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23 - Imagining Cuba’s New Revolutionary Communities Through Film (1959–1989)

from Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents

Published online by Cambridge University Press:  31 August 2024

Vicky Unruh
Affiliation:
University of Kansas
Jacqueline Loss
Affiliation:
University of Connecticut
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Summary

This chapter unpacks the hegemonic attitudes within the extensive anticolonial project of Cuban feature-length and documentary film from 1959 to 1989. The chapter first explores the centrality in and contributions to the New Latin American cinema movement of Cuba, the Cuban Film Institute (ICAIC), and Cuban film directors Julio García Espinosa, Tomás Gutiérrez Alea, Humberto Solás, and Santiago Álvarez. At the same time, the chapter makes visible the many accomplished though lesser-known creative agents who helped shape these directors’ model of auteur esthetics, demonstrating how films by Sara Gómez and Nicolás Guillén Landrián also constitute fundamental and critical contributions to the Cuban cinematic canon of the period, which typically privileged the contributions of white men.

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Publisher: Cambridge University Press
Print publication year: 2024

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References

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