Kristi M. and Crowder-Taraborelli, Tomás. Madison: U of Wisconsin P, 2012. 6786.Google Scholar
Mercado, Tununa. En estado de memoria. Buenos Aires: Seix Barral, 2008.Google Scholar
Mercado, Tununa. In a State of Memory. Trans. Kahn, Peter. Introduction by Jean Franco. Lincoln: U of Nebraska P, 2001.Google Scholar
Nouzeilles, Gabriela. “Postmemory Cinema and the Future of the Past in Albertina Carri’s Los rubios.” Journal of Latin American Cultural Studies 14.3 (2005): 263278.CrossRefGoogle Scholar
Olivera-Williams, María Rosa. “La década del 70 en el Cono Sur: Discursos nostálgicos que recuerdan la revolución y escriben la historia.” Romance Quarterly 57 (2010): 4362.CrossRefGoogle Scholar
Richard, Nelly. Crítica de la memoria (1990–2010). Santiago de Chile: Ediciones Universidad Diego Portales, 2010.Google Scholar
Richard, Nelly. Masculine/Feminine. Trans. Tandeciarz, Silvia R. and Nelson, Alice A.. Durham, NC: Duke UP, 2004.Google Scholar
Richard, Nelly. Masculino/femenino: Prácticas de la diferencia y cultura democrática. Santiago de Chile: Francisco Zegers Editor, 1993.Google Scholar
Rodríguez, Ileana and Palacios, Adriana. “Interioridades/exterioridades: Mujeres y frente interno en Nicaragua.” Cuadernos de literatura del Caribe e Hispanoamérica 17 (January–June 2013): 2948. Web. September 9, 2014.Google Scholar
Szurmuk, Mónica. “Postmemory.” Dictionary of Latin American Cultural Studies. Eds. Irwin, Robert McKee and Szurmuk, Mónica. Gainesville: UP of Florida, 2012. 258262.Google Scholar
Taylor, Diana. Disappearing Acts: Spectacles of Gender and Nationalism in Argentina’s “Dirty War.” Durham, NC: Duke UP, 1997.Google Scholar
Zalaquett, Cherie. Chilenas en armas: Testimonios e historia de mujeres militares y guerrilleras subversivas. Santiago de Chile: Catalonia, 2009.Google Scholar

Works Cited

Barrubia, Lalo. Ratas. Montevideo: Criatura editora, 2012.Google Scholar
Cortázar, Julio. Rayuela. Buenos Aires: Sudamericana, 1972.Google Scholar
de Bonafini, Hebe. Historias de vida. Hebe de Bonafini. Ed. and prologue, Matilde Sánchez. Buenos Aires: Edit. Fraterna/del Nuevo Extremo, 1985.Google Scholar
Domínguez, Nora. De donde vienen los niños: Maternidad y escritura en la cultura argentina. Rosario: Beatriz Viterbo Editora, 2007.Google Scholar
Domínguez, Nora. “Salidas de madre para salirse de madre.” Ed. Laura Martins. Revista Iberoamericana 198 (2003): 165–181.Google Scholar
Eltit, Diamela. Los vigilantes. Santiago de Chile: Sudamericana, 1994.Google Scholar
Eltit, Diamela. El cuarto mundo. Santiago de Chile: Seix-Barral, 1996.Google Scholar
Eltit, Diamela. Los trabajadores de la muerte. Santiago de Chile: Seix Barral, 1998.Google Scholar
Eltit, Diamela. Impuesto a la carne. Santiago de Chile: Seix Barral, 2010.Google Scholar
Espósito, Roberto. Bios. Buenos Aires: Amorrortu editores, 2011.Google Scholar
Fernández, Nona. Fuentzalida. Santiago de Chile: Mondadori, 2012.Google Scholar
García Huidobro, Beatriz. Hasta ya no ir y otros textos. Santiago de Chile: Lom ediciones, 2013.Google Scholar
Giorgi, Gabriel. “La lección animal: Pedagogìas queer,” in Boletìn N. 17 del Centro de Estudios de Teoría y Crìtica Literarias. Rosario, 2013. http://www.celarg.org/boletines/articulos.php?idb=38.Google Scholar
Harwicz, Ariana. La débil mental. Buenos Aires: Mar Dulce, 2014.Google Scholar
Jankélévitch, Vladimir. Pensar la muerte. Buenos Aires: FGCE, 2004.Google Scholar
Jeftanovic, Andrea. No aceptes caramelos de extraños. México: Editorial Planeta, 2012.Google Scholar
Jeftanovic, Andrea. Hablan los niños: Discursos y estéticas se la perspectiva infantil en la literatura contemporánea. Santiago de Chile: Editorial Cuarto Propio, 2011.Google Scholar
Josiowicz, Alejandra. “Infancia, género y revolución cultural en los 60’ y 70’: Clarice Lispector y Silvina Ocampo”: La cruzada de los niños: Infancia y cultura en América latina (1880–1980). Ph.D. Dissertation. Princeton University, June 2013.Google Scholar
Kristeva, Julia. “Stabat Matter.” Historias de amor. México: Siglo Veintiuno Editores, 1988, 2nd ed. 209–231.Google Scholar
Kristeva, Julia. “Motherhood Today.” http://www.kristeva.fr/motherhood.html.Google Scholar
Lange, Norah. Cuadernos de infancia. Buenos Aires: Losada, 1979.Google Scholar
Langer, Marie. “El niño asado y otros mitos sobre Eva Perón.” Fantasías eternas a la luz del psicoanálisis. Buenos Aires: Ediciones Horné, 1966. 79102.Google Scholar
Mary, Claude. Laura Bonaparte: Una Madre de Plaza de Mayo contra el olvido. Buenos Aires: Marea editorial, 2010.Google Scholar
Meruane, Lina. Fruta podrida. Santiago de Chile: Fondo de Cultura Económica, 2007.Google Scholar
Migdal, Alicia. La casa de enfrente. Montevideo: Arca, 1988.Google Scholar
Moreno, María. “Dora Bovary: El imaginario sexual en la Argentina del 80.” Las culturas de fin de siglo en América Latina. Ed. Ludmer, Josepfina. Rosario: Beatriz Viterbo Editora, 1994.Google Scholar
Ocampo, Silvina. “El retrato mal hecho.” Viaje olvidado. Buenos Aires: Emecé Editores, 1998, pp. 5052.Google Scholar
Peri-Rossi, Cristina. Indicios pánicos. Barcelona: Bruguera, 1981.Google Scholar
Richero, Sofi. Limonada. Montevideo: Parker Subproducts, 2004.Google Scholar
Robles, Raquel. Perder. Buenos Aires: Alfaguara, 2008.Google Scholar
Robles, Raquel. Pequeños combatientes. Buenos Aires: Alfaguara, 2013.Google Scholar
Suez, Perla. La pasajera. Buenos Aires: Grupo Editorial Norma, 2008.Google Scholar
Trías, Fernanda. La azotea. Montevideo: Punto cero, 2010.Google Scholar
Urondo Raboy, Angela. ¿Quién te creés que sos? Buenos Aires: Capital Intelectual, 2012.Google Scholar
Yuszczuk, Marina. Madre soltera. Buenos Aires: Mansalva, 2014.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×