Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-22T19:30:58.775Z Has data issue: false hasContentIssue false

23 - Central American Women’s Literature

from Part III - Women Writers In-Between: Socialist, Modern, Developmentalists, and Liberal Democratic Ideals

Published online by Cambridge University Press:  05 November 2015

Ileana Rodríguez
Affiliation:
Ohio State University
Mónica Szurmuk
Affiliation:
Instituto de Literatura Hispanoamericana, Argentina
Get access

Summary

Women in Central America have long been witnesses and narrators of history. This chapter provides a synthesis of the literary production of women of the isthmus from the nineteenth century to the present. It focuses on repeated themes, key questions raised, and aesthetic choices with regard to textual form and content. By highlighting the work of many admirable women, the chapter demonstrates parallels with other authors of the hemisphere while also drawing attention to the singularities of the region, considering the unique contextual circumstances in which these writers implement their craft. For many who were literate, mid-nineteenth century was spent breaking away from colonial Spain, vying for political and economic position, and adjusting to the changing iterations of what would eventually become the independent republics of Central America. The early twentieth century gives rise to social realism in leftist-leaning prose from Russia to Central America.
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Agosín, Marjorie. These Are Not Sweet Girls: Poetry by Latin American Women. Buffalo, NY: White Pine Press, 1994.Google Scholar
Anglesey, Zoé, editor. Ixok Amar. Go: Central American Women’s Poetry for Peace. Penobscot, ME: Granite Press, 1987.Google Scholar
Aparicio, Yvette. Post-Conflict Central American Literature: Searching for Home and Longing to Belong. Plymouth, UK: Bucknell UP with Rowman Littlefield, 2014.Google Scholar
Araya Solano, Seidy. Seis narradoras de Centroamérica. Heredia, Costa Rica: Editorial Universidad Nacional, 2003.Google Scholar
Arias, Arturo. Gestos ceremoniales: Narrativa centroamericana 1960–1990. Guatemala: Artemis-Edinter, 1998.Google Scholar
Arias, Arturo. The Rigoberta Menchú Controversy. Minneapolis and London: U of Minnesota P, 2001.Google Scholar
Barbas-Rhoden, Laura. Writing Women in Central America: Gender and the Fictionalization of History. Athens: Ohio UP, 2003.Google Scholar
Beverley, John. Literature and Politics in the Central American Revolutions. Austin: U of Texas P, 1990.Google Scholar
Caso, Nicole. Practicing Memory in Central American Literature. New York: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Chacón, Albino, ed. Diccionario de la literatura centroamericana. San José, Costa Rica: Editorial Costa Rica, 2007.Google Scholar
Colom, Yolanda. Mujeres en la Alborada: Guerrilla y participación femenina en Guatemala 1973–1978. Guatemala: Artemis-Edinter, 1998.Google Scholar
Cortez, Beatriz. Estética del cinismo: Pasión y desencanto en la literatura centroamericana de posguerra. Guatemala: FG Editores, 2010.Google Scholar
Escobar Sarti, Carolina. Te devuelvo las llaves. Guatemala: F&G Editores, 2010.Google Scholar
Gold, Janet N. Volver a imaginarlas: Retratos de escritoras centroamericanas. Tegucigalpa, Honduras: Editorial Guaymuras, 1998.Google Scholar
Gugelberger, George M., ed. The Real Thing: Testimonial Discourse and Latin America. Durham, NC, and London: Duke UP, 1996.Google Scholar
Hernández, Liduvina. Mujeres contra la muerte. Tegucigalpa: Editorial Guaymuras, 1993.Google Scholar
