Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-31T19:21:48.176Z Has data issue: false hasContentIssue false

5 - Afro-Hispanic American literature

Published online by Cambridge University Press:  28 March 2008

By
Vera M. Kutzinski
Edited by
Roberto Gonzalez Echevarría  and
Enrique Pupo-Walker
Roberto Gonzalez Echevarría
Affiliation:
Yale University, Connecticut
Enrique Pupo-Walker
Affiliation:
Vanderbilt University, Tennessee
Get access

Summary

That the 1970s should have been the decade to inaugurate the field of Afro-Hispanic (American) studies is scarcely surprising: the Civil Rights and Black Power movements in the United States had prepared the ground for the founding of numerous Afro-American studies programs while the Boom of the Latin American novel - sponsored largely by the United States’ aggressive investment in Latin American culture aimed at defusing the political threat of a post-revolutionary Cuba - continued to draw international attention to Latin America’s literary production. This, in turn, provided publishing outlets and markets for many poets and novelists of African descent, whose work received special attention and support from newly founded organizations, such as the Afro-Ecuadorian Studies Center in Quito (1979), the Center for the Study of Black Culture in Bogotá (1977), and the Afro-Hispanic Institute at Howard University in Washington, D.C. (1981). Like their predecessors, the Institute for Afro-American Studies in Mexico (1945) and the Society for Afro-Cuban Studies Against Racism in Cuba (1936), these and other institutes also launched new journals: Cuadernos Afro-Americanos (Caracas, 1975), Negritud (Bogotá, 1977), Studies in Afro-Hispanic Literature (Purchase, New York, 1977), and the Afro-Hispanic Review (Washington, D.C, 1982, now located in Columbia, Missouri). Conferences were organized, most notably the Colloque Négritude et Amérique Latine (University of Dakar, Senegal, 1974), the Primer Congreso del Negro Panameño (1981), and several Congresos de la Cultura Negra de las Américas (Colombia, 1977; Panama, 1980; Brazil, 1982).

A number of publishing houses, among them Casa de las Américas, Ediciones Universal, and Casa de la Cultura Ecuatoriana, started to reprint “classic” twentieth-century Afro-Hispanic texts, such as Adalberto Ortiz’s Juyungo (1968); Arnoldo Palacios’s Las estrellas son negras (1971); Juan Pablo Sojo’s Nochebuena negra (1972); Sofía (1972) and La familia Unzúazu (1975) by Martín Morúa Delgado (1856-1910); Autobiografía de un esclavo (1975) by Juan Francisco Manzano; Nicolás Guillén’s Motivos de son (1980); Marcelino Arozarena’s Canción negra sin color (1983); Regino Pedrozo’s Poesías (1984); and the complete works of Alejo Carpentier, the first volume of which includes all of his “Afro-Cuban” texts.

Type
Chapter
Information
The Cambridge History of Latin American Literature , pp. 164 - 194
Publisher: Cambridge University Press
Print publication year: 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Aguirre, Mirta.Un poeta y un continente, Havana, Editorial Letras Cubanas, 1982. Collection of her essays on Guillén (1948–1979).Google Scholar
Albornoz, Aurora, and Rodríguez-Luis, Julio (eds.). Sensemayá: la poesía negra en el mundo bispanohablante, Madrid, Orígenes, 1980.Google Scholar
Angier, Angel.Nicolás Guillén, notas para un estudio biográfico-critico, 2 vols., Santa Clara, Universidad Central de las Villas, 1962–1964.Google Scholar
Angier, Angel.Detailed account of Guillén’s biography and literary career to 1934 (/vol. 1) from 1934 to 1948 (vol. 11).
Arozarena, Marcelino. Canción negra sin color, Havana, Ediciones Unión, 1966.Google Scholar
Artel, Jorge. Tambores en la nocbe: 1931–1934, Bogotá, Ediciones Bolívar, 1940.Google Scholar
Artel, Jorge. Poemas con botas y banderas, Barranquilla, Ediciones Universidad del Atlántico, 1972.Google Scholar
Artel, Jorge. Antología poética: 1931–1943, Bogotá, Ediciones Ecoe, 1979.Google Scholar
Artel, Jorge. No es la muerte, es el morir, Bogota, Ediciones Ecoe, 1979.Google Scholar
Ballagas, Emilio (ed.). Antología de la poesía negra hispanoamericana, Madrid, Bolaños & Aguilar, 1935.Google Scholar
Ballagas, EmilioMapa de la poesía negra americana, Buenos Aires, Editorial Pleamar, 1946.Google Scholar
Ballagas, Emilio. Cuaderno de poesia negra, Havana, Imprenta “La Nueva,” 1934.Google Scholar
Barrios, Pilar. Piel negra. Poesías (1917–1947), Montevideo, Nuestra Raza, 1947.Google Scholar
Barrios, Pilar. Mis cantos, Montevideo, Comité Amigos del Poeta, 1949.Google Scholar
Barrios, Pilar. Campo afuera, Montevideo, Publicaciones Minerva, 1959.Google Scholar
Belrose, Maurice.Présence du noir dans le roman vénézuélien, Paris, Editions Caribéennes, 1981.Google Scholar
Belrose, Maurice.Thorough survey of the image of Blacks and mulattoes from Peonia (1890) to Cumboto (1950).
