Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-09T13:50:31.204Z Has data issue: false hasContentIssue false

29 - The Artistic Worlds of Guillermo Cabrera Infante

from Part IV - The Revolution’s Literary-Cultural Initiatives and Their Early Discontents

Published online by Cambridge University Press:  31 August 2024

Vicky Unruh
Affiliation:
University of Kansas
Jacqueline Loss
Affiliation:
University of Connecticut
Get access

Summary

This chapter addresses the literary-artistic worlds marking the work of Cuban fiction writer, journalist, and film critic Guillermo Cabrera Infante, demonstrating first that the stories of cultural publications in the 1950s, like the longstanding Bohemia and Carteles, and of the new postrevolutionary initiative of the early 1960s, Lunes de Revolución, cannot be understood without tracing the key role Cabrera Infante played in them during these years. But, as the chapter details, Cabrera Infante’s own masterpieces, Tres tristes tigres (1967) and Vista del amanecer en el trópico (1974), are also more fully illuminated by pursuing such connections. In making these links, the chapter proposes that the convergences in Cabrera Infante’s journalism, cinema criticism, and fiction created a “poetics of the fragment” that embodied a privileging of ambiguity over didacticism in art.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Alvarez Borland, Isabel. Cuban American Literature of Exile: From Person to Persona, U of Virginia P, 1998.Google Scholar
Alvarez Borland, Isabel . Discontinuidad y ruptura en Guillermo Cabrera Infante. Hispamérica, 1982.Google Scholar
Alvarez Borland, Isabel . “Figures of Identity.Cuban American Literature and Art, edited by Alvarez Borland, Isabel and Bosch, Lynette, SUNY, 2009, pp.3147.Google Scholar
Alvarez Borland, Isabel . “Identidad cíclica de Tres tristes tigres.Revista Iberoamericana, vol. LVII, no. 154, 1991, pp. 215233.CrossRefGoogle Scholar
Alvarez Borland, Isabel . “Mapa dibujado por un espía: Crónica autobiográfica y poética de la memoria.La escritura metafinal de Guillermo Cabrera Infante, edited by Hammerschmidt, Claudia, INOLAS, 2017, pp. 221240.Google Scholar
Cabrera Infante, Guillermo. Arcadia todas las noches. Seix Barral, 1978.Google Scholar
Cabrera Infante, Guillermo . Así en la paz como en la guerra. Ediciones R, 1960.Google Scholar
Cabrera Infante, Guillermo . A Twentieth Century Job. Translated by Kenneth Hall and the author, Faber and Faber, 1991.Google Scholar
Cabrera Infante, Guillermo . “(C)lave Attemptor! A Chronology (After Laurence Sterne’s).World Literature Today, vol. 61, no. 4, 1987, pp. 513519.CrossRefGoogle Scholar
Cabrera Infante, Guillermo . Cuerpos divinos. Galaxia Gutenberg, 2010.Google Scholar
Cabrera Infante, Guillermo . Exorcismos de esti(l)o. Seix Barral, 1976.Google Scholar
Cabrera Infante, Guillermo . La Habana para un Infante difunto. Seix Barral, 1979.Google Scholar
Cabrera Infante, Guillermo . “Include Me Out.Requiem for the Boom-Premature: A Symposium, edited by Minc, Rose S. and Frankenthaler, Marilyn R., Montclair State College, 1980, pp. 920.Google Scholar
Cabrera Infante, Guillermo . Infante’s Inferno. Translated by Suzanne Jill Levine and the author, Harper and Row, 1984.Google Scholar
Cabrera Infante, Guillermo . Map Drawn by a Spy. Translated by Mark Fried, Penguin, 2017.Google Scholar
Cabrera Infante, Guillermo . Mapa dibujado por un espía. Galaxia Gutenberg, 2013.Google Scholar
Cabrera Infante, Guillermo . Mea Cuba. Plaza & Janés, 1992.Google Scholar
Cabrera Infante, Guillermo . Mea Cuba. Translated by Kenneth Hall and the author, Noonday Press, 1995.Google Scholar
Cabrera Infante, Guillermo . “Un mes lleno de Lunes.Lunes de Revolucion Literatura y cultura, edited by Luis, William, Verbum, 2003, pp. 137153.Google Scholar
Cabrera Infante, Guillermo . La ninfa inconstante. Galaxia Gutenberg, 2008.Google Scholar
Cabrera Infante, Guillermo . Un oficio del siglo veinte. Seix Barral, 1973.Google Scholar