Meneses, Vidaluz. Flame in the Air: Bilingual Poetry Edition. Ed. M. Roof. Trans. M. Roof. Brimfield, MA: Casasola Editores, 2013.Google Scholar
Meneses, Vidaluz. La lucha es el más alto de los cantos. Managua: Anamá, 2006.Google Scholar
Meza Márquez, Consuelo. Narradoras centroamericanas contemporáneas: Identidad y crítica socioliteraria feminista. Aguascalientes: Universidad de Aguascalientes, 2007.Google Scholar
Meza Márquez, Consuelo. “Panorama de la narrativa de mujeres centroamericanas.” Istmo: Revista virtual de estudios literarios y culturales centroamericanos. Denison. 2002. Retrieved July 26, 2014, from http://istmo.denison.edu/n04/proyectos/panorama.html.Google Scholar
Mosby, Dorothy E. Place, Language, and Identity in Afro–Costa Rican Literature. Columbia: U of Columbia P, 2003.Google Scholar
Padilla, Yadira M. Changing Women, Changing Nation: Female Agency, Nationhood, and Identity in Trans-Salvadoran Narratives. Albany: State University of New York P, 2012.CrossRefGoogle Scholar
Pardi, P. Reflections about Claudia Lars. E-mail. July 22, 2014.Google Scholar
Preble-Niemi, Oralia, ed. Afrodita en el trópico: Erotismo y construcción del sujeto femenino en obras de autoras centroamericanas. Potomac, MD: Scripta Humanistica, 1999.Google Scholar
Quesada Soto, Álvaro. Breve historia de la literatura costarricense. San José: Editorial Costa Rica, 2010.Google Scholar
Rodríguez, Ana Patricia. Dividing the Isthmus: Central American Transnational Histories, Literatures and Cultures. Austin: U of Texas P, 2009.Google Scholar
Rodríguez, Ileana. Women, Guerrillas, and Love: Understanding War in Central America. Trans. Carr, Robert with the author. Minneapolis and London: U of Minnesota P, 1996.Google Scholar
Shea, Maureen. “Del Apogeo al Desaliento: La Audacia de la Escritora frente a su Comunidad Centroamericana entre 1880 y 1950.” Hacia una Historia de las Literaturas Centroamericanas: Tensiones de la modernidad: Del modernismo al realismo. Vol. 2. Eds. Valeria Grinberg Pla and Ricardo Roque-Baldovinos. Guatemala, Guatemala: F&G Editores, 2009. 283313.Google Scholar
Tapscott, Stephen. Twentieth-Century Latin American Poetry: A Bilingual Anthology. Austin: U of Texas P, 1996.Google Scholar
Ticas, S.Creación y destrucción: representaciones fragmentadas del sujeto y la memoria en la obra artística y literaria de Martivón Galindo.” Latin American Studies Association. Chicago: LASA, 2014.Google Scholar
Umaña, Helen. Estudios de Literatura Hondureña. Tegucigalpa, Honduras: Editorial Guaymuras, 2000.Google Scholar
Umaña, Helen. Panorama crítico del cuento hondureño (1881–1999). Tegucigalpa: Editorial Iberoamericana, 1999.Google Scholar
Vargas, Vania, ed. Ni hermosa ni maldita: Narrativa guatemalteca actual. Guatemala: Editorial Santillana, 2012.Google Scholar
Villacorta, C., and Luis, Jorge. María Josefa García Granados: Su vida, su obra, su correspondencia, sus papeles, en la leyenda, en el teatro. Guatemala: Editorial José de Pineda Ibarra, 1971.Google Scholar
Zardetto, Carol. Arte y posguerra en Guatemala. Retrieved August 19, 2014, from Gimnasia: Ejercicios contemporáneos. http://revistagimnasia.com/entradas/2014/7/9/arte-y-posguerra-en-guatemala. July 10, 2014.Google Scholar
Zardetto, Carol. “Estrella Polar.” Cuentos Guatemaltecos. Madrid: Editorial Popular, 2014, 49–63.Google Scholar
Zimmerman, Marc. Literatura y testimonio en Centroamérica: Posiciones postinsurgentes. Houston and Guatemala: La Casa and Universidad Rafael Landívar, 2006.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×