Benítez Rojo, Antonio. La isla que se repite: El Caribe y la perspectiva posmoderna, Hanover, N.H., Ediciones del Norte, 1989. The Repeating Island: The Caribbean and the postmodern perspective, tr. Maraniss, James, Durham, N.C., Duke University Press, 1992.Google Scholar
Bernard, Eulalia. Ritmohéroe, San José, Editorial Costa Rica, 1982.Google Scholar
BrindisSalas, Virginia. Pregón de Marimorena, Montevideo, Sociedad Cultural Editora Indoamericana, 1946.Google Scholar
BrindisSalas, Virginia. Cien cárceles de amor, Montevideo, Compañía Impresora, 1949.Google Scholar
Bueno, Salvador.El negro en la novela hispanoamericana, Havana, Editorial Letras Cubanas, 1986.Google Scholar
Cabrera Infante, Guillermo. Tres tristes tigres, Barcelona: Seix Barral, 1968.Google Scholar
Cabrera Infante, Guillermo. Three Trapped Tigers, tr. Levine, Suzanne Jill, New York, Harper & Row, 1971.Google Scholar
Caraballo, Vicente.El negro Obeso. Apuntes biográficos y escritos varios, Bogotá, Editorial ABC, 1943.Google Scholar
Carpentier, Alejo. Obras completas de Alejo Carpentier, vol. 1, Mexico, Siglo Veintiuno Editores, 1983.Google Scholar
Cartey, Wilfred.Black Images, New York, Teachers’ College Press, Columbia University, 1970.Google Scholar
Cobb, Martha K.Harlem, Haiti and Havana. A comparative critical study of Langston Hughes, Jacques Roumain, and Nicolás Guillén, Washington, Three Continents Press, 1979.Google Scholar
Cofiño López, Manuel. Cuando la sangre se parece al fuego, Havana, UNEAC, 1975.Google Scholar
Négritude, Colloque at Latine, Amérique (eds.). Négritude et Amérique Latine, Dakar, Senegal, Les Nouvelles Editions Africaines, 1974.Google Scholar
Coulthard, Gabriel R.Race and Colour in Caribbean Literature, London, Oxford University Press, 1962. First published as Raza y color en la literatura antillana in 1958.Google Scholar
Coulthard, Gabriel R.Comparative, largely Cuadernos Hispanoamericanos, special issue on “Los negros en America,” (1988).
