Skip to main content Accessibility help
×
Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-11-26T00:52:08.703Z Has data issue: false hasContentIssue false

32 - Towards a Christian material culture

from Part VI - ‘Aliens’ become Citizens: towards Imperial Patronage

Published online by Cambridge University Press:  28 March 2008

Margaret M. Mitchell
Affiliation:
University of Chicago
Frances M. Young
Affiliation:
University of Birmingham
Get access

Summary

Christians, idols and the invisible God

In his address at the Athenian Areopagus, the apostle Paul (according to Luke) points out similarities as well as differences between the worship of the locals and the God he proclaims. Distressed to find the city filled with idols, he remarks that Athenians must be extremely religious people, since, among all those objects of worship, he noted an altar dedicated to ‘an unknown god’.This find leads him to distinguish the Christian God from other gods, specifically in terms of their material accoutrements:

The God who made the world and everything in it, he who is Lord of heaven and earth, does not live in shrines made by human hands, nor is he served by human hands… Since we are his offspring, we ought not to think that the deity is like gold, or silver, or stone, an image formed by the art and imagination of mortals.

(Acts 17: 22-9, NRSV)

If Paul’s pronouncement actually had guided subsequent Christian practice, this religion indeed would have appeared to be a ‘strange new teaching’ – radically different from other religions in terms of constructing shrines to house or images to portray its deity. Graeco-Roman polytheism was visually oriented. Temples and statues were central to most of the ‘foreign’ religions practiced by diverse ethnic groups in the empire, while religious pluralism and experimentation were characteristic of the era. Paul’s Athenian contacts are described as eager to hear and tell about ‘something new’, and Paul’s proclamation of a deity beyond visual representation and inhabiting all of space was something new. But besides worshipping their own invisible and omnipresent God, Christians stubbornly refused to respect their neighbour’s gods and boycotted the civic and imperial cult. They were not pluralistic in heir attitude towards religion, and either denied that other gods existed, or claimed that they were demonic inventions.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Balch, D. L.The Areopagus speech: an appeal to the Stoic historian Posidonius against later Stoics and the Epicureans’, in Greeks, Romans, and Christians: essays in honor of Abraham J. Malherbe, Balch, D. L., Ferguson, E. and Meeks, W. A (eds.) (Minneapolis: Fortress, 1990)Google Scholar
Balch, D. L. . ‘The suffering of Isis/Io and Paul’s portrait of Christ crucified (Gal. 3.1): frescoes in Pompeian and Roman houses and in the temple of Isis in Pompeii’, Journal of religion 83 (2003)Google Scholar
Breckenridge, J. D.The reception of art into the early church’, Atti del ix congresso internazionale di archeologia cristiana 9.1 (1978)Google Scholar
Davies, J. G. The architectural setting of baptism (London: Barrie and Rockliff, 1962).
Elsner, J. (ed.). Art and text in Roman culture (Cambridge: Cambridge University Press, 1996).
Fine, S. (ed.). Sacred realm: the emergence of the synagogue in the ancient world (New York: Oxford University Press, 1996).
Finney, P. C. (ed.). Art, archaeology and architecture of early Christianity, Ferguson, E. (ed.), Studies in Early Christianity 18 (New York: Garland, 1993).
Finney, P. C. (ed.). The invisible God: the earliest Christians on art (New York: Oxford University Press, 1994).
Grabar, A. The beginnings of Christian art, 200–395, Gilbert, S. and Emmons, J. (trans.) (London: Thames and Hudson, 1967).
Grabar, A. . Christian iconography: a study of its origins, Grabar, T. (trans.) (Princeton: Princeton University Press, 1968).
Grigg, R.Aniconic worship and the apologetic tradition’, Church history 45 (1976)Google Scholar
Hertling, L. and Kirschbaum, E. . The Roman catacombs and their martyrs, Costelloe, M. J. (trans.) (Milwaukee, WI: Bruce, 1956).
Jensen, R. M.The Dura Europos synagogue, early Christian art, and religious life in Dura Europos’, in Jews, Christians, and polytheists in the ancient synagogue, Fine, S. (ed.) (London: Routledge, 1999)Google Scholar
Jensen, R. M. . Face to face: portraits of the divine in early Christianity (Minneapolis: Fortress, 2005).
Jensen, R. M. . Living water: the images, symbols, and settings of early Christian baptism (Leiden: Brill, forthcoming).
Jensen, R. M. . Understanding early Christian art (London: Routledge, 2000).
Krautheimer, R. Early Christian and Byzantine architecture, 4th ed. (Harmondsworth: Penguin, 1986).
Levine, L. I. Ancient synagogues revealed (Jerusalem: Israel Exploration Society, 1982).
Levine, L. I. The ancient synagogue: the first thousand years (New Haven: Yale University Press, 2000).
Mancinelli, F. Catacombs and basilicas: the early Christians in Rome, Wasserman, C. (trans.) (Florence: Scala, 1981).
Mathews, T. F. The clash of gods: a reinterpretation of early Christian art, rev. ed. (Princeton: Princeton University Press, 1999).
Milburn, R. L. P. Early Christian art and architecture (Berkeley: University of California Press, 1988).
Murray, Charles . ‘Art and the early church’, Journal of theological studies n.s. 28 (1977)Google Scholar
Murray, Charles . Rebirth and afterlife: a study of the transmutation of some pagan imagery in early Christian funerary art (Oxford: BAR, 1981).
Nicolai, V. F., Bisconti, F. and Mazzoleni, D. . The Christian catacombs of Rome: history, decoration, inscriptions (Regensburg: Schnell & Steiner, 1999).
Osiek, C. and Balch, D. L. . Families in the New Testament world: households and house churches (Louisville, KY: Westminster John Knox, 1997).
Rutgers, L. V.Diaspora synagogues: synagogue archaeology in the Greco-Roman world’, in Sacred realm: the emergence of the synagogue in the ancient world, Fine, S. (ed.) (New York: Oxford University Press, 1996)Google Scholar
Snyder, G. F. Ante pacem: archaeological evidence of church life before Constantine, 2nd ed. (Macon, GA: Mercer University Press, 2003).
Stevenson, J. The catacombs: rediscovered monuments of early Christianity (London: Thames and Hudson, 1978).
van der Meer, F. Early Christian art, Brown, P. and Brown, F. (trans.) (Chicago: University of Chicago Press, 1967).
White, L. M. (ed.). The social origins of Christian architecture, 2 vols., HTS 42 (1996–7).
Zanker, P. The mask of Socrates: the image of the intellectual in antiquity, Shapiro, A. (trans.), Sather Classical lectures 59 (Berkeley: University of California Press, 1995).

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×