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Chapter 24 - Piyyuṭ

from Part III - Spiritual and Intellectual History

Published online by Cambridge University Press:  21 August 2021

By
Tova Beeri
Edited by
Phillip I. Lieberman
Phillip I. Lieberman
Affiliation:
Vanderbilt University, Tennessee
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Summary

Piyyuṭ (pl. piyyuṭim) is the Hebrew term for liturgical poetry that embellishes the public recitation of the statutory prayers recited in the synagogue by the precentor (ḥazzan). As a substitute for most of the fixed versions of the obligatory prayers (except for the berakhot), its function was to introduce variety, in this case through artistic poetic expression, to the established, statutory prayers.

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The Cambridge History of Judaism , pp. 780 - 795
Publisher: Cambridge University Press
Print publication year: 2021

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References

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Beeri, Tova. Le-David Mizmor: The Liturgical Poems of David Ha-Nasi Son of Hezekiah the Exilarch [Hebrew] (Jerusalem, 2009).Google Scholar
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Fleischer, Ezra. “The Influence of Choral Elements on the Formation and Development of Piyyuṭ Genres” [Hebrew], Yuval 3 (1974), 18–48.Google Scholar
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Fleischer, Ezra. “Piyyuṭ,” in Safrai, Shmuel et al., eds., The Literature of the Sages: Part Two (Minneapolis, 2006).Google Scholar
Fleischer, Ezra. Hebrew Liturgical Poetry in the Middle Ages [Hebrew] (Jerusalem, 2007).Google Scholar
Friedman, Mordechai A. “Abraham Maimuni’s Prayer Reforms: Continuation or Revision of His Father’s Teachings?” in Fraenkel, Carlos, ed., Traditions of Maimonideanism (Leiden, 2009).Google Scholar
HaCohen, Eden. The Yoṣerot of Rabbi Selomo Sulaymān al-Sanjarī for the Annual Cycle of Torah Reading [Hebrew] (Jerusalem, 2019).Google Scholar
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Scheindlin, Raymond P. The Gazelle: Medieval Hebrew Poems on God, Israel and the Soul (Philadelphia, 1991).Google Scholar
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