Cyrus, Stanley (ed.). El cuento negrista sudamericano. Antología, Quito, Editorial Casa de la Cultural Ecuatoriana, 1973.Google Scholar
DeCosta, Miriam (ed.). Blacks in Hispanic Literature: Critical essays, Port Washington, N.Y., Kennikat Press, 1977.Google Scholar
Díaz Sánchez, Ramón. Mené (1936), Caracas, Avila Gráfica, 1950.Google Scholar
Díaz Sánchez, Ramón. Cumboto (1950), Santiago, Editorial Universitaria, 1967.Google Scholar
Díaz Sánchez, Ramón. Cumboto, tr. Upton, John, Austin, University of Texas Press, 1969.Google Scholar
Diez-Canseco, José. Estampas mulatas, Lima, Populibros Peruanos, 1967. Enlarged edn., Editorial Universo, 1973.Google Scholar
Duncan, Quince, and Meléndez, Carlos (eds.). El negro en Costa Rica, San José, Editorial Costa Rica, 1972.Google Scholar
Duncan, Quince. Una canción en la madrugada, San José, Editorial Costa Rica, 1970.Google Scholar
Duncan, Quince. Hombres curtidos, San José, Editorial Territorio, 1971.Google Scholar
Duncan, Quince. Los cuatro espejos, San José, Editorial Costa Rica, 1973.Google Scholar
Duncan, Quince. La rebelión pocomía y otros relatos, San José, Editorial Costa Rica, 1976.Google Scholar
Duncan, Quince. La paz del pueblo, San José, Editorial Costa Rica, 1978.Google Scholar
Duncan, Quince. Final de calle, San José, Editorial Costa Rica, 1979.Google Scholar
Duncan, Quince.El negro en la literatura costarriquense, San José, Editorial Costa Rica, 1975.Google Scholar
Ellis, Keith.Cuba’s Nicolás Guillén: Poetry and ideology, University of Toronto Press, 1983.Google Scholar
Estupiñán Bass, Nelson. Canto negro por la luz. Poemas para negros y blancos, Esmeraldas, Ediciones del Núcleo Provincial de Esmeraldas de la Casa de la Cultura Ecuatoriana, 1954.Google Scholar
Estupiñán Bass, Nelson. Cuando los guayacanes florecían, Quito, Casa de la Cultura Ecuatoriana, 1954.Google Scholar
Estupiñán Bass, Nelson. Timarán y Cuabú: cuaderno de poesia para el pueblo, Quito, Casa de la Cultura Ecuatoriana, 1956.Google Scholar
Estupiñán Bass, Nelson. El paraíso, Quito, Casa de la Cultura Ecuatoriana, 1958.Google Scholar
Estupiñán Bass, Nelson. El último río, Quito, Casa de la Cultura Ecuatoriana, 1966.Google Scholar
Estupiñán Bass, Nelson. Senderos brillantes, Quito, Casa de la Cultura Ecuatoriana, 1974.Google Scholar
Estupiñán Bass, Nelson. Las puertas del verano, Quito, Casa de la Cultura Ecuatoriana, 1978.Google Scholar
Estupiñán Bass, Nelson. Toque de queda, Guayaquíl, Casa de la Cultura Ecuatoriana, 1978.Google Scholar
Estupiñán Bass, Nelson. El desempate: cuaderno de poesía para el pueblo, Portoviejo, Editorial Gregorio, 1980.Google Scholar
Estupiñán Bass, Nelson. Bajo el cielo nublado, Quito, Casa de la Cultura Ecuatoriana, 1981.Google Scholar
Estupiñán Bass, Nelson. Las 2 caras de la palabra, Quito, Ediciones Contragolpe, 1982.Google Scholar
Estupiñán Bass, Nelson. El crepúsculo, Quito, Editora Nacional, 1992.Google Scholar
Estupiñán Bass, Nelson. Los canarios pintaron el aire de amarillo, Ciudadela El Olivo: Editorial Universitaria, Universidad Técnica del Norte, 1993.Google Scholar
Estupiñán Bass, Nelson. When the Guayacans Were in Bloom, tr. Richards, Henry J., Washington, Afro-Hispanic Institute, 1987.Google Scholar
Estupiñán Bass, Nelson. Pastrana’s Last River, tr. Smart, Ian Isidore, Washington, D.C., Afro-Hispanic Institute, 1993.Google Scholar
FernándezCastro, José Antonio. El tema negro en las letras de Cuba (1608–1935), Havana, Editorial Mirador, 1943.Google Scholar
FernándezVega, Oscar, and Pamies, Alberto, Iniciación a la poesía afro-americana, Miami, Ediciones Universal, 1973.Google Scholar
Fernández Retamar, Roberto. El son de vuelo popular, Havana, Editorial Unión, 1972.Google Scholar
Fernández Robaína, Tomás. Bibliografía sobre estudios afro-americanos, Havana, Biblioteca Nacional “José Martí,” 1968.Google Scholar
Franco, José Luciano. La diáspora africana en el nuevo mundo, Havana, Editorial Ciencias Sociales, 1975.Google Scholar
González Echevarría, Roberto (ed.). Latin American Literary Review, special issue on Hispanic Caribbean literature, 8 (1980).