Cabrera Infante, Guillermo . O. Seix Barral, 1975.Google Scholar
Cabrera Infante, Guillermo . Three Trapped Tigers. Translated by Donald Gardner, Suzanne Jill Levine, and the author, Avon Books, 1985.Google Scholar
Cabrera Infante, Guillermo . Tres tristes tigres. 2nd ed., Seix Barral, 1971.Google Scholar
Cabrera Infante, Guillermo . “Viaje verbal a La Habana, ¡Ah Vana!” Interview by Isabel Alvarez Borland, Hispamérica, vol. XI, no. 31, 1982, pp. 5168.Google Scholar
Cabrera Infante, Guillermo . View of Dawn in the Tropics. Translated by Suzanne Jill Levine and the author, Creative Arts, 1981.Google Scholar
Cabrera Infante, Guillermo . Vista del amanecer en el trópico. Plaza & Janés, 1984.Google Scholar
Cabrera Infante, Guillermo . Writes of Passage. Translated by John Brookesmith, Peggy Boyars, and the author, Faber and Faber, 1993.Google Scholar
Franqui, Carlos. Family Portrait with Fidel. Translated by Alfred MacAdam, Vintage Books, 1985.Google Scholar
García Ramos, Reinaldo. “Mapa para huir de una ciudad agonizante.Revista Conexos, vol. 8, Feb. 2014, https://conexos.org/2014/08/02/mapa-para-huir-de-una-ciudad-agonizante/.Google Scholar
Geisdorfer Feal, Rosemary. Novel Lives: The Fictional Autobiographies of Guillermo Cabrera Infante and Mario Vargas Llosa. U of North Carolina P, 1986.Google Scholar
Gómez, Miriam. Phone conversation, 17 Jan. 1922.Google Scholar
Granados, Omar. Re-escrituras: Literatura de la revolución cubana. 2012. Emory University, PhD dissertation.Google Scholar
Hall, Kenneth. Guillermo Cabrera Infante and the Cinema. Juan de la Cuesta, 1988.Google Scholar
Hammerschmidt, Claudia. “Mi genio es un enano llamado Walter Ego”: Estrategias de autoría en Guillermo Cabrera Infante. Iberoamericana, 2015.Google Scholar
Hammerschmidt, Claudia, editor. La escritura metafinal de Guillermo Cabrera Infante: Homenaje a su obra “casi completa.” INOLAS, 2017.Google Scholar
Ingram, Forrest L. Representative Short Story Cycles of the Twentieth Century. Mouton, 1971.CrossRefGoogle Scholar
Luis, William. “Exhuming Lunes de Revolución.CR: The New Centennial Review, vol. 2, no. 2, 2001, pp. 253283.CrossRefGoogle Scholar
Luis, William, editor. Lunes de Revolución: Literatura y cultura. Verbum, 2003.Google Scholar
Magnarelli, Sharon. “The Writerly in Tres tristes tigres.The Analysis of Hispanic Texts: Current Trends in Methodology, edited by Davis, Lisa E. and Taran, Isabel, Bilingual Press, 1976, pp.300320.Google Scholar
Mañach, Jorge. Indagación del choteo. Linkgua, 2009.Google Scholar
Merrim, Stephanie. “A Secret Idiom: The Grammar and Role of Language in Tres tristes tigres.Latin American Literary Review, vol. 16, no. 8, 1980, pp.96117.Google Scholar
Mirabal, Elizabeth, and Velasco, Carlos. Sobre los pasos del cronista: El quehacer intelectual de Guillermo Cabrera Infante en Cuba hasta 1965. Unión, 2010.Google Scholar
Nelson, Ardis. “Tres tristes tigres y el cine.Kentucky Romance Quarterly, vol. 29, no. 4, 1982, pp. 391404.CrossRefGoogle Scholar
Nelson, Ardis, editor. Guillermo Cabrera Infante: Assays, Essays, and Other Arts. Twayne, 1999.Google Scholar
Pérez, Louis A. On Becoming Cuban. UP North Carolina, 1999.Google Scholar
Rojas, Rafael. “El estilo contra la historia.Letras Libres, vol. 6, no. 69, 2004, pp. 4852.Google Scholar
Rojas, Rafael . “La viñeta y el retrato.La escritura metafinal de Guillermo Cabrera Infante, edited by Hammerschmidt, Claudia, INOLAS, 2017, pp.183203.Google Scholar
Rosa, Nicolás. “Cabrera Infante: Una patología del lenguaje.Crítica y significación. Galerna, 1970, pp. 175225.Google Scholar
Souza, Raymond D.The Cinematic Imagination.Guillermo Cabrera Infante: Assays, Essays, And Other Arts, edited by Nelson, Ardis, Twayne, 1999, pp.5565.Google Scholar
Souza, Raymond D. . Guillermo Cabrera Infante: Two Islands, Many Worlds. U Texas P, 1996.Google Scholar
Torres Fierro, Danubio. “Guillermo Cabrera Infante.Memoria Plural: Entrevistas a escritores latinoamericanos, Sudamericana, 1986, pp. 59105.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×