González Pérez, Armando (ed.). Poesía afrocubana última, Milwaukee, Center for Latin America, University of Wisconsin, 1975.Google Scholar
González, José Luis, and Mansour, Mónica (eds.). Poesía negra de América, Mexico, Ediciones Era, 1976.Google Scholar
Guillén, Nicolás. Motivos de son, Havana, Rambla & Bouza, 1930.Google Scholar
Guillén, Nicolás. Sóngoro Cosongo. Poemas mulatos, Havana, Imprenta Ucar, García & Cía., 1931.Google Scholar
Guillén, Nicolás. West Indies, Ltd., Havana, Imprenta Ucar, García, & Cía., 1934.Google Scholar
Guillén, Nicolás. Cantos para soldados y sones para turistas, Mexico, Editorial Masas, 1937.Google Scholar
Guillén, Nicolás. El son entero: suma poética, 1929–1946, Buenos Aires, Pleamar, 1947.Google Scholar
Guillén, Nicolás. La paloma de vuelo popular, elegías, Buenos Aires, Editorial Losada, 1958.Google Scholar
Guillén, Nicolás. El diario que a diario, Havana, UNEAC, 1972.Google Scholar
Guillén, Nicolás. La rueda dentada, Havana, Instituto Cubano del Libro, 1972.Google Scholar
Guillén, Nicolás. Obra poética (1920–1972), 2 vols., Havana, Editorial Arte y Literatura, 1974.Google Scholar
Guillén, Nicolás. Prosa de prisa, 1929–1972, 3 vols., Havana, Editorial Arte y Literatura, 1976.Google Scholar
Guillén, Nicolás. Cuba libre; poems by Nicolás Guillén, tr. Hughes, Langston and Carruthers, Frederic, Los Angeles, The Ward Ritchie Press, 1948.Google Scholar
Guillén, Nicolás. Man-Making Words: Selected Poems of Nicolás Guillén, tr. Márquez, Robert and McMurray, David A., Amherst, University of Massachusetts Press, 1972.Google Scholar
Guillén, Nicolás. ¡Patria o muerte! The Great Zoo and other poems by Nicolás Guillén, ed., tr., and intro., Márquez, Roberto, New York and London, Monthly Review Press, 1972.Google Scholar
Guillén, Nicolás. Tengo, tr. Carr, Richard J., Detroit, Broadside Press, 1974.Google Scholar
Guillén, Nicolás. The Daily Daily, tr. Kutzinski, Vera M., Los Angeles, University of California Press, 1989.Google Scholar
Guirao, Ramón (ed.). Orbita de la poesía afrocubana 1928–1937, Havana, Imprenta Ucar, García & Cía., 1938.Google Scholar
Habibe, Frederick Henrik.El compromiso en la poesía afroantillana de Cuba y Puerto Rico, Curaçao, 1985.Google Scholar
Jackson, Richard L.The Black Image in Latin American Literature, Albuquerque, University of New Mexico Press, 1976.Google Scholar
Jackson, Richard L.Black Writers in Latin America, Albuquerque, University of New Mexico Press, 1979.Google Scholar
Jackson, Richard L.The Afro-Spanish American Author. An annotated bibliography of criticism, New York, Garland, 1980.Google Scholar
Jackson, Richard L.Black Literature and Humanism in Latin America, Athens, University of Georgia Press, 1988.Google Scholar
Jackson, Richard L. “Afro-Hispanic literature: Recent trends in criticism,” Afro-Hispanic Review, 7 (1988).Google Scholar
Jackson, Shirley M.La novela negrista en Hispanoamérica, Madrid, Editorial Pliegos, 1986.Google Scholar
Jahn, Jahnheinz.A History of Neo-African Literature. Writing in two continents, tr. Coburn, Oliver and Lehrburger, Ursula, New York, Faber & Faber, 1968.Google Scholar
Jiménez, Blas R.Caribe africano en despertar, Santo Domingo: Nuevas Rutas, 1984.Google Scholar
Johnson, Lemuel A.The Devil, the Gargoyle, and the Buffoon. The Negro as metaphor in Western literature, Port Washington, N.Y., Kennikat Press, 1969.Google Scholar
Kooreman, Thomas. “Integración artística de la protesta social en las novelas de Manuel Zapata Olivella,” Afro-Hispanic Review, 6:1 (1987).Google Scholar
Kutzinski, Vera M.Against the American Grain: Myth and history in William Carlos Williams, Jay Wright, and Nicolás Guillén, Baltimore, Johns Hopkins University Press, 1987.Google Scholar
Kutzinski, Vera M.Sugar’s Secret: Race and the erotics of Cuban Nationalism, Charlottesville, University Press of Virginia, 1993.Google Scholar
Kutzinski, Vera M.(ed.) Callaloo, special issue on Nicolás Guillén, 10 (1987).
Latino, Simón (ed.). Los mejores versos de la poesía negra, Buenos Aires, Cuadernos de Poesía, n. 23, 1963.Google Scholar
Lewis, Marvin A.Afro-Hispanic Poetry, 1940–1980. From slavery to “Negritud” in South American verse, Columbia, University of Missouri Press, 1983.Google Scholar
Lewis, Marvin A.Treading the Ebony Path. Ideology and violence in contemporary Afro-Colombian prose fiction, Columbia, University of Missouri Press, 1987.Google Scholar
Llorens Torres, Luis. Sonetos sinfónicos, San Juan de P. R., Compañía Editorial Antillana, 1914.Google Scholar
López Albujar, Enrique. De la tierra brava; poemas afroyungas, Lima, Editora Peruana, 1938.Google Scholar
Luis, William (ed.). Voices From Under. Black narrative in Latin America and the Caribbean, Westport, Conn., Greenwood Press, 1984.Google Scholar
Luis, WilliamLiterary Bondage: Slavery in Cuban Narrative, Austin, University of Texas Press, 1990.Google Scholar
Mansour, Monica.La poesía negrista, Mexico, Ediciones Era, 1973.Google Scholar
Manzano, Juan Francisco. Autobiografía, cartas y versos de Juan Fco. Manzano, ed. Franco, José Luciano, Havana, Municipio de La Habana, 1937.Google Scholar
Manzano, Juan Francisco. Autobiografía de un esclavo, ed. Schulman, Ivan, Madrid, Ediciones Guadarrama, 1975.Google Scholar
Manzano, Juan Francisco. Poems by a Slave in the Island of Cuba, Recently Liberated; Translated from the Spanish, by Richard R. Madden, M.D., with the History of the early Life of the Negro Poet, Written by Himself; to which are prefixed two Pieces Descriptive of Cuban Slavery and the Slave Traffic, by Madden, Richard R., London, T. Ward & Co., 1840.Google Scholar
Martínez, Gregorio. Canto de sirena, Lima, Mosca Azul Editores, 1976.Google Scholar
Martínez-Estrada, Ezequiel. La poesía afro-cubana de Nicolás Guillén, Montevideo, Area, 1966.Google Scholar
Matos Moctezuma, Eduardo.El Negrito Poeta Mexicano y el Dominicano, Mexico, Porrúa, 1980.Google Scholar
Molloy, Sylvia. “From serf to self: the autobiography of Juan Francisco Manzano,” MLN, 104 (1989).CrossRefGoogle Scholar
Mondé, Publio L. (ed.). Poesía de la negritud, Madrid, Editorial Fundamentos, 1972.Google Scholar
Morales, Jorge Luis (ed.). Poesía afroantillana y negrista: Puerto Rico, República Domínica, Cuba, Río Piedras, Editorial Universitaria, Universidad de Puerto Rico, 1976.Google Scholar
Morejón, Nancy (ed.). Recopilación de textos sobre Nicolás Guillén, Havana, Casa de las Américas, 1974.Google Scholar
Morejón, NancyNación y mestizaje en Nicolás Guillén, Havana, UNEAC, 1982.Google Scholar
Morejón, Nancy. Amor, cuidad atribuida, Havana, UNEAC, 1964.Google Scholar
Morejón, Nancy. Grenada Notebook (Cuaderno de Granada), tr. Davis, Lisa, bilingual edn., New York, Círculo de Cultura Cubana, 1984.Google Scholar
Morejón, Nancy. Where the Island Sleeps Like a Wing. Selected Poetry by Nancy Morejón, tr. Weaver, Kathleen, San Francisco, Black Scholar Press, 1985.Google Scholar
Morejón, Nancy. La familia Unzúazu, Havana, La Prosperidad, 1901.Google Scholar
Moreno Fraginals, Manuel (ed.). Africa en América Tatina, Mexico, Siglo Veintiuno Editores UNESCO, 1977.Google Scholar
Moreno Fraginals, ManuelNotre Tibrairie, special issue on Afro-Hispanic culture, 80 (1985).
Morúa Delgado, Martín. Sofía, Havana, Imprenta de A. Alvarez & Cía., 1891.Google Scholar
Mose, Kendrick E. A. “Changó, el gran putas y el negro en la novelística del Colombiano Zapata Olivella,” Afro-Hispanic Review, 7 (1988).Google Scholar
Noble, Enrique (ed.). Literatura afro-hispanoamericana: poesía y prosa de ficción, Lexington, Mass., Xerox Publishing, 1973.Google Scholar
Obeso, Candelario. Cantos populares de mi tierra, Bogotá, Imprenta de Borda, 1877. Reprinted in Córdoba, Amir Smith (ed.), Vida y obra de Candelario Obeso, Bogotá, Centro para la Investigación de la Cultura Negra, 1984.Google Scholar
Ortiz, Adalberto. Juyunqo. Historia de un negro, una isla y otros negros, Buenos Aires, Editorial Americalee, 1943.Google Scholar
Ortiz, Adalberto. Camino y puerta de la angustia: poemas, Mexico, Islas, 1945.Google Scholar
Ortiz, Adalberto. Tierra, son y tambor: cantares negros y mulatos, Mexico, La Cigarra, 1945.Google Scholar
Ortiz, Adalberto. El animal berido. Poesía completa, Quito, Casa de la Cultura Ecuatoriana, 1959.Google Scholar
Ortiz, Adalberto. El espejo y la ventana, Quito, Casa de la Cultura Ecuatoriana, 1967.Google Scholar
Ortiz, Adalberto. La entundada y cuentos variados, Quito, Casa de la Cultura Ecuatoriana, 1971.Google Scholar
Ortiz, Adalberto. Fórmulas, El vigilante insepulto, Tierra, son y tambor, Quito, Casa de la Cultura Ecuatoriana, 1973.Google Scholar
Ortiz, Adalberto. La envoltura del sueño, Núcleo de Guayas, Casa de la Cultura Ecuatoriana, 1982.Google Scholar
Ortiz, Adalberto. Juyungo. A classic Afro-Hispanic novel by Adalberto Ortiz, tr. Hill, Susan F. and Tittler, Jonathan, Washington, Three Continents Press, 1982.Google Scholar
Ortiz, Fernando. Hampa afrocubana. Los negros brujos (Apuntes para un estudio de etnología criminal), Madrid, Libraría de F. Fé, 1906.Google Scholar
Ortiz, Fernando. Glosario de afronegrismos, Havana, Imprenta “El Siglo XX,” 1924.Google Scholar
Ortiz, Fernando. Ensayos etnográficos, ed. Barnet, Miguel and Fernández, Angel, Havana, Editorial de Ciencias Sociales, 1984.Google Scholar
Palacios, Arnoldo. Las estrellas son negras, Bogotá, Editorial Iqueima, 1949.Google Scholar
Palacios, Arnoldo. La selva y la lluvia, Moscow, Ediciones en Lenguas Extranjeras, 1958.Google Scholar
Palacios, Arnoldo. Obras, ed. Vásquez, Margot Arce, Río Piedras: Editorial de la Universidad de Puerto Rico, 1984.Google Scholar
Palés Matos, Luis. Tuntún de pasa y grifería: poemas afroantillanos, San Juan: Biblioteca de Autores Puertorriqueños, 1937.Google Scholar
Pedrozo, Regino. Nosotros, Havana, Editorial Trópico, 1933.Google Scholar
Pedrozo, Regino. Antología poética (1918–1938), Havana, Municipio de la Habana, 1939.Google Scholar
Pereda Valdés, Ildefonso. La guitarra de los negros, Montevideo, n.p., 1926.Google Scholar
Pereda Valdés, Ildefonso. Raza negra, Montevideo, n.p., 1929.Google Scholar
Pereda Valdés, Ildefonso (ed.). Antología de la poesía negra americana, Santiago, Ediciones Ercilla, 1936.Google Scholar
Pereda Valdés, Ildefonso. Tinea de color (ensayos afro-americanos), Santiago, Ediciones Ercilla, 1938.Google Scholar
Pereda Valdés, Ildefonso. Lo negro y lo mulato en la poesía cubana, Montevideo, Editorial Ciudadela, 1970.Google Scholar
Perera, Hilda.Idapo: el sincretismo en los cuentos negros de Tydia Cabrera, Miami, Ediciones Universal, 1971.Google Scholar
Pérez Firmat, Gustavo. The Cuban Condition: Translation and identity in modern Cuban literature, New York, Cambridge University Press, 1989.Google Scholar
Piquet, Daniel.Ta cultura afrovenezolana en sus escritores contemporáneos, Caracas, Monte Avila, 1982.Google Scholar
Preciado Bedoya, Antonio. Jolgorio: poemas, Quito, Casa de la Cultura Ecuatoriana, 1961.Google Scholar
Preciado Bedoya, Antonio. Tal como somos, Quito, Ediciones Siglo xx, 1969.Google Scholar
Preciado Bedoya, Antonio. De sol a sol, Quito, Círculo de Lectores, 1979.Google Scholar
Preciado Bedoya, Antonio. Canción testimonial, Esmeraldas, Banco Central de Ecuador, 1986.Google Scholar
Prescott, Lawrence.Candelario Obeso y la iniciación de la poesía negra en Colombia, Bogotá, Publicaciones del Instituto Caro y Cuervo, 1985.Google Scholar
Richards, Henry J., and Salas, Teresa Cajiao. Asedios a la poesía de Nicomedes Santa Cruz, Quito, Editorial Andina, 1982.Google Scholar
RuizVizo, Hortensia (ed.). Black Poetry of the Americas, 2 vols., Miami, Ediciones Universal, 1972.Google Scholar
RuizVizo, HortensiaPoesía negra del caribe y otras áreas, Miami, Ediciones Universal, 1972.Google Scholar
Ruscalleda Bercedoniz, Jorge María. Cuatro elementos sustanciales en la poesía de Nicolás Guillén, Río Piedras, Universidad de Puerto Rico, Editorial Universitaria, 1975.Google Scholar
Salazar Valdés, Hugo. Dimensiones de la tierra (1947–1951), Popayán, Colombia, Universidad del Cauca, 1952.Google Scholar
Salazar Valdés, Hugo. Toda la voz, Bogotá, Imprenta Nacional, 1958.Google Scholar
Salazar Valdés, Hugo. Pleamar: poemas, Cali, Departamento del Valle, 1975.Google Scholar
Salazar Valdés, Hugo. Rostro iluminado del Chocó, Cali, Impresión Feriva, 1980.Google Scholar
Santa Cruz Gamarra, Nicomedes. Décimas, Lima, Editorial Juan Mejia Baca, 1959.Google Scholar
Santa Cruz Gamarra, Nicomedes. Décimas, Lima, Editorial Juan Mejía Baca, 1960.Google Scholar
Santa Cruz Gamarra, Nicomedes. Cumanana: décimas de pie forzado y poemas, Lima, Editorial Juan Mejia Baca, 1964.Google Scholar
Santa Cruz Gamarra, Nicomedes. Canto a mi Perú, Lima, Libreria Studium, 1966.Google Scholar
Santa Cruz Gamarra, Nicomedes. Décimas y poemas: antología, Lima, Campodonico Ediciones, 1971.Google Scholar
Santa Cruz Gamarra, Nicomedes. Ritmos negros del Perú, Buenos Aires, Editorial Losada, 1971.Google Scholar
Santa Cruz Gamarra, Nicomedes (ed.). La décima en el Perú, Lima, Instituto de Estudios Peruanos, 1982.Google Scholar
Sanz y Díaz, José (ed.). Lira negra. Selecciones afroamericanas y españolas, Madrid, Aguilar, 1945.Google Scholar
Sardinha, Dennis.The Poetry of Nicolás Guillén. An introduction, London, New Books Ltd., 1976.Google Scholar
Smart, Ian I.Central American Writers of West Indian Origin: A new Hispanic literature, Washington, Three Continents Press, 1984.Google Scholar
Smith Córdoba, Amir (ed.). Vida y obra de Candelario Obeso, Bogotá, Centro para la Investigatión de la Cultura Negra, 1984.Google Scholar
Sojo, Juan Pablo. Nocbebuena negra, Caracas, Editorial General Rafael Urdaneta, 1943.Google Scholar
Sojo, Juan Pablo. Temas y apuntes afro-venezolanos, Caracas, Tip. La Nación, 1943.Google Scholar
Torre, Rogelio la. La obra poetíca de Emilio Ballagas, Miami, Ediciones Universal, 1977.Google Scholar
Toruño, Juan Felipe (ed.). Poesía negra. Ensayo y antología, Mexico, Obsidiana, 1953.Google Scholar
Tous, Adriana.La poesía de Nicolás Guillén, Madrid, Cultura Hispanica, 1971.Google Scholar
Trelles, Carlos M. “Bibliografía de autores de la raza de color en Cuba,” Revista Cubana Contemporánea, 43 (1927).Google Scholar
Truque, Carlos Arturo. La Granizada y otros cuentos, Bogotá, Editorial Espiral, 1953.Google Scholar
Truque, Carlos Arturo. El día que terminó el verano y otros relatos, Bogotá, Instituto Colombiano de Cultura, 1973.Google Scholar
Valdés Cruz, Rosa E. (ed.). La poesía negroide en América, New York, Las Américas, 1970.Google Scholar
ValdésConcepción, Gabriel (Plácido). Poesías completas, ed. Morales, Sebastián Alfredode, Havana, Librería y Efectos de Escritorio, 1886.Google Scholar
ValdésConcepción, GabrielLos poemas mís representativos de Plácido, ed. Stimson, Frederick and Robles, Humberto, Chapel Hill, Estudios de Hispanófila, 1976.Google Scholar
Vasconcelos, José. El Negrito Poeta Mexicano y sus populares versos, ed. León, Nicolás, Mexico, Imprenta del Museo Nacional, 1912.Google Scholar
Williams, Lorna.Self and Society in the Poetry of Nicolás Guillén, Baltimore, Johns Hopkins University Press, 1983.Google Scholar
Wilson, Carlos Guillermo (Cubena). Cuentos del negro Cubena, Guatemala, Editorial Landívar, 1977.Google Scholar
Wilson, Carlos Guillermo. Pensamientos del negro Cubena, Los Angeles, n.p., 1977.Google Scholar
Wilson, Carlos Guillermo. Cbombo, Miami, Ediciones Universal, 1981.Google Scholar
Wilson, Carlos Guillermo, Short Stories By Cubena, tr. Smart, Ian I., Washington, DC, Afro-Hispanic Institute, 1987.Google Scholar
Young, Ann Venture.The Image of Black Women in Twentieth-Century South American Poetry, Washington, Three Continents Press, 1987. Limited thematic overview.Google Scholar
Zapata Olivella, Juan. Bullanguero: poesía popular, Bogotá, Ediciones Tercer Mundo, 1974.Google Scholar
Zapata Olivella, Juan.Panacea: poesía liberada, Cartagena, Editora Bolívar, 1976.Google Scholar
Zapata Olivella, Juan.La bamaca soñadora: poemarios infantiles, Cartagena, Heliografo Moderno, 1979.Google Scholar
Zapata Olivella, Juan.El color en la poesía, Port-au-Prince, Haiti, Imprimérie Le Natal, 1982.Google Scholar
Zapata Olivella, Juan.Historia de un joven negro, Port-au-Prince, Edición Haitiana Le Natal, 1983.Google Scholar
Zapata Olivella, Juan.Pisando el camino de ébano, Bogotá, Ediciones Lerner, 1984.Google Scholar
Zapata Olivella, Manuel.Tierra mojada, Bogotá, Editorial Espiral, 1947.Google Scholar
Zapata Olivella, Manuel.La pasión vagabunda (relatos), Bogotá, Editorial Santa Fé, 1949.Google Scholar
Zapata Olivella, Manuel.He visto la nocbe (relates), Bogotá, Editorial Andes, 1953.Google Scholar
Zapata Olivella, Manuel.Hotel de vagabundos (drama), Bogotá, Editorial Espiral, 1955.Google Scholar
Zapata Olivella, Manuel.La calle 10, Bogotá, Ediciones Casa de la Cultura, 1960.Google Scholar
Zapata Olivella, Manuel.Cuentos de muerte y libertad, Bogotá, Colección Narradores Colombianos de Hoy, 1961.Google Scholar
Zapata Olivella, Manuel.Corral de negros, Havana, Casa de las Américas, 1963. Published in 1967 as Cbambacú: corral de negros, Medellín, Editorial Bedout. The two editions are not identical.Google Scholar
Zapata Olivella, Manuel.Detrás del rostro, Madrid, Aguilar, 1963.Google Scholar
Zapata Olivella, Manuel.En Chima nace un santo (1963); Barcelona, Seix Barral, 1964.Google Scholar
Zapata Olivella, Manuel.Quién dió el fusil a Oswald?, Bogotá, Editorial Revista Colombiana, 1967.Google Scholar
Zapata Olivella, Manuel.Changó, el gran putas, Bogotá, Editorial La Oveja Negra, 1983.Google Scholar
Zapata Olivella, Manuel.El fusilamiento del diablo, Bogotá, Editorial Plaza & Janes, 1986.Google Scholar
Zapata Olivella, Manuel.¡Levdntate Mulato! Por mi raza hablará el espíritu, Bogotá, Rei Andes Ltda., 1990.Google Scholar
Zapata Olivella, Manuel.Changó, el gran putas, first critical edn., Bogotá, Rei Andes Ltda., 1992.Google Scholar
Zapata Olivella, Manuel.Cbambacú: Black slum, tr. Jonathan Tittler, Pittsburgh, Penn., Latin American Literary Review Press, 1989.Google Scholar
Zapata Olivella, Manuel.A Saint is Born in Chimá, tr. Thomas Kooreman, Austin, University of Texas Press, 1991.Google Scholar
Zeñón Cruz, Isabelo. Narciso descubre su trasero: el negro en la cultura puertorriqueña, 2 vols., Humacao, Puerto Rico, Editorial Furidi, 1975.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×